THE

4to, 1 p, 17 lines. He 'deeply appreciate[s] the spirit undlying the contents' of Cavangh's letter, which he found waiting for him on his return the day before 'after attending our beloved late King's Funeral'. 'As you say, the sword and scabbard must have belonged to my great Grandfather, the 4th Earl of Aberdeen, who was Prime Minister during theh Crimea War by the express command of Queen Victoria. He accepted the Premiership on the condition that he should be allowed to resign at the conclusion of the war.' Suggests a meeting in Aberdeen.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

12mo: 3 pp. Bifolium. 27 lines, written in a shaky hand. On creased, discoloured paper, and with some damage to the second leaf caused by careless removal from mount. Two irregularly-shaped closed tears on the second leaf, one to the left of the signature, have been neatly repaired on the reverse with archival tape. He is glad that his correspondent likes 'our Odyssey: the Iliad is less attractive. [...] I dare not remember all my books, but will ask Messrs Longman to send a list of what they possess. All are very unpopular.' He doesn't write in 'T.

Two pages, 12mo. Very good. In a case involving ['The Sphere'?] newspaper, Crooke has accepted the judgement in the case of the printers Hodge & Co., but he has appealed 'to the Inner House of the Court of Session' against the judgement in the case against the publishers. 'If the appeal is proceeded with it is not likely to be heard sooner than about December.'

The letter (8vo, 1 p) is foxed, but otherwise very good. Had he not been 'engaged for ten days past to dine three or four miles off with an old acquaintance', whom it is too late to disappoint, he would have been happy to avail himself of the kind invitation. Sends best wishes and prayers to the recipient's family, 'from the elder to the youngest'.

Three pages. On vellum bifolium made from skin roughly fourteen inches by twenty wide. Three official stamps. Signed twice by 'Jas M Melville', Writer to the Signet, and his partner James Lindesay ('Jas. Lindesay'), and witnessed by their clerk William Bett ('W. Bett').

All four items tastefully and crisply printed. ITEMS ONE AND TWO ('Catalogue' and first number of 'Album'): Both 8vo, bound together in original dark-green wraps. 'Catalogue': 12 pp; 'Album': 22 + [i] pp. All edges gilt. Wraps creased and worn, with slight chipping at head of spine. Some creasing to prelims and last few leaves. Note to 'Catalogue' (by 'D. L. | S.') explains that the 'following List contains the titles of such Books as have been printed for the Bannatyne Club since its Institution in February 1823'.

Scottish art critic and engineer (1864-1950). One page, octavo. Very good. Bearing the Society's stamp. 'It is very good of the Council of the Royal Society of Arts to ask me to become a member, but, while thanking them, I regret that I do not see my [^ way,] at present, to join any more societies.' Signed 'James L. Caw'.

Scottish noble (1799-1874), Chancellor of the Duchy of Lancaster. 1 page, 4to, on blue paper. In good condition despite a number of closed tears. Signed 'Montrose' and with his heavily-smudged red wax seal. Witnessed by 'F. Dawes Danvers | Duchy of Lancaster Office | London'. Decorative blind stamp 'ONE POUND FIFTEEN SHILLINGS', and with ink stamp 'LONDON | 27 . 2 . 58 | D'.

Scottish nobleman (1847-1900) and author. Two pages, folio. Folded twice. First leaf of a bifoliate. On very good paper watermarked 'J WHATMAN | 1897'. Very good, but second (blank) leaf of bifoliate somewhat grubby. Facsimile signature 'Bute'. Long letter announcing the completion of his 'Arms of the Royal and Parliamentary Burghs of Scotland' (Blackwood, 1897) and appealing for information for his forthcoming 'Arms of the Baronial and Police Burghs of Scotland' (Blackwood & Sons, 1903).

British soldier and historian (1878-1962). One page, quarto. Very good. Bearing the Society's stamp. '[...] I will be permitted by my duties to have the honour of attending at the Royal Society of Arts on the 17th. Instant at 4.30 pm in order to receive the Medal awarded to me by the Society. | I have also to acknowledge with thanks the kind invitation of the Council to attend in the Council Room before the Meeting [...]'. Signed 'G Duff Sutherland Dunbar'.

4to: 1 p. 15 lines of text. Good, on lightly aged paper, with a light stain affecting but not obscuring a couple of words. Text clear and entire. Docketed on the reverse of the otherwise-blank second leaf of the bifolium.

12mo: 44 pp. Unbound. Text clear and complete on aged paper. Ten paragraphs on pp.7-10 have terse, sardonic phrases added at the end, apparently by a Jacobite sympathiser. For example, 'by <?> the old cause' added to one ending 'a Country brought to Ruin, or in a fair way to it.'; 'in this world' added to one ending 'will never come to Light.'; 'in a publick manur' added to one ending 'the secret Treaty now concluded.'; also 'much adoe about nothin'. Scarce: all but a handful of the entries on COPAC are for facsimiles. No 'finis' at end, but complete according to COPAC entries.

170 photographs, on forty-one pages of a fifty-page album with leaf dimensions of 26 x 35.5 cm. The album is half-bound, with black leather corners and spine, and green faux-leather boards, aged and with loose leaves and worn binding. The photographs are often slightly faded, but are for the most part in good condition. Each page is entirely filled, the photographs ranging in size from 22 x 26 cm to 3 x 2 cm.

Two pages, 12mo. Good, with minor effects of damp. Text clear and entire. Twenty-five lines. Harraden has found an old acquaintance, Mrs Charles Routledge ('the widow of the son of Colonel Robert Warne Routledge'), in 'very distressing circumstances; she had been very ill from blood poisoning in the leg, had been in hospital, & in the work house'. Mrs Routledge has 'done her very best [...] to fight an adverse fate', working hard 'as a house keeper, maid of all work, servant of lodging house'.

On a leaf (roughly 11 x 17 cm) removed from an autograph album. Good, on lightly spotted paper. Reads 'All good wishes from The Gresham Singers | 17 Aug. 1923 | Eastbourne | Hatherley Clarke | Charles Flinn | Greeves Johnson | Leonard Salisbury'. Signature of 'Arnold Stoker | 7/3/1919' on reverse. Stoker was winner of the Guildhall Gold Medal in 1919.

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

On a leaf of blue paper (roughly 11 x 14 cm), removed from an autograph album. Good: lightly aged and spotted. Reads 'With best wishes The Hedley Ward Trio | Jack Mckechnie | Derek Franklin | Bob Carter'. Docketed, presumably by the recipient, with the members' instruments. Hedley Ward was one of the foremost British bandleaders of the 30s, 40s and 50s, and his Trio featured in many radio and television broadcasts, and are still to be heard on archive programmes.

On one side of a piece of printed music paper, roughly 21 x 22 cm. Laid down on a page removed from an album. Good, with one dogeared corner. Seventeen grand staff bars, arranged on four levels, followed by 'Yours sincerely, W G. Webber | Feb 1928'. Webber was at the Royal College of Music at the same time as the father of Andrew and Julian Lloyd Webber, who changed his name from W. S. Webber to W. S. Lloyd Webber to avoid confusion with him. No record of "The Curate's Gavotte" found.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.

Octavo: 5 pps. Unbound. In original grey printed wraps. Very good, with thin strip of discoloration at foot of back wrap. Manuscript correction (by Robinson?) to one word, and pencil diagram of 'Waste Weir & flood Water Channel' drawn on blank verso of final leaf.

Octavo: 28 pp (paginated 203-230). Unbound and stitched. In original orange printed wraps. Fold-out lithographic plate (c.21 x 45 cms, containing figs. 2 to 6) by C. F. Kell of Castle Street, Holborn, and three illustrations in text: fig.1, a 'useful portable silo [...] made by Messrs. Reynolds', fig.7, 'a simple form of silo with Reynolds' pressure', and fig.8, 'a suggested design for a silo'. The aim of the paper is to 'bring before The Surveyors' Institution some recent phases of the sewage question'. Very good, if a tad dusty at head.

Three pages, 8vo, good condition. He telss Hope that "when you come over you will be expected to notify me at the Foreign Dept The Times Printing House Square, London E.C." The birth of his "son and heir" has led to his going home for a few days ("the fatigue of producing that Empire Supplement" contributed). He reveals that he earns well from "cynical productions concerning British affairs, signed A.W. in the New York Evening Post". He is moving to Camden Hill and expects to be in the London Office for some years.

8vo, 24 pp. Stitched as issued. Well printed on good laid paper. Creased and aged. A programme, describing, often in detail, the forty-six exhibits, in the various rooms, from 'Photographs illustrative of the Coronation Naval Review, 1902' by Dr W. J. S. Lockyer, to 'Examples illustrating the Scientific and Educational Applications of the Bioscope.' Exhibitors include Sir Oliver Lodge, Sir William Crookes, Rutherford and Soddy ('The condensation of the radio-active emanations of radium and thorium by liquid air.') and the Solar Physics Observatory, South Kensington.

Limited to 200 copies and signed by the printer John Kristense. 8vo: [13] + [1] pages. Stitched. In original blue printed wraps. Good, with minor wear at head. The colophon reads 'The London Booksellers - Etymology of the Term Yankey was hand set in English Monotype Baskerville and printed on Curtis Ragston paper in an edition of 200 copies at Firefly Press in Cambridge, Massachusetts, by [signed 'John Kristense'] who sends it as a 1983-84 holiday greeting to his friends. The Society of Printers in particular is thanked for honoring him in 1983 with membership.

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.