MUSIC

1p., 4to. In fair condition, lightly aged and worn. 'Your dear husband was one of my oldest and most valued friends in my Savage Club circle; his place can never be filled as you, more than any of us, know and with deep sorrow.' Wareing joined Sir Frank Benson's company in 1900. In 1909 he founded the first Citizens' Theatre in an English-speaking country. On his death The Times (13 April 1942) referred to him as 'a repertory theatre pioneer'. The word 'Answered' is written at the head. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

Susan Euphemia Beckford, daughter of William Beckford of Fonthill, had married the 10th Duke of Hamilton in 1810. The recipient Charlotte Stuart (d.1867) was the daughter of Margaret, Lady Pulteney, by her first husband Andrew Stuart of Torrance. In 1830 she married Robert Harington, son of Sir John Edward Harington of Ridlington, 8th Baronet. The present item is two closely written pages, 4to. On bifolium of wove paper with watermark 'C WILMOT | 1822'. In good condition, lightly aged. Closely and neatly written over 63 lines.

3pp., 12mo. Bifolium. In fair condition, aged and creased. Begins: 'Dear Finch, | Tomorrow - I read - you will have "done time" for a quarter of a century in Cambridge Circus.' He recalls that it is 'just ten months longer - Feb 1892, that I first went into the Cambridge Circus doors to hear "Ivanhoe." I was then a blushing undergraduate at Oxford, and "Jimmy's" and the long bar at the Cri [i.e.

1p., 12mo. In fair condition, lightly aged and worn. Docketed at head 'Answered'. Reads: 'Dear Mrs Finck - | We were very grieved to hear of the passing of your dear husband & our old friend - will you please accept our deepest sympathy in your great sorrow - & our prayers that you & your daughters may be greatly comforted - | Very sincerely Yrs. | Ben Davies'. From the Finck papers.

Both items in fair condition, lightly aged and worn. ONE: Typed Poem followed by Autograph Note Signed. 24 December 1937. 2pp., 8vo. The poem consists of eleven four-line stanzas, with the title typed in red. An apparently unpublished humorous poem, quite charming and well worthy of publication. Begins: 'For months we've had electric road-drills | Right outside our door, | And two gentlemen who play them | Called in yesterday at four.

Script, titlepage plus 6pp., folio, folded, very good condition. Converstaional interchange between "Announcer" and Herman Finck with background (and foreground) of Finck's songs, starting with "In the Shadows" and with Finck giving the history of the song. Finck "asks" John Rorke to sing 'The Constant Lover@ and teslls a story about the revue, Then comes Rorke singing "Gilbert the Filbert" with Finck narrative, followed by anecdote about soldiers singing one of his songs. Betty Huntley-Wright then sings "To Make a Man of you".

Two pages, 8vo, fold mark, very good condition. " I feel I must write you & tell you how deeply I sympathise with you and your daughters in your very sad loss. Although I did not know your husband very well, I was a great admirer of his work and I knew him well enough to realise what a really vital and lovable personality he had. | I shall never forget his friendly and generous words when we first met some years ago.

[2] + 28 + [2]pp., 12mo. Unbound sewn pamphlet. In good condition, lightly aged. A crisply and attractively printed item, with a businesslike listing of mostly recent compositions, in four categories: 'Offerte' (from 'DI CASTELBARCO Conte Cesare' to 'SCHMID Antonio'), 'Doni', 'In Adempimento delle Prescrizioni Statutarie' (from 'BARATTINI Luigi' to 'RIVALTA Giuseppe') and 'Acquisti'. The only copy on OCLC WorldCat at the Bibliothèque nationale de France.

14 x 9 cm black and white postcard. In good condition, lightly aged.. A head and shoulders image, with Turner's face looking to the left, looking downwards, hands clasped under her chin. Inscribed at foot: 'To Mr A Watt | Best Wishes | Eva Turner'.

ONE: Letter. 1p., 12mo. In fair condition, lightly aged and worn, with pin holes at top inner corner, and slight damp staining along one edge, affecting a few words of text. Addressed to 'The Editor of "Men & Women of the Time" | Broadway House | Ludgate Hill. E.C.' Reads: 'In compliance with your invitation I send you a few emendations for the Notice of me in "Men & Women of the Time" - and shall be glad to correct the proof when set up in type.' For more information on Pole and Plarr, see their entries in the Oxford DNB. TWO: Supplementary autograph notes. 1p., 4to. Signed 'W.

4pp., 12mo. Bifolium on grey paper. In good condition, with traces of mount along one edge of verso of last leaf. Being away from home and his papers, he cannot answer all the recipient's questions, but 'it will be enough if I say that I shall not require an Organ, & that the Illustrations to my lecture would (or might be made to) consist exclusively of unaccompanied vocal music, mostly English. The effect of some pieces might be increased by being performed chorally - say with three or four good voices to a part, but they will all admit of performance by one voice to a part'.

Both items in good condition, lightly aged, and both in yellow wraps, with plastic clamp at spine holding the loose leaves together. ONE: Autobiography. [3] + 46pp., 8vo. Illustrated with two full-page photographs of Fischer, one showing him as a ten-year-old boy, with autograph caption. The item is signed at the end 'Martin', and has the following inscription on a leaf of green paper at the front: 'Dear Richard, | Times went by, I promised to send you these pages because always the memories of our friendship and your Kindness are a big joy for us.

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

3pp., 12mo. In good condition, lightly aged, with slight staining to one corner from paper clip. A good letter, filled with detail. Apart from brief opening and closing paragraphs the whole of the letter is devoted to reminiscences of his life before leaving England for America. At one point he comments: 'it is only when one is thinking back, as I am now, that one realizes the speed with which time fugits; it is now 21 years since I have been home, and 30 years since Bob and I were in "Irene" at the Empire.' The reminiscences begin: 'Barring a trip to U. S. and Australia with G. P.

Following the singer's death in 1959 Johnny C. Beecher relaunched Holly's official English fan club, helping to keep his reputation alive at a time when he was practically forgotten in America. As Beecher stated in an interview, he kept 'in touch with Buddy's parents, Ella and L.O., and I can say that without them it wouldn't have been possible, as they sent us all sorts of information and photographs that kept up our enthusiasm. The Crickets also helped out and were pretty nice considering all we ever asked 'em was, "What was Buddy really like." Despite that, we became pals.

An unusual survival, the letters of a composer, Harold Jervis-Read, to his lover illustrating the growth of a relationship (and an ability to express his feelings) against the backcloth (sometimes foreground) of his musical activities, and his marriage. Total of letters circa 350 (three hundred and fifty) Autograph Letters, 118 (one hundred and eighteen) apparently complete letters (many start and end abruptly), dated, 432 (four hundred and thirty two) pages, with some APCSs, mainly 12mo, 1-8pp. each, 55 of these letters dated 1933 and 30 dated 1934, 1926-1928 comprising one letter only.

Circa 70 pages, folio, 12 staves to a full page. The complete string parts with the firsdt claribet, first and second bassoon and double bassoon parts ("Fagots"). Printed entry from auction catalogue (prob. Sotheby's) on wrapping, 28 October 1974 (item 99). Although unsuccessful in the theater, Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936, in advance of its stage première." (Wikipedia).

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Addressed on second leaf, with broken seal in red wax, 'A Madame | Madame Sophie de Gail | &c &c &c | Paris'. Nine lines of neatly and elegantly written text. A somewhat flirtatious acceptance of an invitation, with Bartholdy noting 'les belles choses que vous daignez me dire [...] Votre maniere est trop sedisante pour ne pas faire de l'impression'. It was at Bartholdy's suggestion that his sister Lea, the mother of the composer Felix Mendelssohn, joined him in adopting the surname Bartholdy.

2pp., 4to. In fair condition, on lightly-aged paper. He asks him to 'delay sending in the Piano Forte until 1/2 past Five o Clock on Monday', as 'our General Annual Meeting of Proprietors takes place on that day, and very possibly they may not break up until Five, or a little after'. He asks him what tickets to 'send to Mr. Wornum', adding 'Whatever you think right shall be done for him'.

1p., 12mo. In good condition, lightly aged. Reads: 'Dear Miss Elphick | I shall be happy to see you on Wednesday the 22nd. inst at 10.45 a.m. | With kind regards | yours truly | Alberto Randegger'.

The note and memo are on a 12mo bifolium. In good condition, lightly-aged. The letter is signed 'A. J. Hall' and addressed to 'My dear Doctor'. He explains that he would gladly visit him, 'if at liberty', but that he is 'at Wolverhampton that night with Madame Albani'. The biographical note, presumably in Stewart's autograph, is on the reverse of the second leaf of the bifolium, beneath the following, in red ink: 'Memo. by Dr. James Stewart ("Sheamus Rua") Hon. Secy.

Four pages, 12mo, bifolium, fold mark, good condition. He would have answered sooner but for illness ("a bad attack of influenza or bronchitis, call it what you will"). He assures her of his attachment to her and hers. "I should like to see your chick [child?] - Is there any chance of your coming to LOndon again? Has Fanny any children? Do not show her this or she would be shocked to be called Fanny[.] I don not know her blessed married name. Remember me affectionately to [...] PS I send you some of the pieces of the Rose of Castille." This was first performed in 1857.

Both items in good condition, with light signs of age. The card, with postmarks, is addressed to 'Austin Dobson Esq | 75 Eaton Rise | Ealing | W.' The letter is also to Dobson, but is only addressed 'Dear Sir'. In the card he reports that 'The old oak in the forest is now in ruins and quite dead. It has been surrounded with a railing and a young tree planted by its side.' He offers to send a photograph, and asks for 'anthing about my parish which you may publish'.

The Clarke family ran the Argyle for fifty years from 1890 to 1940, during which period it was one of the best-known provincial theatres. It opened as the Argyle Music Hall in 1868, and between 1876 and 1890 was named the Prince Of Wales Theatre, being used mainly to stage plays. In 1890 the focus returned to music hall and variety and it was renamed the Argyle Theatre. Its archives are in the University of Sheffield. 2pp., 12mo. In fair condition, on lightly-aged paper, somehwhat grubby and creased at foot of leaf.

On both sides of a grey 8.5 x 11 cm. card. She writes that she forgot to tell her in her reply to her note 'that Mr. Rich. Green is an old friend of mine & sings my songs admirably. If I am accompanying he wd. probably like to know - before making his selection of songs for May 5.' She wishes to know whether she is to 'book the date at your earliest convenience'. She is leaving town for a week, 'but letters will be forwarded'. Beney disappears from view in 1936.

A total of 50pp., of which 46pp. are 8vo, and 4pp. are 12mo. In fair condition, lightly aged and creased. Some letters also signed on behalf of his wife Helga and their son Andreas. Also present is the first page of a fifteenth letter, dated from Paris, 19 May 1972. An affectionate correspondence, filled with personal and professional news. On 3 August 1978 he writes from St Oswald in Austria of a visit to East Germany: 'Our orchestra played for the first time at Dresden and Leipzig!!

The six items in fair condition, lightly aged and worn. The four photographs are all in black and white, and all around 12.5 x 9 cm. They show Brock swallowing and spinning swords, and balancing a microphone stand on his chin. The letter is dated 9 March 1969, and on his red and black letterhead ('New! Novel! Sensational! | Juggling Swords Balancing & Spinning Knives Illuminated Clubs'). It concerns the purchase of 'some old pro Photoes [sic] in JIMMY LYNTONS fit up article'. The pamphlet is a thin 12mo bifolium, with a drawing of Brock doing his act.

In good condition, lightly aged, with one vertical crease. Stamped and postmarked, and addressed to 'Cyril Maude Esqre. | Redlap | Dartmouth. | Devon'. For more about Hambourg, see his entry in the Oxford DNB. He writes: 'My dear Cyril | I'm afraid the Chappell Piano is necessary for me, as however good a theatre piano, it would not be good enough for a performance at your "Grand Benefit." | Yours with best wishes | Mark Hambourg'. Maude's 'Birthday Benefit Matinée' took place for charity at the Haymarket Theatre, 24 April 1942.

The collection is in fair condition, lightly aged and worn. Two of Brock's three Typed Letters Signed are addressed to theatre bookseller Barry Duncan. In one of them, written on 18 March 1969, he writes: 'I have been knocking around for 60 years i think i have played every theatre of note and played with some of the best | but i am getting tired with this club stuff you play a diffrent club every night some time you double them in a night un [sic] packing and packing up. | so i am waiting for GALAS one show a day will do me'. The third letter is to 'Jimmy', i.e.

An interesting letter concerning a song mentioned in Lewis Carroll's 'Through the Looking-Glass'. 6pp., 12mo. On two bifolium letterheads. In fair condition, on aged paper. He begins by statig that he has 'taken much interest in theh discussion in the Athenaeum respecting a song of Moore's "My heart & Lute" and possessing some information relative to it' is sends it to Friswell. He proceeds to give an account of publication, with references including the music publisher Power, Sir H. R. Bishop, John Kemble, Sherwood & James, 'The London Stage' and 'The National Airs'.