MUSIC

On piece of light-blue paper, removed from an autograph album. Firm signature. In good condition. Reads 'Robert Easton.'

On rectangle removed from autograph album. In good condition. Reads 'Shura Cherkassky | 1929'.

On rectangle of pink paper, removed from autograph album. In good condition. Reads 'Wolfi Schneiderhan | 1930.'

Leaf detached from album, some staining, complete and clear. On one side a photographic portrait of jan Kubelik which he has signed and which has been annotated with the above place and date. Overleaf appear the signatures of Phyllis Neilson-Terry, actress and the Russian tenor, Stefan Bielina, dated by him 9/12 1921.

Page detached from album, some wear and tear but no losses, which contained numerous autographs provided at performances in Stoke mainly in the 1920s. One side of the leaf has the signatures of Agnes Nicholls Harty, Hamilton Harty, an illegible, and Frank Mullings, while overleaf are the signatures of John Booth, Margaret Balfour and Andrew Clayton.

Printed Programme, 4pp., 8vo, blue, not bound, staining on fold marks, mainly good condition. Elena Danieli has signed top left of front cover. It gives the Programme of music with performers and a list of President and Vice-Presidents of the Choir..

Page of album, 17 x 14, good condition, signed as follows: Souvenir from | Luisa Tetrazzini | Stoke on Trent 9th Dec. 1921 [underlined]. On the same page, the signature Ivor Newton [pianist] who accompanied her.

For more information about Stephen Manton Bradbury, or Stephen Manton as he was known professionally, see his obituary in The Times, 8 September 1970. The collection is in good condition, on aged paper. The correspondence from various figures in various BBC music departments, both London and regional, and in a variety of formats from 4to down to 12mo, breaks down to the following number of items per year: 1944, 8; 1945, 5; 1946, 30; 1947, 34; 1948, 32; 1949, 22; 1950, 11; 1951, 15; 1952, 1.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

4to, 4 pp. Bifolium. 87 lines. Text clear and complete. Fair, on aged paper, with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand, and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy, most of whom I may rank among my personal friends, and the pith of whose conversations, added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'.

12mo, 8 pp. Fair, on aged laid paper. On four leaves removed from a pocket book, with two leaves numbered in manuscript '41' and '42'. Apparently a first-person draft of information for an appeal by the oldest surviving member (from the inception of the group) for a stipend. Begins 'Depuis le commencement de l'an 1760 que j'ai ete recu a la Musique du Roi, j'ai été en exercice jusqu'en 1792, avec 222. sujets qui s'y sous dont 40 vivant encore au 18 Janvier 1815. [...]'.

Studio portrait photograph on postcard, captioned 'RENA HALL | MUSICAL SPECIALITIES'. Fair, on lightly-aged paper. Depicts Hall in highland costume with bagpipe under her arm and an accordion on a plinth. Inscribed 'To dear Rubye | In memory of Happy days | Love, Rena | 1937'. 'Laddie Cliff and Rena Hall' performed in front of George V and Queen Mary at the Royal Variety Performance, Coliseum Theatre, London, 1923. From the Colleano Family archives.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

4to, 1 p. Text clear and complete. On aged and creased paper. He is returning the score, and asks Hedgely to 'copy the three voice parts of the two canons Criste Eleison & Crucifixus & the Voice part of the Soprano Song, Gratias Agimus', and to send the whole back 'as soon as you can finish them'.

Both letters are tipped in on a captioned sheet removed from an autograph album. Both items lightly-aged, but good. Item One: 12mo, 1 p. Inviting him to 'a small dance for Hubie' at a location 'lent by Miss Constable'. 'You need not dance!' Item two: 12mo, 1 p. Asking him to 'come fairly early' the next day, and to 'stay on after the children have gone & have supper - of a sort'. Refers to 'H's party'.

For more information relating to this influential series of concerts, see 'Pursuit: The Uncensored Memoirs of John Calder' (2001). Seven items, including two duplicates. Text of all items clear and complete. In fair condition, but with one side of a duplicate advertisement heavily sunned (see below). ONE: Typed Letter Signed ('Ian Hamilton') from Hamilton to Conn (husband of the poet Jeanne Conn), 12 February 1960. 4to, 1 p. Eighteen lines. Responding to Conn's criticisms, explaining reasons for cutting short discussion and cancelling part of the programme, and giving future plans.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

Photograph (upper body, seated and besuited), c.8 x 13cms, characteristic signature beneath with place and dat, all in Lehar's hand, on page extracted from an album of autographs accumulated by Harry Woord Wolling, BBC producer (?). Suitable for framing.

On page extracted from an album of inscriptions with photographs by composers, actors, etc. Good condition. Inscribed by Strauss as follows: "Herr?] Harry Woord Wolling / Richard Strauss / Wien 15.12.23". The signature is bold. Scan provided on request.

Cut from a letter. On small rectangle of light-grey paper, roughly 2 x 4 cm. Fair, on aged paper with thin light strip of glue staining along top edge. Neat firm signature, underlined and overlined, reading 'John Hullah'.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

12mo, 1 p. Good, on lightly-aged and ruckled paper. He explains that the 'remaining dates of the 4tett Class had to be alterered', given the alternatives. 'I hope you will not be inconvenienced by that change and that you kindly will assent to it.' He gives the date of her next lesson, to which he looks forward.

Circa 70 pages, folio, 12 staves to a full page. The complete string parts with the firsdt claribet, first and second bassoon and double bassoon parts ("Fagots"). Printed entry from auction catalogue (prob. Sotheby's) on wrapping, 28 October 1974 (item 99). Although unsuccessful in the theater, Pickwick had the distinction of being the first opera to be shown on television. Several scenes from it were included in the BBC's newly opened service in November 1936, in advance of its stage première." (Wikipedia).