CHARLES

On 3 x 11 cm slip of paper. In fair condition, lightly aged. Cut from the end of a letter. Good firm signature. Reads: 'Yours faithfully | Charles Barry'.

American physician and explorer of Africa (1866-1939). The recipient was Assistant Secretary at the Natural History Museum, London. One page, 12mo. Good, on slightly discoloured paper, and with remains of stub still neatly attached to one edge. A significant letter, sent on the eve of Donaldson Smith's most notable expedition. 'Just a line in haste to tell you I & Dodson [a taxidermist engaged for the expedition] are ready to start for Rudolph Gillitt [another taxidermist] having left for England after hearing of his father's death.

American physician and explorer of Africa (1866-1939). The recipient was Assistant Secretary at the Natural History Museum, London. One page, 12mo. Good, on slightly discoloured paper, and with remains of stub still neatly attached to one edge. A significant letter, sent on the eve of Donaldson Smith's most notable expedition. 'Just a line in haste to tell you I & Dodson [a taxidermist engaged for the expedition] are ready to start for Rudolph Gillitt [another taxidermist] having left for England after hearing of his father's death.

The Civil Service Life-Boat Fund (now the Lifeboat Fund) was founded by a group of civil servants wishing to donate a single lifeboat to the Royal National Lifeboat Institution. In 1866 they issued an appeal for £300 to government offices and raised the sum within a year. Since then the charity has supplied the RNLI with more than fifty lifeboats, which have saved nearly five thousand lives. The present two volumes, for 1892 and 1897, are uniform in heavily-worn halfbindings with black cloth spines and marbled boards.

On 5.5 x 14 cm. strip of paper. Apparently written in response to a request for an autograph. Reads: 'I am much flattered by the demand | C L. Bonaparte' ('demand' being a mistake for 'request').

2pp., folio. In fair condition, with light signs of age and wear. On first leaf of bifolium, the second leaf docketted in pencil. In fair condition, with light signs of age and wear. Detailed letter, filling two whole folio pages, beginning: 'Sir. | In the absence of the Storekeeper General I have the honour to refer you to his letters of the 12th. Novr. 19th. & 31st. Decr.

27pp., small 4to. In vellum-paper wraps with decorative cover printed in red and brown. With six plates: two collotypes (portraits of Edmund Hodgson and Henry Hill Hodgson) and four black and white photographs: 'Exterior of Premises, 115, Chancery Lane', 'The Auction Room', 'Compiling a Catalogue (First Floor Room)' and 'Unpacking a Library (Basement)'. Title-page in red and black. In fair condition, internally good, on aged and worn paper, lacking free endpapers. A characteristically-tasteful production by the Chiswick Press. Now scarce.

1p., 12mo. In fair condition, on lightly-aged paper. Addressed to 'Sir Donald Currie K.C. M.G. | S.S. | Sonakin'. He apologises to Currie for finding him away from home when he called: 'I only wish I had asked you to make an appointment'. He concludes with thanks for his 'kindness about the mail', and in wishes of a pleasant voyage for Currie's party.

2pp., 12mo. He 'unfeignedly' feels his 'unworthiness to be placed among those sons of Eton whose portraits are intended to grace the pannels [sic] of the College Hall'. He will comply with the Provost's wish, 'as soon as opportunity permits, & after I have learnt from you the most suitable mode of carrying your design into execution'.

The six items, totalling 9pp., are in fair condition, on lightly-aged paper, George H. Emmott's letter having slight wear at head. The recipient was Charles J. Holdsworth of Sunnyside, Wilmslow, Cheshire.

On 8 x 18 cm piece of paper cut from the end of a letter. In fair condition, lightly aged. Reads: 'And now my dear Mary Anne adieu With kind Regards to Mr T & love to yourself I remain ever | Your's sincerely & affectionately | H Willoughby | I shall leave directions With Mr Hyman to forward the Papers during my absence'.

47 + [1] + [11]pp., 16mo. Internally in good condition, lightly aged, in worn grey printed boards with wear to spine.On cover: 'Privated Printed Opuscula issued to the Members of the Sette of Odd Volumes. | No. XIII. | Coloured Books for Children.' No. 167 of a limited edition of 255 copies, signed by 'Charles Welsh', and with recipient's name erased. Hand-coloured frontispiece. Pp.27-47 carry 'A Catalogue of the Coloured Books for Children; Past and Present.' The last eleven pages contain a 'Bibliography of Odd Volumes' and 'List of Members'. Five copies on COPAC.

2pp., 12mo. Bifolium. In good condition, on aged paper. Begins: 'Dear Mrs. Ames - | You know you invitted me to stay with you once on a time & I couldn't come. Now can you not square the accounts by inviting me to come next Tuesdayy Evening, Jan. 23!' He is reading a paper on 'Luria' at the Browning Club that afternoon, and would like 'a quiet evening with you & Charles & Edith'.

1p., 4to. In good condition, on aged paper. He is desired to thank Westmacott 'for the offer of your picture of Cromwell for exhibition, and at the same time to inform you, that the arrangements, for the present season, are already completed'. He ends with the tact for which he was renowned, expressing the hope that he will have 'the pleasure of seeing you at the private [last word underlined] view on tuesday next'. The recipient is presumably C. M.

On 6 x 11.5 cm strip of paper. In good condition, with light signs of age. Reads: 'Yours truly | Chas Napier'. On the lower part of the page, in another hand: 'Signature of Admiral Sir Chas. Napier'. Presumably cut from a letter in response to a request for an autograph.

The three items are unconnected, but clearly derive from the papers of a descendant. All three are in good condition, with light signs of age. ONE: The charcoal drawing, in colours, is on a 13 x 19.5 cm piece of wove paper, and is an impressionistic representation of his head, close cropped and with eyes closed, sleeping or in death. TWO: The letter from 'M. Jackson' is 3pp., 12mo. Bifolium. In it Jackson invites Henry Keene, shortly after C. S.

ONE: Note. 1p., 12mo. In fair condition, lightly aged. In envelope addressed to Duncan at 11 St Martin's Court, London. Reads simply: 'Please let me have your catalogue when its ready | C L'. Lefeaux's name in capitals at head. TWO: Letter. 1p., 12mo. In good condition, lightly aged. He asks him to 'put the enclosed leaflet about the Repertory Players' in his window as agreed, offering two tickets as a mark of the commitee's gratitude.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with unobtrusive spike hole through both leaves. The signature is unclear, and appears to read 'Eleyn Zahn', but the only one of Charles Kenney's sisters with a name beginning in 'E' was Ellen. She asks for a private box for the following Thursday on behalf of her sister 'V. Kenney [ Virginia Kenney, born 1821]and self'. She refers to his 'long and prosperous reign', and fears that it will be 'long before we shall enjoy the gratification of seeing both you and Mrs. Kean again, as we leave for Paris in a few days'.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

3pp., 12mo. Bifolium. In fair condition, on aged and worn paper. The letter begins: 'As cheapness seems the chief topic at present, I send you 'something cheap' which I trust may suit the Gazette.' He asks, 'when any verse of mine appears in the Gazette', for a stamped copy.. He has 'many friends, connected with the Local press, who would quote & thus be serviceable to you'. In a postscript he tells Jerdan: 'You must please yourself about "Something Cheap" it is out of my usual way, written off hand: and I may have missed my mark.'

4pp., 8vo. Bifolium on shiny paper. In good condition, lightly-aged. The front cover carries a reproduction of the print 'Wireless Telegraphy.' Pp.3-4 carry reproductions of the 'Gibson Heads': 'NOW READY. - A Series of Sixteen Gibson Heads, of which the accompanying illustrations are miniatures. | Each subject is Hand-Printed on Japanese Hand-Made Tissue Paper, mounted ready for framing. Price 5s. 6d. each, post free.' Scarce: no copies on WorldCat, or on COPAC.

1p., 4to. In fair condition, on aged paper with wear to extremities. A twenty-three line letter discussing Council business, with the last paragraph reading: 'I have to thank you on behalf of the Council for the notes which you so kindly sent in for use at the last meeting. Mr. Hornell will do a certain amount of ethnological work, but in view of your opinion and that of others on the Council as to the difficulties involved, it is not proposed to appoint anyone else for this branch.' On the reverse of the letter are pencil notes by Seligman, made while reviewing a book.

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper. She begins with criticism of an article 'which has also appeared in the "World", which she is sure 'will vex Mr Whitmore'. She assures Mrs Lewis that no-one will suspect her of involvement, and thanks her for having 'secured the valuable services of Mrs Jay for Park Walk [...] Her playing has been invaluable to us [...] I want to ask her to come on our sub-committee'. She would like Mrs Lewis and her daughter to 'come down & dine & sleep on our island!', the Thames running under the house's verandah.

8pp., 12mo. Disbound without wraps. Drophead title only. In good condition, on aged paper. Originally published in 1861 under the pseudonym 'Iconoclast'.

8pp., 12mo. Disbound without wraps. Drophead title only. In good condition, on aged paper.

Four pages, 4to, creased but good condition. Thanks for a letter. He differs with his correspondent on the "postponing the projected Memoir of Dr Clarke [published 1843-9]. I think it should have appeared 2 or 3 years ago and taken precedence of Dan[ie]l Isaacs. With Dawson's life you are prompt [published 1842] and the publishers will find the advantage in an extensive sale.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'

1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.