Autograph Letters

Divine and author (1806-82). The recipient (1811-90) was a musical writer and composer, and the priest-ordinary of the Chapel Royal, St James's. Three pages. Poor: creased, dogeared, frayed, and with traces of previous mount adhering to blank verso of second leaf of bifoliate. He received the note and inclosure the day before. 'We have copied the beautiful Kyrie Eleeson, and I now return it with many thanks for the trouble you have so goodnaturedly taken in my behalf.' He wishes he could have been at Leeds for what 'must have been a truly gratifying sight.

English aristocrat (1835-95), poet, numismatist, archaeologist, writer on natural history, etc. Two pages, 12mo. Good, but with blank verso of second leaf of bifoliate adhering to docketed remains of leaf from autograph album. Had he not been 'so busy that I hardly knew where to turn' he would have answered the letter 'on the subject of the seal' sooner.

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

English novelist (1775-1861). One page, 12mo. A frail item in poor condition: on discoloured, frayed paper, with several closed tears and some loss to edges. A formal letter in the third person. 'Lady Charlotte Bury presents Her Comp[limen]ts. to Mr: Colnaghi and would be obliged to Him if He could make it convenient to call upon Her any time this Day, as she wishes to speak to Him respecting Some Drawings which she intends to publish'.

English artist and illustrator (1820-1912). Swain (1820-1909) was a noted wood-engraver, and the letter concerns his possible employment by Macquoid. Two pages, 12mo. Good, but on discoloured paper, heavily sunned along one edge and browning in one corner, with small closed tear at top of fold. Swain's price 'for Blocks will do - £8. 8. 0 for full page & £6. 6. 0 for front page -'. He has seen Williams 'who was very polite & promised me some work'. Williams is 'going to be married soon - wh: he said wd. "come in the way" of drawings at present'. Signed Thos. R. Macquoid'.

Anglo-Irish journalist and caricaturist (1854-1925), best known for his work for Punch. Three pages, 12mo. Very good, but with slight wear and discoloration to recto of first leaf of bifoliate. Asks to 'know the fate of Miss Lyster's M.S.' 'You will recollect I called & saw you about it some months ago. She is anxious you should understand you can have the M.S. without the drawings as you did not seem <?> for the latter | An answer will much oblige | Yours very truly | [signed] Harry Furniss'.

English essayist and biographer of Charles Lamb (1868-1938). One page, quarto. Good only, on discoloured and creased paper. Lucas finds Ross's 'Heads and tales, etc.' (London: Rich & Cowan, 1934), a collection of interviews with the famous, 'incorrigibly lively'. 'I do not share all your sympathies but you have made a very entertaining thing out of question and answer. While I was reading, it occurred to me that a new kind of interview might be based on the "Questions I should not put to So-and-so". To G[eorge]. B[ernard].

One page, quarto. Poor, on creased, discoloured paper, with two punch holes in left-hand margin and short closed tears along the central fold. 'It is as well that you underlined your name in print, for I cannot detect the faintest resemblance between it and your signature. Is this the fault of my imperfect eyes or your powerful hand? | As to your humorist - I think the Forceps Saga is funny, but Punch has a number of people who do things rather like it. Still, he should certainly let the Editor see this specimen together with something new.

Journalist (1802-79). Three pages, 12mo. Good, but on slightly discoloured grey paper, with some staining from previous mounting to one edge. 'Dear Sirs, | You will see some of your publications noticed in the Morning Advertiser of to-day. As we mean to make literary notices a feature in our paper, any publications you may send us will meet with every attention. Mrs Hall's "Pilgrimages" [published by Arthur Hall, Virtue & Co] has not reached me, otherwise, being a Christmas book it would have met with an immediate notice.' Asks to be sent 'all the advertisements you can.

English novelist (1900-96). One page, octavo. Good, but with slight marking from staple in top left-hand corner. He is glad his correspondent is 'having therapy for your bad back for, hard work though it is, and must be in your case, I'm sure you will find it helpful. | About author's proofs, they of course usually go back to publishers; but what I am glad to be able to send you is the jacket of my latest book which at least has a picture and my signature, and I hope it will, at least, be decorative in your study.' Signed 'Victor S Pritchett'.

English positivist philosopher (1831-1923). Two pages, 12mo. In poor condition: on discoloured paper with remains of stub still adhering along one edge, and with slight damage to blank verso of second leaf of bifoliate. He is obliged for the 'invitation to contribute to the pages of the International Review; & I only wish that it was in my power to accept it.' He has 'a limited amount of time for literary work' and cannot at present make 'any further engagement', but may do so in the future. Signed 'Frederic Harrison'.

Bathurst (1790-1863), an alumnus of Christ Church, Oxford, was Lord of the Manor of Lidney. One page, 12mo. Good, on creased, grubby and discoloured paper, with traces of mount adhering to reverse. Begins 'I send you a Pamphlet, which I dare say began in my brain in the cotyledonous or radicle state as early as when we bothered at Usk Sessions, one day or other you will perhaps read it'. Ends 'I am glad to find you are better than at the beginning of the Circuit'. There is no record of Bathurst's pamphlet in the BL.

Miniature painter and chemist (1802-75) with Carlisle and Newcastle connections. The recipient (1794-1860) was a miniature-painter and member of the Royal Academy. Both letters in poor condition, on discoloured, worn and stained paper, but with no loss to text. In LETTER ONE (two pages, 12mo) he states his willingness to meet Ross 'to talk over the matter to whicy your letter of yesterday refers', undertaking to 'enage with Mr. Thorburn to meet us'.

Irish novelist (1863-1951). One page, 12mo. Good, but with some rust stains from staple. Reads 'Dear Sir | I enclose autograph with much pleasure | Believe me | yours truly | H De Vere Stacpoole.'

Learned ecclesiastic (1721-1807), who opposed Hume and edited Clarendon. One page, quarto. Good, though on discoloured paper and heavily creased with a few small holes (not affecting text) caused by wear. Second leaf of bifoliate, damaged, discoloured and with some loss through breaking of wafer; bears address ('To / Major General Rooke | Member of Parliament | Woodstock | Oxfordshire') and postmark 'WINDSOR'. As Douglas was travelling to Salisbury, Rooke's covering letter did not arrive with 'Dr.

English aristocrat (1769-1859). Apparently cropped, but with no loss to text. Dimensions of paper roughly four inches square. Grubby and lightly stained. Docketed in pencil. A formal letter in the third person. Reads 'Lord Bristol presents his Compliments to the Duchess of Beaufort, & sends her Grace the enclosed Paper which came directed by mistake to him this Morning -'.

Map-maker, geographe, geographer. (One page, folio,some creasing and soiling, mainly good, clear and complete. This is a formal document in his best hand, in which he requests the opportunity to exhibit at "l'exposition" his latest work, "une carte de la France industrielle indiquent la position de tous les lieux qui ont fournis quelques produits aux 5 expositions, la designation de ces produits . . . ." He says how far he is advanced. An important letter.

Arbuthnot (1767-1850) was a diplomat and statesman; Murray (c.1768-1827) was a soldier. Three pages, quarto. Good, but creased and grubby on discoloured paper. Rust stain from paperclip and traces of previous mount on blank verso of second leaf of bifoliate. He has received Murray's letter.

English humorist (1869-1915), a long-time contributor to 'Punch' magazine. One page, 12mo. Good on somewhat discoloured paper. Reads 'Dear Miss Manook. | No, of course I was not annoyed. I am sorry I have not a copy of any book of mine by me, and I have not time today to write one for you.' Signed 'Walter Emanuel'.

English novelist (1836-1901). Two pages, octavo. Some discoloration in margin from previous mounting. His silence is due to the fact that he has been 'out of town for Easter'. He is grateful to his correspondent for thinking of him 'in connection with the Garrick. But I am afraid I must not consider it. You see by the address that I live out of the way of clubs - This is for the sake of certain small children <?> to be considered'. He is already a member of three clubs: the Athenaeum, the Old University and the Savile ('wh: I do frequent').

Editor of "Le Siecle", economist and politician (see Wikiberal). One page, 4to, some foxing, one edge badly trimmed, text clear and complete. "Je vous remercie de las marque de sympathie que vous avez donnes a la [France?] en envoyant votre sousscription pour les vistimes de la Martinique. Je l'ai deposee au [?] qui a ouvert une sousscription que nous n'avons pas un [?] ouvrier, en ayany trop ouvert du temps de l'affaire Dreyfus. . . "

Founder of Express Dairies (1860-1937), and antiquarian with a private museum in Sudbury. One page, quarto. Very good on slightly discoloured paper. He thanks him for sending Professor Petrie's letter. 'It is a subject which we have had before us for some time past, and are still keeping well in view as we are specially anxious to do something more on the lines the Professor pints [sic - and how appropriate!] out.' He has dropped Petrie a line. Signed 'G. Titus Barham'.

Etcher. Four pages, 8vo, good condition, sending his warm appreciation of her ‘Reminiscences’,mentioning Kate Greenaway ("artistic merit and sweet disposition") whose Christmas cards Lady Dorothy has kept, and also mentioning that he had sent a Card [copy enclosed] to the King which the King had admired greatly. Enclosed: a print of the original etching by Lawson after the cartoon by Tenniel which had featured in the Punch Almanack of 1874 and was commended by the King, INSCRIBED "Lady Dorothy Nevill, / a token of / the Etcher's great appreciation / of her 'Reminiscences'.

Dramatic author, critic, and translator (see DNB). On epage, 8vo, vestiges of the laying down process, mainly good condition. "My "Virginie" [underlined] is from the Virginie [underlined] of M. Latour de St Ybais - and is the peice in which Rachel played during her first engagement at the St James' - Are you sure there is a Virginie by Ronsard. - He wrote a lucrece [underlined]."

Anglo-Irish sculptor (1842-1924). One page, quarto. Good, on slightly discoloured paper. The embossment has been gone over in light blue pencil to bring it up. A couple of manuscript marks by Bruce-Joy for emphasis. Begins Offers to show his correspondent the 'colossal Statue of Mr. Oliver Heywood, which I have lately completed in the marble' (leaving for Manchester 'in a few days'), as well as 'the finished marble Statue of Mr. Whitley, M.P., for St.

Anglo-French journalist (1801-81) and friend of Mallarme. Letter: two pages, octavo. Good, though on creased, discoloured and spotted paper. The verso of the second leaf of the bifoliate is ruckled and with glue stains showing through from the verso, which is attached to a piece of ruled paper. Reads 'Mon cher voisin | I enclose an order for the Westminster Play for to night, which may perhaps interest you or your son. If either of you are able to go, you should be there early.

Author and editor (see DNB). One page, 8vo, sl. discoloured, laid down on another piece of paper, text clear as follows: Before leaving town I requested a friend who is very intimate with publishers to take charge of your M.S. and as a favour to me, to do anything in his power towards procuring its publication." He made enquiries about progress but found that his friend was out of the country for a spell. He is usng black-margined paper because of the death of Mrs Brooks's mother.

Theatrical manager (1796?-1860) and poet, manager of Drury Lane and Covent Garden theatres, 1833-48. One page, quarto. Good, but somewhat grubby on lightly-creased, discoloured paper. Reads 'My dear Sir | I do not remember at this moment any point, beyond those we discussed yesterday, that requires adjustment, except the return of £63-4-8 overpaid on the rent account up to July 5th. and the four weeks salaries to your watchmen & firemen from that day up to last Saturday, amounting to £27 - | The balance of the "Warwick Box" is still unpaid.' Signed 'A Bunn'.