MUSIC

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

Signature on detached album leaf, 18 x 13cm, good condition

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

Page detached from an autograph album, 17.5 x 11cm, good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso, the following by Logan "To | Archie | Many Happy memories | of Lauder and | Jimmy Logan [his signature] | Stonehaven | 1987." Note: [Logan] "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder, was called Lauder (1976).[5] Logan collected Lauder memorabilia, which is now housed in the Scottish Theatre Archive at the University of Glasgow.".

Album page, c. 18 x 11cm, white, one edge rough (from extraction), good condition, signature and date slanting, small photograph of Moiseivitch cut from newspaper.

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.

75pp., 12mo. Internally in good condition, on lightly aged paper with 1860 watermark, and some leaves torn out. In worn red leather half-binding, marbled boards, with damage and loss to spine and front free endpaper torn away. The illustrations cover 19pp in the middle of the volume. Those on 15pp are in black ink, with the rest in pencil, one of them coloured. The butt of many of the jokes is music teacher 'Mr [Jack] Hardie'.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

On 13.5 x 16.5 cm piece of light-pink paper removed from autograph album. In very good condition. Reads: 'yours truly | I J Paderewski | 23/XI 1912'.

124pp., 8vo., with numerous other lists and other matter loosely inserted on pieces of paper. In shaken binding and on aged paper, but with the contents clear and legible. Accompanying the entry for January 1885 is the following note: 'These written in red ink were played on the Harmonium while the organ was being repaired.' The entries are arranged with the 'No. of Barrel in Organ', the date, and the name (omitted in later entries) and number of the hymn played.

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir & Brother'. He had been hoping to see him 'at the consecration of our Tenbury Lodge. I begged Brother Barber to invite you, & I think I told you we would put you up here on that occasion'. He hopes he will come 'at some future lodge night when we have got into work'. He informs him that he has that day 'received a notice of the Royal Arch Chapter' the following Thursday, adding 'I see I am to be ballotted for, & if elected to be exalted'.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

Printed on one side of a piece of 4to paper, with thick embossed decorative border in imitation of lace. In fair condition, on aged and worn paper, with closed tears to frail border. Royal crest at head printed in gold and other colours and also embossed. Headed: 'BUCKINGHAM PALACE. | MONDAY EVENING, 16th. JUNE, 1879.' Fourteen pieces are listed, by Mendelssohn, Liszt, Wagner (2), Gounod (2), Bizet, Max Bruch, Rossini (2), Ambroise Thomas, Massenet, Schumann and Cimarosa. Apart from Patti, Kellogg and Trebelli, the performers are 'Herr Henschel', 'Mr. W. H.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

3pp., 12mo. Bifolium, with Smirke's embossed monogram. Although he and his wife were 'absent in Northumberland', their daughter and a friend were able to make use of Miss Macerone's gift of a card of admission to her concert, and 'very great pleasure' was 'afforded to them by the afternoon's Entertainment.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

105pp., 8vo. Duplicated typescript, in two parts, each with title-page, continuously paginated. In good condition, lightly aged and worn. The piece, described as a 'musikdramatiskt' (music drama), was produced in 1976 by the Kungliga Teatern, Operan, and in 1977 on the Sveriges Radio. No other copy traced, either on COPAC or OCLC WorldCat.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

2pp., 12mo. In good condition, lightly-aged. The letter reads: 'My dear Miss Macirone | Mrs. Cowden has recd. your letter, & forwards the enclosure to Clara [the Countess of Gigliucci, another sister]. | Mrs. C. C's hands are so afflicted that she writes with greatest difficulty; so I write for her. We Villa-ites know no one of the name of "Macirone" excepting your own distinguished family. We rejoice to hear you have regained yr. health, & that sweet Minnie is flourishing. We all send kindest remembrances. Excuse gt. haste'.

Closely and neatly written on five bifoliums. Text totalling 14pp., 12mo. In fair condition, on aged and worn paper, with minor damage at head of third letter, and wear to extremities of the fourth. The first two letters (1856 and 1859) addressed formally, the third to 'Angela & Minnie', and the fourth and fifth to 'Angela'. She writes the first letter (1856) before her sister Clara's 'approaching visit to England', to thank Macirone for writing to express the pleasure she had received from Charles Cowden Clarke's sister's writing.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

Letter and printed text both on a 12mo bifolium. In fair condition, lightly aged and worn. Letter: 2pp., 12mo. Docketed with stamp of the Brighton Aquarium. She writes that she is 'happy to accept an Engagement for a Saturday Concert at the Brighton Aquarium as Principal Soprano' and will do her best 'to meet your terms'. Printed text: 2pp., 12mo.

2pp. 8vo. In good condition, lightly-aged. Making arrangements for a visit by Lynd's daughter Maire, 'with Thomas', the following week. 'Please let Miss Maire stay as long as possible as it is a long journey - I asked Thomas if they could not stay over the 19th when Vera Moore & Antonia Butler will be playing for me in Alnwick but I am afraid he said Term began before then but anyhow I hope they will stay as long as they possible can & get some music as I believe Vera Moore comes here about the 12th -'.

1p., 16mo. In fair condition, creased and lightly-aged, and laid down on a leaf removed from an album. In a close tiny hand, the note reads: 'Dear Mr. Mellon | can you oblige me with a private box for Monday evening next? The largest you can afford. | You are a naughty man. | Your's most truly | Erminia Rudersdorff'.

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.