MUSICAL

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.

8vo, 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good, on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin (not affecting text). Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" [?]' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April, where I sing with Madame Donalda'.

On a leaf from an autograph album, 11 x 17 cm. Good, on lightly aged paper. First line by Landauer. Reads 'With best wishes | [signed] Walter Landauer | [signed] Maryan Rawicz'.

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

12mo: 4 pp. On grey paper. Very good, with a small strip of discolouration over the Royal Artillery crest. Bearing the Society's stamp. He is glad that his 'article on the Red Cross' interested Wood: 'in other circumstances it would have given me much pleasure to follow up the article with an address to your Society on the subject', but 'the work of the Cadet school, which I entered a couple of months ago, takes up my entire time'.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

Quarto bifolium. Four unbound pages. Very good with a little light creasing. Illustrated cover in blue ink by E. Coolin showing a warship and plane and a British soldier holding an axe and the decapitated head of Hitler. INSCRIBED on cover 'With deepest regards from the Composer H M King'. 'This song, inspired by Quentin Reynolds' famous broadcast to Mr.

English oboist (1897-1988). One page, octavo. Good, on thick laid paper. Pin marks in one corner and neat red stamp '20 MAR 1942'. He 'would like to see the proofs of the Mozart Quartet to check up the crescendo's and diminuendos just in case they are not correct.' He agrees with the 'scheme of marking only the parts'. 'With regard to Boughton's times I have them safe, I hope to play them in the near future but am rather at the mercy of the BBC.'

English contralto singer (1821-85). Signature on piece of paper of irregular shape (practically oval): roughly nine centimeters by four centimeters at the widest points. In poor condition: on paper discoloured by age and glue from previous mounting, and with hole and closed tear slightly affecting signature. Reads 'Your's very truly | Charlotte H Dolby', so presumably predating the singer's marriage in 1860.

Musical composer, organist and theorist (1835-1909). Two pages, 8vo, minor defects fold mark (notoiceable fold marks on blank last page, one or two faint spots, white paper, black ink, original, mainly very good condition. In answer to a novel enquiry. "In reply to your letter I write to say that I have today made enquiries about a silent piano, and find that no such instrument as you describe is to be produced ready-made. There is no mechanism by which a silent piano could be made to give a faint sound; and what your customer wants is, I think, impossible.

Musical composer (1801-1873). One page, 4to. He says simply that "it will not be in his power to attend the meeting of the Catch Club on Tuesday the 19th [?].."