LONDON

The letters provide a fascinating insight into the development of the transatlantic publishing industry. They are closely typed with single spacing, and both centre around Walton's employment situation and his complaints about the sending over from America of 'Mr. Russell', about whose 'absolute worthlessness to the business' he complains. Adair's letter: 2pp., 4to. Good, on lightly-aged paper.

1p., 12mo. 12 lines. Good on lightly-aged paper. She is requesting 'an alteration to be made in the Contents of Chapr 9. to the necessity of which I had not adverted till I saw that Chapr. in Print'. After correcting the chapter she 'desired a Revise', but 'foolishly forgot to Revise the Contents of the Chapr.' 'It cannot however be too late & must be done, as the Chapr: ends with Mr Fox'. The work referred to is clearly Miss Berry's 'Comparative View', published by Longman, Rees, Orme, Brown & Green in 1828, the ninth and last chapter of which does indeed end with Charles James Fox.

2pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed by Elton, on reverse of second leaf, to 'John Taylor Esq.' (Taylor had assumed the editorship of the London Magazine on the death by duel of John Scott in February 1821.) Elton begins by informing Taylor that he has 'not been able yet to manage the Batrachomyomachia to my mind'. (Elton's translation of 'The Battle of the Frogs and Mice' would appear anonymously in the issue of October 1821, as the second of a series named 'Leisure Hours'.) He has instead 'sent some chit-chat to serve as an introduction'.

1p., small 4to. Very good: trimmed and neatly laid down on backing. Egerton has had 'some communication with our Managers', and if Egan will 'write a Farce, with a good part for Keeley, in his way, perhaps some sort of continuation of Jerry', he knows it will 'be accepted, & put into training'. He asks to hear from Egan by return, as he wishes to see the managers on the subject 'previous to Mr. Fawcetts leaving Town on Tuesday next, or the matter must rest three months'.

1p., 8vo. 22 lines. Fair, on aged and worn paper. Addressed on reverse to 'William Jerdan Esqr | Grove House'. On wove paper watermarked 'G & R TURNER | 1826'. The letter can thus be dated from between 1826 and 1829, the year 'Ackermann's Repository of the Arts' ceased publication. Written in a difficult, hurried hand. She has received a letter from 'Mr Ackermann', saying that the package which Jerdan was 'kind enough to promise should go in your bag yesterday I having given it to you too late for the boy on Monday, has not reached him'.

2pp., 12mo. 22 lines. Watermark: 'J GREEN | 1820'. Bifolium, with the reverse of the second leaf addressed by Terry to 'T Winstanley Esq'. Fair, on aged and lightly-creased paper, with closed tear to top half of fold. The letter begins: 'For God's sake - for the sake of auld lang syne - dine with me to-morrow.' He asks Winstanley to overlook his 'long silence & apparent neglect', it having been 'busy world [sic]' with them both since they last communicated. He assures him that he is 'the same as ever in affection & respect'.

1p., 12mo. On aged and lightly-spotted paper. Reads: 'My dear Sir, | Mrs. Hope's house will do & I shall be obliged to you to engage it for me, from the Saturday before the show for a week & the stables at Mr. Wrights also. | Yours most truly, | [signed] Spencer'. Mrs Hope is probably the Hon. Louisa Hope (d.1851), wife or widow of the connoisseur Thomas Hope (1769-1831), and one of the wealthiest women of England. If this is the case the letter was written before her second marriage in 1832 to her cousin Viscount Beresford.

1p., 4to. Bifolium. Very good, on lightly-aged paper, with slight traces of mount on reverse of second leaf, which is addressed, with three postmarks and docketing by Spencer, to 'Knight Spencer Esq. | Surry [sic] Institution | Blackfriar's Road'. Gregory is pleased to learn 'that there is a probability of Mr. Jones being able to accommodate us with apparatus for our proposed Lectures, upon such terms as are likely to square pretty well with the funds of the Surry Institution'.

2pp., 4to. Bifolium. 21 lines of text. Good, on lightly-aged paper, with minor traces of mount adhering to corners of verso of second leaf. Addressed, with red wax seal and postmark, on reverse of second leaf, to 'Mr Frazer [sic] | 215 Regent Street | London'. A significant letter, which shows Hare in conflict with Fraser over the publication his 'Vindication of Coleridge' a full year before the article appeared in the British Magazine (January 1835). The letter begins: 'I am very much annoyed at finding that you have put off my article for another month.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

1p., 12mo. Seventeen lines of neatly-written text. Good, on lightly-aged paper. He apologises for the delay in replying to Reid's letter, and knows 'nothing about the staircase you mention as coming from a house in Holborn, & now in a house in Bishopswood.' He 'looked it up in R[oyal]. C[ommision]. H[istorical]. M[onumments]., (Vol. II) Hertfordshire (par. of Walford-on-Wye) but Bishopswood is only mentioned re some romann remains.' He hopes Reid is 'enjoying the Herefordshire countryside', and is himself finding life 'rather hectic'.

3pp., 16mo. Bifolium. Fair, on lightly-aged paper, with traces of previous mounting to the reverse of the last leaf. Horne writes that he is enclosing a copy of his play 'Gregory VII' for 'Mr Chas Kemble'. 'I have not written his name in it, because as you were so kind as to interest yourself in the matter, I thought I would leave it in your hands so you may give it him; or say you asked me for a copy for the purpose, or say nothing - or anything. Isn't this a fine mode of expressing my confidence in your judgment?

1p., 4to. Good, on lightly-aged paper. Addressed on reverse, which carries traces of the wafer, to 'Colonel Bagot | Davies Street | Berkley [sic] Square | 34'. A short letter with a good, emphatic signature: 'My dear Sr. | I am very sorry you have so good a plea for absence - only remember on some future occasion that I shall not ask your Company as a favor but insist upon it as a right | ever yours | [signed] Sydney Smith | May. 12. 1842'. Perhaps concerning the same breakfast on 14 May 1842 to which Smith invited Georgiana Harcourt on 10 May 1842 (Letters, ed. N. C. Smith, vol.2, p.756).

1p., 12mo. Fair, on aged paper, wtih two small unobtrusive closed holes to the paper. Placed in narrow paper windowpane border. The letter reads 'My dear Cunningham | This will be delivered to you by my Cousin & friend Mr Gray of Glasgow - He is ambitious of paying his respects to you - I need say no more - I am sure that you will soon be good acquaintances - With the greatest regard | Believe me | Yours truly | [signed] T. Campbell'.

2pp., 12mo. The letter is on the recto of the first leaf of the bifolium, with the list, in three columns, on the recto of the second. Fair, on lightly-aged paper. Dibdin reminds Davidge that at his 'first Anniversary Dinner' he expressed a great wish to serve Dibdin by his patronage, but that 'absence from Town' prevented him. 'The Company were so well pleas'd that each present sign'd a Paper to come again - it is now fix'd for my Birthday (the 21st. Inst) and I take the freedom of enclosing you a List of the Patrons in the Hope I may be allow'd to add yours and enclose you a Ticket'.

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

1p., landscape 8vo. Fair, on lightly-aged paper, with small spike-hole (not affecting text), and minor traces of previous mount on reverse, which is docketed 'J. Nourse to T. Longman, 1770.' The bill lists five items, from 'Johnsons Dicty 2 V. folio' to 'Sherwin's Tables', with the date of purchase and price, coming to a total of £14 8s 4d. The receipt at the foot of the page reads 'April 4. 1771 Received the Contents - | [signed] Thos Longman'.

4pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed on the reverse of the second leaf to 'T: P: Cooke Esqre | Royal Coburg Theatre', with two postmarks. The two men do not appear to have been related. TSC requests TPC's 'friendly interference to endeavour at getting from Mr.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The first page headed 'Act III', and the whole tightly-written and filled with deletions, interpolations and marginal notes, providing a valuable insight into the creative process of one of Victorian England's most successful dramatists. The last page breaks off: 'Handeside confesses his own desperate attachment. Markham <...>'. 'A Sister's Penance' was a great success, with 83 performances at the Adelphi between 26 November 1866 and 2 March 1867.

4pp., 12mo. On aged paper, with minor traces of gum from mount. Taylor begins: 'My dear Charles Neville | I was glad to receive your letter, for it showed that the seed I had taken pains to sow had not fallen, as most seed so sown in the theatre does fall, upon an ungrateful soil.

4pp., 12mo. Bifolium. Good, on aged paper, with remains of stub along one edge. Written in a difficult hand. Taylor begins: 'Dear Mr Mewburn, I shall not be at Sessions [as a barrister on the northern circuit] any more. I have just accepted an appointment as legal Assistant Secretary to the Board of Health, and I enter on the duties of the place on Monday. The salary is £500 per: an: to begin with, with the prospect of increase.

3pp., 8vo. Bifolium. Good, on lightly-aged paper, with remains of stub along one edge. Second leaf inserted into a paper windowpane mount. Written in a hurried and difficult hand. Taylor writes that he wishes to have a portrait put into a case 'by the workman you employ for such work'. He gives instructions, concluding 'The portrait I think the most satisfactory that has yet been taken of me.' The National Portrait Gallery possesses an albumen carte-de-visite of Taylor ('1864 or before') by John & Charles Watkins.

1p., folio. Good, on lightly-aged paper, with slight staining to blank reverse. Fairly written out on a piece of Britannia laid paper. 'Lord Chamberlain's Office | 10th. November 1849. | The Lord Chamberlain thinks it right to draw the attention of the Manager of the Theatre Royal Covent Garden to The Queen's Proclamation of the 6th. Instant, in which Her Majesty, for the Reasons therein stated, earnestly exhorts that the Public Day of Thanksgiving, the 15th. Instant be reverently and devoutly observed'.

2pp., 12mo. Very good. Neatly presented, With the blank second leaf of the bifolium tipped in onto a large leaf of cream paper, with the engraved portrait of Kenyon (7 x 8 cm), extracted from a contemporary magazine, laid down above it, both items surrounded by a ruled border. Kenyon begins the letter: 'I have a male party to dine with me on Saturday next - consisting of persons whom you would I think like to meet - our genial friend Felton among them.

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

3pp., 12mo. Good, on lightly-aged paper. Blanchard and his wife 'very seldom go out of a Sunday but should the weather be at all favourable' they will 'make a vigorous effort to avail ourselves of the strong temptation you have so kindly thrown in our way'. They will be 'quite content with an afternoon ramble in your beautiful garden and a chat with dear Mrs. Keeley'. He is sending 'impromptu lines written by my father nearly a Century ago' (not present) that he believes ought to be in Burgess's possession 'as a double ancestral inheritance'.

3pp., 12mo. In fair condition, on lightly-aged paper with a thin strip of glue in gutter from previous mounting. Lankester complains that he has 'not received a copy of Mr. Sedgwick's translation of Claus' Handbook of Zoology'. He has 'a large number of students (annually over 60) at University College' to whom he would recommend the book if he had it. 'I should wish to be able to place it on the lecture table for them to see.' He claims that it is 'usual for publishers to enable teachers to do this kind of thing - by sending them copies of works likely to be recommended'.

1p., 4to. 15 lines. On aged and worn paper. The letter reads 'Dear Sir/ | A general meeting of all the Dramatic Authors will take place at the Garricks head in Bow Street on Monday nexxt at One o'Clock.

1p., 12mo. Bifolium. Seventeen lines, closely written. Good, on lightly-aged paper, with thin strip of stub adhering to margin. Addressed, on reverse of second leaf, to 'J. Perry Esqre | Tavistock Square'. He will dine with Perry with pleasure, 'after a five weeks confinement with the Gout, a disorder of which I never before had any personal acquaintance, but which, I suppose, I must, in some unguarded moment, have treated with contempt.

3pp., 12mo. Fair, on aged paper. Mathews begins by quoting contradictory passages from letters of Charles Mathews, one from Mrs Mathews' 'Memoirs of Charles Mathews, Comedian' (1839) and the other from Bunn's 'The Stage: Both before and behind the Curtain' (1840).