MUSICAL

[Sir Thomas Armstrong, Principal of the Royal College of Music.] Typed Letter Signed, praising Professor of Cello Ambrose Gauntlett, whilst renewing his contract for the last time.

Author: 
Sir Thomas Armstrong [Sir Thomas Henry Wait Armstrong] (1898-1994), organist, Principal of the Royal Academy of Music, 1955-1968 [Ambrose Gauntlett (1889-1978), Professor of Cello at the RAM]
Publication details: 
6 December 1963. On letterhead of the Royal Academy of Music, London.
£56.00

See Armstrong’s entry in the Oxford DNB. For Gauntlett, who was Professor of Cello at the RAM from 1947 to 1965, see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889-1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years.

[Royal Academy of Music, London.] Circular in form of facsimile letter from Principal Sir A. C. Mackenzie, asking alumni to take part in centenary celebrations. Addressed to cellist Ambrose Gauntlett.

Author: 
[Royal Academy of Music, London: centenary celebrations.] Sir Alexander Campbell Mackenzie (1847-1935), Scottish composer, Principal of RAM, 1888-1924 [Ambrose Gauntlett (1889-1978), cellist]
Publication details: 
8 February 1922; on letterhead of Royal College of Music, London.
£90.00

See Mackenzie’s entry in the Oxford DNB. Gauntlett was later appointed Professor of Cello at the Royal Academy of Music. See Sir Anthony Lewis’s appreciative Times obituary. 2pp, 4to. On bifolium of good paper, with letterhead printed in black with the College’s arms in red. A very good facsimile of Mackenzie’s autograph and signature, with twenty-five lines of text. Addressed in manuscript to ‘A. Gauntlett, Esq. / 12 Fairholme Road / W Kensington / W.’ Begins: ‘You will doubtless have heard of our intention to celebrate the centenary of the R. A. M.

[John Antes, Egypt and Osman Bey.] Printed pamphlet: ‘Anecdotes in the Life of John Antes: Giving an Account of his Residence in Egypt, and his Sufferings from the Inhumanity of Osman Bey.’ With illustration.

Author: 
[John Antes (1740-1811), American composer and instrument-maker, tortured by Osman Bey’s followers while a Moravian Missionary in Egypt]
Antes
Publication details: 
No date. 'No. 1553.' London: / The Religious Tract Society / Instituted 1799. / Sold at the Depository, 56, Paternoster Row, and 65, St. Paul’s Churchyard.
£220.00
Antes

See the articles on Antes by Donald M. McCorkle in the Musical Quarterly, 1956, and Richard D. Claypool, in the Moravian Music Foundation Bulletin, 1978. Seven copies listed on JISC (only three in deposit libraries); now scarce. 8pp, 12mo. Disbound. In fair condition, worn and discoloured. Vignette on cover shows Osman Bey sitting cross-legged while two of his followers whip the unfortunate Antes, while a third looks on. Drophead title, p.2: ‘Anecdotes in the Life of John Antes, A Moravian Missionary.’

[Julian Herbage, musicologist and BBC broadcaster.] Typed Letter Signed to gamba player Ambrose Gauntlett, regarding broadcast titled ‘Foundations of Music’, in which Gauntlett is taking part.

Author: 
Julian Herbage [Julian Livingstone Herbage] (1904-1976), English musicologist and BBC broadcaster [Ambrose Gauntlett (1889-1978), gamba player and continuo cellist]
Publication details: 
25 February 1935; on letterhead of The British Broadcasting Corporation, Broadcasting House, London, W.1.
£35.00

See the two men’s obituaries in The Times. 1p, 12mo. With thin mourning border. On aged and creased paper, with nicks and closed tears to edges, and slight loss at one corner. Folded twice. He is enclosing a programme for ‘Foundations of Music / Tuesday, March 26th’, ‘in which you are taking part’. He gives the time for ‘The rehearsal and balance test’. ‘Both transmission and rehearsal at Broadcasting House.’

[B. Feldman & Co., London music publishers.] Printed ‘Selected List of New and Popular Numbers. / Vocal and Instrumental’, including 'Musical Comedy & Revue Successes' and 'Talkie Film Songs'.

Author: 
B. Feldman & Co., London music publishers
Publication details: 
No date, but late 1930s/early 1940s. B. Feldman & Co., 125, 127 & 129, Shaftesbury Avenue, London, W.C.2.
£180.00

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

[1909 Handel-Mendelssohn Festival Crystal Palace, 1909.] Printed ‘Book of Words & Programme for the Rehearsal Day’.

Author: 
The Great Handel Festival and Mendelssohn Centenary at the Crystal Palace, London,1909 [Dr Frederic Cowan, conductor; Walter W. Hedgcock, organist]
Crystal Palace
Publication details: 
Sydenham: The Crystal Palace Company, 1909.
£450.00
Crystal Palace

A scarce item: the only other copy located is at the Foundling Hospital, London. 30pp, 4to, with a further 7pp of advertisements at the back. Stapled into grey wraps printed in red. A delicate survival, on browing high-acidity paper, in worn wraps chipped around the edges. On the front cover the item is described as ‘Book of Words & Programme for the Rehearsal Day’.At top right-hand corner of the title-page are the pleasing ownership initials of ‘A. G.

[Sir Anthony Carey Lewis, Principal of the Royal Academy of Music.] Typed Letter Signed to the cellist Ambrose Gauntlett, thanking him for participating in the RAM 150th Anniversary Concert. With copy of the programme.

Author: 
Sir Anthony Carey Lewis (1915-1983), Principal of the Royal Academy of Music and founder of Musica Britannica [Ambrose Gauntlett (1889-1978), cellist, Professor of Cello at the Royal Academy of Music]
Publication details: 
LETTER: 1 June 1972; on letterhead of the Royal Academy of Music. Programme of Royal Academy of Music concert to be held 30 May 1972 at the Queen Elizabeth Hall [London].
£56.00

See his entry in the Oxford DNB. For Gauntlett see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889–1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years. In his obituary, published in The Times, Sir Anthony Lewis mentions “his beautiful playing of the important 18th-century viola da gamba obbligato roles”.’ Both items in good condition, lightly aged. ONE: Letter, 1 June 1972.

[The Father of Grand Opera: Giacomo Meyerbeer.] Autograph Note in French in the third person while in London, accepting a dinner invitation from Lady Molesworth.

Author: 
Giacomo Meyerbeer [né Jakob Liebmann Beer] (1791-1864), German composer of Jewish birth, who established the ‘grand opera’ genre [Andalusia Molesworth, Lady Molesworth]
Meyerbeer
Publication details: 
15 July 1859. London.
£180.00
Meyerbeer

Meyerbeer is said to have been the most frequently performed opera composer during the nineteenth century. He encouraged and supported the young Wagner, who turned on him viciously later in life. Lady Molesworth (née Andalusia Carstairs, d.1888) had herself been a professional singer. She was the widow of Sir William Molesworth (1810-55), founder of the London Review and owner, under the editorship of John Stuart Mill, of the Westminster Review.

[‘If it suits me to sing it’. Mary Davies, Welsh mezzo-soprano, first President of the Welsh Folk Song Society.] Autograph Signature to conclusion of Autograph Letter Signed.

Author: 
Mary Davies (1855-1930), English-born Welsh mezzo-soprano, co-founder and first President of the Welsh Folk Song Society, principal vocalist at the London Ballad Concerts and 1906 National Eisteddfod
Publication details: 
6 October 1882; no place.
£50.00

On 11 x 14.5 piece of paper, cut for an autograph collector from the conclusion of a letter. In fair condition, lightly aged and worn, with light patches of discoloration and a couple of pin holes; laid down on piece of cream paper from album. One fold line. Reads: ‘[...] I will be very pleased to look through it and if it suits me to sing it. / With kind regards to all / Believe me to remain / Yours faithfully / Mary Davies’.

[Peter Gellhorn, conductor, composer and pianist.] Autograph Note Signed to ‘Mr. Dean’, regarding a photograph of himself.

Author: 
Peter Gellhorn [born born Hans Fritz Gellhorn] (1912-2004), German conductor, composer and pianist who settled in London, connected with Glyndebourne, Covent Garden, BBC, Royal College of Music
Publication details: 
3 February 1975; 33 Leinster Avenue, London SW14.
£35.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Dean, / According to your request, I enclose a signed photo of myself for your collection. / With best wishes, / Yours sincerely, / Peter Gellhorn.’

[Griller String Quartet.] Autograph Signatures of the four members (Sidney Griller, Jack O’Brien, Philip Burton, Colin Hampton), for an autograph collector.

Author: 
Griller String Quartet [Sidney Griller (1911-1993), violinist; Jack O’Brien, violinist; Philip Burton, viola player; Colin Hampton, violoncello player], [University of California at Berkeley]
Griller
Publication details: 
22 October 1934. No place.
£38.00
Griller

The present autographs were taken within a few years of the quartet’s formation in 1931. Accompanying the item is an 11 x 9 cm newspaper cutting of a photograph of the youthful members of ‘THE FAMOUS GRILLER QUARTET - often heard over the wireless - which created a very favourable impression last night at the first concert for the season of the Aberdeen Chamber Music Club.’ The autographs are on one side of a 16 x 11 cm leaf with rounded edges, extracted from an autograph album. The signatures are one above the other, with Sidney Griller’s large and bold.

[Mary Jarred, English opera singer and Professor at the Royal Academy of Music.] Autograph Signature on photographic portrait of her.

Author: 
Mary Jarred (1899-1993), English mezzo-soprano and contralto opera singer at Covent Garden and Sadler's Wells, Professor at the Royal Academy of Music
Jarred
Publication details: 
1935. No place.
£23.00
Jarred

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

[Oda Slobodskaya, Russian soprano and Professor at the Royal College of Music.] Signed Autograph Inscription.

Author: 
Oda Slobodskaya (1888-1970), Russian soprano who became a British citizen, Professor of Singing at the Royal College of Music and Guildhall
Oda
Publication details: 
No date or place.
£25.00
Oda

On 17.5 x 11.5 cm leaf of pink paper, with rounded edges, removed from autograph album. In good condition, lightly aged. Written in a large, expansive hand, diagonally and upwards. Reads: ‘With all / good wishes / Oda Slobodskaya’. See image.

[Nicolas Orloff [Nikolai Andreyevich Orlov], Russian concert pianist noted for his interpretations of Chopin.] Autograph Signature and English inscription on Christmas card to Alan Lockhart; with second Autograph Signature and note signed 'N. O.'

Author: 
Nicolas Orloff [Nikolai Andreyevich Orlov ] (1892-1964), Russian concert pianist noted for his interpretations of Chopin, who settled in Scotland
Orloff
Publication details: 
Card dated by Orloff to 1964/64. Signature on paper dated 1960.
£90.00
Orloff

Orloff left Russia in 1921, and toured the world as a leading interpreter of Chopin. He settled in Grantown-on-Spey in 1948, becoming a British citizen four years later. ONE: 6.5 x 14 cm bifoliate Christmas card, with blue and black illustration ‘Designed by Kris’. Dated at head by Orloff ‘1963/64’. Beneath the printed message he writes a large signature on two lines: ‘Nicolas Orloff’. Recipient’s name written at foot, in another hand: ‘Alan Lockhart’. The verso of the second leaf of this card is laid down on the verso of the following item.

[Harry Roy, British dance band leader responsible for the 1931 classic 'My Girl's Pussy' ; Joe Daniels, Dixieland drummer.] Autograph Signatures of Roy and Daniels, the latter cut from letter describing himself as ‘One of the Drumming Fraternity.’

Author: 
Harry Roy [born Harris Litman] (1900-1971), British dance band leader and clarinettist; Joe Daniels (1909-1993), British Dixieland drummer, born in South Africa
Publication details: 
No place or date.
£32.00

See Roy’s entry in the Oxford DNB. He part-wrote and performed the perennially popular ‘My Girl’s Pussy’, with other songs with suggestive titles. The two men’s careers both began in the 1920s, and Daniels played in the band of Roy’s brother Sid Roy. The two signatures laid down on an 8.5 x 7 piece cut from the leaf from an autograph album. Somewhat discoloured, otherwise in good condition. ONE: Signature of ‘Harry Roy’. On 6 x 4.5 cm slip of paper. Large signature, with the downstrokes of the final letter y’s extending unusually far. TWO: Signature of ‘Joe Daniels’.

[‘English church music is in dire need of reform’: Sir Herbert Oakeley, Professor of Music at Edinburgh University.] Autograph Letter Signed (‘H. S. Oakeley’) to Sir Lovelace Stamer, attacking the ‘degraded’ standard of English hymn tunes.

Author: 
Sir Herbert Oakeley [Sir Herbert Stanley Oakeley; H. S. Oakeley] (1830-1903), English composer and organist, Professor of Music at University of Edinburgh [Sir Lovelace Tomlinson Stamer (1829-1908)]
Publication details: 
10 June 1875; Bristol Hotel, Brighton.
£100.00

A splendidly-forthright missive on a subject close to Oakeley's heart. See both men’s entries in the Oxford DNB. The two were near-contemporaries at Rugby School, and Stamer, at the time of writing a Prebendary at Lichfield, would go on to become the Bishop of Shrewsbury. 8pp, 12mo. On two bifoliums. In good condition, lightly aged, with the two bifoliums folded twice and unobtrusively attached with tape. From the context it appears that Oakeley has been invited through Stamer to give a paper on church music to the Church Congress.

[Sims Reeves, English operatic tenor.] Autograph Note Signed (‘J. Sims Reeves’) in response to a request for an autograph.

Author: 
Sims Reeves [John Sims Reeves] (1821-1900), English operatic tenor
Reeves
Publication details: 
June 1872. On letterhead with monogram of his initials, and address Grange Mount, Upper Norwood.
£56.00
Reeves

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

[Henry Mancini, one of the greatest composers in the history of cinema.] Large publicity photograph with Signed Autograph Inscription ‘to Ray’.

Author: 
Henry Mancini (1924-1994), Hollywood composer regarded as one of the greatest in the history of cinema, whose compositions include ‘Moon River’ and ‘The Pink Panther Theme’
Publication details: 
Without date or place.
£50.00

A true great: Mancini won four Oscars, a Golden Globe and twenty Grammies. No place or date. Black and white 19 x 23.5 cm print on 20 x 25.5 cm glossy photographic paper. In fair condition, with slight creasing at one corner. In sports jacket and tie, Mancini stares over his piano with the merest of smiles. On the left-hand side of his jacket, in Mancini’s autograph, is the inscription, in black felt-tip pen: ‘to / Ray / Henry / Mancini’. See image.

[‘Odali Careno’ (stage name of Oda Slobodskaya, Russian soprano).] Autograph Note Signed (‘Odali Careno’), providing a ‘small Autograph’.

Author: 
‘Odali Careno’, occasional stage name of Oda Slobodskaya (1888-1970), Russian soprano associated with Chaliapin, Diaghilev and Stravinsky, who settled in England
Odali
Publication details: 
[24 June 1930.] On letterhead of the Clarendon Hotel, Oxford.
£50.00
Odali

For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra, and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name, but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p, 12mo. In good condition, lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ (the period of her appearance in a London Palladium production).

[Henry Hall, Director of the BBC Dance Orchestra.] Coloured Lithographic portrait of him, in colours, with original Autograph Signature.

Author: 
Henry Hall [Henry Robert Hall] (1898-1989), Director of the BBC Dance Orchestra
Henry Hall
Publication details: 
The print: ‘Presented with “Radio Pictorial,” No. 1, January 19, 1934’.
£45.00
Henry Hall

See his entry in the Oxford DNB. 20 x 25 cm lithograph in pink, white and black. In good condition, lightly aged. An attractive item, suitable for framing. Head and shoulders portrait of a dapper bespectacled Hall, with parted greased hair, in white tie, staring at the viewer. Across his shirt, Hall has written in green ink ‘Best Wishes / Henry Hall’. Captioned at bottom left: ‘HENRY HALL / DIRECTOR, B.B.C. DANCE ORCHESTRA’; and at bottom right: ‘Presented with “Radio Pictorial,” / No. 1, January 19, 1934’. See image.

[Harry Plunket Greene, Irish baritone singer.] Autograph Signature and valediction cut from letter.

Author: 
Harry Plunket Greene (1865-1936), Irish baritone singer
Greene
Publication details: 
Without date or place.
£28.00
Greene

See his entry in the Oxford DNB. On strip of paper, roughly 10 x 3.5 cm, cut into an irregular rectangular shape. On one side is the valediction: ‘Yours very sincerely / Harry Plunket Greene’. On the other a fragment of three lines of the letter: ‘[...] I hope no [...] / started that things [...] / go on well. I am part[...]’. See image.

['The old friends leave us soon or late’: a poignant lyric by the author of ‘Danny Boy’, set to music within days of the composer’s death.] Signed Autograph Score by Frederic Nicholls Löhr, of his setting of ‘Friends’ by Frederic E. Weatherly.

Author: 
Frederic N. Löhr [Frederic Nicholls Löhr] (1844-1888), composer with Plymouth connections, father of Hermann Löhr; Frederic Edward Weatherly (1848–1929), songwriter and barrister
Publication details: 
Dated by Löhr to 20 November 1888. No place.
£150.00

Painfully appropriate words (‘The old friends leave us soon or late’), set to music within days of the composer’s death. Among Weatherly’s many lyrics are ‘Danny Boy’ and ‘Roses of Picardy’. See his obituary in the Oxford DNB, and Löhr’s three-page obituary, with portrait, in the Musical Herald, London, February 1889. Löhr was the father of the composer Hermann Löhr (1871-1943). 2pp, 4to, on the facing pages of a bifolium. In fair condition, lightly aged, with a couple of closed tears unobtrusively repaired with archival tape. At head of first (left-hand) page: ‘Friends.

[Carl Rosa] Autograph Letter Signed to ‘Miss Macgregor’, expressing regret for losing her as a tenant.

Author: 
Carl August Nicholas Rosa [born Karl August Nikolaus Rosa] (1842-1889), German-born opera manager and musical impresario who founded the Carl Rosa Opera Company in England.
Publication details: 
7 January 1886; on letterhead of 17 Westbourne Street, Hyde Park, W.
£42.00

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded once. In a loose, untidy hand. He is ‘much obliged for the note of the 4th.’, and as she wishes has sent instructions to ‘Davy’, to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose [sic]’ her as a tenant.

[Burton Lane, Broadway and Hollywood composer and lyricist who discovered Judy Garland.] Autograph Note Signed to ‘Dear Peter’, thanking him for a fan letter.

Author: 
Burton Lane [born Burton Levy] (1912-1997), Broadway and Hollywood composer and lyricist, whose work includes ‘Finian's Rainbow’ and ‘On a Clear Day You Can See Forever’, discoverer of Judy Garland
Publication details: 
18 December 1976; on his letterhead, 146 Central Park West, New York.
£180.00

1p, 4to. In fair condition, lightly creased. Folded once. Reads: ‘Dear Peter, / Many thanks for your letter. It’s always pleasant to read nice things that people say about one’s work. / All my best wishes to you. / Sincerely, / Burton Lane’. Two-line typed biography of Lane at head of reverse.

[Sir Henry Rowley Bishop, English composer.] Five tickets of admission to the Theatre Royal, Drury Lane, each signed ?Henry R Bishop?.

Author: 
Sir Henry Rowley Bishop (1787-1855), voluminous English composer, whose songs include ?Home! Sweet Home!?, Professor of Music at the Universities of Edinburgh and Oxford [Theatre Royal, Drury Lane]
Publication details: 
21 February, 13 March, and 6 and 9 and 20 May 1826. Theatre Royal, Drury Lane, London.
£50.00

The tickets are all in fair condition, each on one side of a landscape slip of paper (all slips roughly 11 x 7 cm). All five with creases from folding. Each of the five signatures has been scored through in ink, indicating that the ticket was used. All read, ?T. R. D. L. / Admit Two Boxes | Henry R Bishop?, with date at bottom left.

[Albert Saléza, French tenor opera singer.] Autograph Letter Signed (‘Alb. Saléza’), in French, asking ‘Monsieur Forsythe’ to secure him ‘le plus grand nombre de places possible’ for a production (his own?) that evening.

Author: 
Albert Saléza (1867-1916), French tenor opera singer
Publication details: 
18 June 1900; no place [London?].
£56.00

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

[Albert Saléza, French tenor opera singer.] Autograph Letter Signed (‘Alb. Saléza’), in French, asking ‘Monsieur Menager’ to secure him ‘deux places pour ma femme et une de ses amies’ at the Opéra that evening.

Author: 
Albert Saléza (1867-1916), French tenor opera singer
Publication details: 
11 July 1906; on letterhead of the Hotel Cecil, Strand, WC [London].
£56.00

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

[Madame Albani [Dame Emma Albani Gye], celebrated Canadian operatic soprano.] Autograph Signature (‘Emma Albani Gye | 1883.’), written for display on front of envelope.

Author: 
Madame Albani [Dame Emma Albani Gye; Madame Albani; born Marie-Louise-Emma-Cécile Lajeunesse] (1847-1930), celebrated Canadian operatic soprano
albani
Publication details: 
1883; no place.
£28.00
albani

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

[Luigi Montesanto, Italian baritone opera singer.] Autograph Signature (‘Luigi Montesanto’) to part of printed English libretto to Leoncavallo’s ‘Pagliacci’.

Author: 
Luigi Montesanto (1887-1954), Italian baritone opera singer
Luigi
Publication details: 
Dated by Montesanto to 1936. [His Master’s Voice, London.]
£40.00
Luigi

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

[George Hogarth, music journalist and father-in-law of Charles Dickens.] Manuscript volume, labelled 'No 1 DECEMBER 1837 1838', containing lists of music performed by a band (for Queen Victoria?) on 172 dates, some at Windsor Castle and London.

Author: 
[George Hogarth (1783-1870), Scottish music journalist, father-in-law of Charles Dickens; Queen Victoria; Windsor Castle]
Publication details: 
Windsor and London, 4 December 1837 to 5 October 1838. Binder's ticket of 'W. Creswick, Paper Maker, 5, John Street, Oxford Street' on front pastedown.
£550.00

172pp., 16mo (10 x 6.5 cm.). In original green leather quarter-binding, with marbled endpapers and label on front cover: 'No 1 | DECEMBER | 1837 | 1838'. Aged and worn, with the contents of the volume detached from the binding, and the signatures loose through breaking of the stitching. In pencil beneath the binder's ticket on the front pastedown: 'Hogarth | 10 Powis Place', with this address continuing at the foot of the first page: 'Gt Ormond St'.

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