MUSICAL

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

172pp., 16mo (10 x 6.5 cm.). In original green leather quarter-binding, with marbled endpapers and label on front cover: 'No 1 | DECEMBER | 1837 | 1838'. Aged and worn, with the contents of the volume detached from the binding, and the signatures loose through breaking of the stitching. In pencil beneath the binder's ticket on the front pastedown: 'Hogarth | 10 Powis Place', with this address continuing at the foot of the first page: 'Gt Ormond St'.

The Association des Artistes Musiciens was founded by the traveller and author Baron Isidore Justin Séverin Taylor (1789-1879), and existed between 1843 and 1868. Its aims were to improve the status of musicians, to provide a pension fund and relief, and to promote the art of music. Over the years the Association's committee contained eminent personalities inclulding Berlioz, Liszt, Meyerbeer, Auber, Thalberg, Zimmerman, Herz and Érard.

Piece of paper, 19 x 14cms, bottom edge sl. rough (torn rather than cut from other half of the page), ow good condition, with bold signatures. The signatures of Evangeline Florence, soprano (as Evangeline F Crerar, her married name) and Henry Brearley, tenor, the latter dated 2 March 1904 are on the verso.

1p, 4to. In fair condition, lightly aged. Folded once. The printing of the letterhead, in red and black, extends along three edges, with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot, including Rodgers, Hammerstein and 'Louis Dreyfus (British formerly American)'. The note, addressed to 'Mr.

[24]pp, 12mo. Stapled programme, in shiny covers. Strip torn away from back cover, and with staples slightly rusted, otherwise in fair condition. Large signature 'Ivor Novello' diagonally across title on front cover: 'Richard D. Rose | presents | Ivor Novello | in | I Lived With You | A comedy in three acts | by | Ivor Novello'. An illustrated 'magazine' programme, containing articles and advertisements. No copy on OCLC WorldCat. From the papers of Novello's friend and biographer, the theatre historian W. J.

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

Evidently written out as a gift for Christopher Fry, from whose papersit derives. A 10.5 x 24 cm piece of printed manuscript paper, on grey mount in glazed black wooden 17.5 x 31 cm frame. In good condition. Signed at top right 'Richard Kayne.' Towards top left: 'The Lady's Not For Burning. | Chichester, 1972.' Within the uppermost of three lines of staves Kayne has written and underlined 'THE LADY THEME'. The central stave contains the opening bars, for alto flute.

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank.

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

On 7 x 10.5 piece of orange paper, removed from an autograph album. In good condition, lightly aged and worn. Expansive signature, with surname underlined and dots to i's like dashes. Reads: 'Good luck to you! | Benno Moiseiwitsch | Decr. 1946'. Autographs on reverse, dated to 21 July 1946, of composer 'Charles Hambourg' and pianist 'Irene Kohler' (1909-1996).

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

1p, 12mo. Bifolium, addressed on reverse of second leaf to 'J. M. Muller Esq'. In fair condition, lightly aged, with closed tear along one of the two folds and slight creasing at foot, with a panel lacking from the second leaf. The recipient Johann Martin Muller published a few piece of music in Edinburgh in the 1840s.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. She writes that she will be 'happy to sing the following songs on the 16th inst', and lists pieces by Meyerbeer, Linley and Mendelsohn, as well as 'Scotch song “Bonnie Dundee”'. In a postscript she writes: 'After tomorrow may I trouble you to address me at Dilstone [i.e. Dilston, Northumberland]'. Endorsed on second leaf: 'Sans date | Miss Charlotte H. Dolby | Will be happy to sing the within mentioned songs &c'.

An attractive artefact, printed in black on one side of a 46 x 34 cm piece of thick paper, with the embossed circular 'lyre' seal of the Society added in red ink in the left-hand margin. Completed in manuscript with the details of the election as a fellow of 'The Right Honourable Lord Alverstone G. C. M. G.', on 17 May 1909. In fair condition, lightly aged and worn. Ornate heading of the Philharmonic Society, with royal crest (the society being 'Under the immediate patronage of | Their Most Gracious Majesties The King & Queen Alexandra') and the engraved names of the principal officers.

1p, 4to. In good condition, lightly aged. In reply to a letter by Hodes he writes that he is 'happy to hear that Beethoven's Missa Solemnis has made such a deep impact on you which it should make on every listener'. He feels 'very much privileged indeed for having been granted the possibility to present this work for the first time in Israel', and hopes 'to have occasion to perform that great piece there again as well as others which will be important and good to hear'.

1p, 4to. In fair condition, lightly aged and worn, with the top part of the blank reverse pasted onto a slip of paper cut from an album. Adressed to 'Miss Constance M. Evans, | Raventhorpe, | Carmel Road N., | Darlington.' She begins by stating that Evans's letter has been forwarded to her by Julian Herbage.

One page, cr. 8vo, fold marks, very good condition. She appreciates his thoughtfulnes concerning her personal life, and is sympathetic about his personal life. She goes on: "I think there are enough biographies and autobiographies on the market without my inflicting more and so I have decided against it! Notwithstanding I am very touched by all your kind observances regarding myself." She then discusses her promising students, Linda Esther Gray [later her biographer] and Stuart Harling. She appreciates his remembering her Pekingese which had died after a long life and not been replaced.

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed – and not without reason – at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they “fail with audiences &c” is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest […] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect.

1p, 12mo. In fair condition, lightly aged and grubby, with three folds. The letter reads: 'Dear Streatfield | it is no use sending me the Score of the Symphony here at present, as I am too busy to look at it properly, besides which, all my Programmes are definitely fixed till the end of the season, but if you will ask Mr. Hinton to send it to me to Hamilton Terrace (54, not 73) after Feby., when I shall be back in town, I shall be pleased to look through it.'

1p, 12mo. In good condition, lightly aged, with small trace of glue from mount at foot. Folded twice. Reads: 'Dear Madam | I have much pleasure in complying with your request & beg to remain | Yours faithfully | Charlotte H Sainton Dolby'. See her entry in the Oxford DNB.

Autograph Note in the third person. On one of 11 x 20 cm slip of paper. In good condition, lightly aged, with stub from mount adhering to reverse. Reads: 'Mrs. Piozzi's Coms. And if Dr. Perney is disengaged this Eveng & would like to hear Mr. Yaniewitsh play on the Violin She should be happy in his Company to Tea - - - and it would be very obliging in him to bring the Viol D'Amore with him. | Streatham Park | Friday 24.' Perney was domestic chaplain to the Earl of Coventry.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.