MUSIC

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

12mo, 2 pp. 12 lines of text. Creased and ruckled, with a little smudging. Difficult hand. Asking the recipient 'd'aller passer une soirée avec nous'. Laid down on a piece of paper which is attached to the blank reverse of the second leaf of the bifolium is a slip of paper (roughly 2 x 9 cm) carrying Eastlake's signature ('always truly yours | [signed] C. L. Eastlake').

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.

On a leaf from an autograph album, 11 x 17 cm. Good, on lightly aged paper. First line by Landauer. Reads 'With best wishes | [signed] Walter Landauer | [signed] Maryan Rawicz'.

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

4to, 4 pp. Good, on lightly creased paper. From the Ken Ryan collection. Long, rambling, good-humoured letter on the . 'Here it is New Years Eve and I'm at home, and being quiet. - I was tired as we have worked hard all week. - and its good to be quiet. [...] London must have been interesting during the holiday season - I hope to some day see it but when I ever will is the question I'm never to [sic] good to save money. - Next week we have the Monte Carlo Ballet. Russe. and I am looking forward to seeing it. with pleasure. I've always been so fond of ballet.'

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

Quarto: 40 pp. In original printed wraps, decorated with various facsimiles. Facsimiles in text, and portrait of Beethoven on rear inner wrap. Good, on browned paper. Sections on painters, writers, poets, architects, sculptors, musicians. Nods towards the American market, with some entries in English and Dollar conversions. Together with Nebehay's attractive bifoliate trade card, carrying a photograph of his premises.

One page, octavo. Very good, on lightly aged paper, with embossed blue ink monogram at head. 'Dear Sir | My Sister Isabella, just arrived, tells me you desire my autograph, I have great pleasure in complying with your flattering request. [...]' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper, and has the two newspaper cuttings partially laid down on it. The short Times obituary, dated 17 March 1908, states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'.

12mo: 4 pp. On grey paper. Very good, with a small strip of discolouration over the Royal Artillery crest. Bearing the Society's stamp. He is glad that his 'article on the Red Cross' interested Wood: 'in other circumstances it would have given me much pleasure to follow up the article with an address to your Society on the subject', but 'the work of the Cadet school, which I entered a couple of months ago, takes up my entire time'.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

The cutting consists of the two outer columns of pp.11 and 12, measuring 42 x 15.5 cm, with the article on Marie Lloyd, consisting of forty-four lines of text, covering roughly 12 x 6 cm of the inner column. Good, though a little aged and frayed at extremities, with the article with one small spot covering a word, but with the text entirely legible. First sentence reads 'Percy Courtenay, of 196, Wickham-terrace, Lewisham High-road, was brought up on a warrant before Mr.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Good, in felt-tip pen on piece of blue paper, roughly 8 x 13 cms, with the slightest discoloration at extremities.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.

Good, on leaf of blue paper removed from autograph album, dimensions roughly 12 x 16 cms.

Dimensions of photograph roughly nine inches by seven wide. Aged, lightly creased and a little scuffed. Slight loss to bottom right-hand corner of border, not affecting image. A bespectacled Malko in a double-breasted pinstripe jacket, in the act of conducting, baton aloft, and with violinist in the background. Malko has written his inscription over his torso, beginning 'Cnacudo', and giving the date 1949.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

Ten items, various formats, mainly 8vo. a. Copy statement i, 13 Jan. 1879, in which Smallwood agrees terms with the music publisher, Mary Ann Williams for his "musical composition entitled Winander-mere". b. Autograph Note Signed "Frederick Langbridge", 25 Jan. 1877, confirming that the sole copyright for two songs written by him ("A Song for the Land I Love" and "Freedom's Shrine") belongs to Smallwood. c. Statement by Lucy J. Mullen, "trading as B. Williams, 19 Saville Row EC", 6 Jan.

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

Two pages, 12mo. Very good. He was absent when the letter to his wife (the English contralto Charlotte Dolby) arrived. He has heard 'the little boy', and thinks that 'with proper care he may turn out a good Violinist, but he hs to undo every thing and to be guided in the right Way. He has undoubtedly great disposition. If he is persevering and hard Worker (the Violin being the most difficult instrument) I believe he can be one day a very good player'. It is however 'impossible for me to forsee in the future before he has a good start in his Studies.'

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.