PAINTER

[Thomas Webster, RA.] Autograph Note in the third person to 'Mr. Gotta'.

Author: 
Thomas Webster (1800-1886), RA, English genre painter and etcher [Royal Academy of Arts, London]
Publication details: 
On letterhead of Cranbrook, Staplehurst. 10 May 1877.
£35.00

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

[Sir Frank Brangwyn, artist.] Autograph Letter Signed ('Frank Brangwyn.') to an unnamed lady, regarding his efforts to get her 'a print of my etching "The Storm"'.

Author: 
Sir Frank Brangwyn [Sir Frank William Brangwyn] (1867-1956), artist
Publication details: 
On letterhead of Temple Lodge, Queen Street, Hammersmith, W. [London] 21 February 1905.
£90.00

1p., 4to. On blue-grey paper. In good condition, lightly-aged. He has been trying to get her a acopy of the print, but will not be able to until the following Tuesday. He hopes that this is not too late, and it will give him 'much pleasure in sending it up'.

[Althea Willoughby, English artist.] Two Autograph Letters Signed and one Autograph Note Signed to the publishers Ingpen and Grant regarding her designs for woodcut engravings for Alexander Somerton's 'Glades of Glenbella'.

Author: 
Althea Willoughby (1904-1982), English artist, designer of posters for London Transport, 1933-1936 [Ingpen and Grant, London publishers]
Publication details: 
All three from 20A Alfred Place, SW7 [London]. 14 April, 10 July and 2 August [1929].
£180.00

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

[Abraham John Mason, wood engraver.] Autograph Letter Signed ('A. J. Mason') to 'J. Mayer Esqre', discussing a commission for an advertisement to be placed in the Art Union Monthly, mentioning individuals (Hall, Fairholt, Clements) and processes.

Author: 
Abraham John Mason, wood engraver [Samuel Carter Hall, editor of the Art Union Monthly]
Publication details: 
28 Liverpool Street, King's Cross. 27 January [no year].
Upon request

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

[Thomas Webster, RA.] Autograph Note in the third person to 'Mr. Gotta'.

Author: 
Thomas Webster (1800-1886), RA, English genre painter and etcher [Royal Academy of Arts, London]
Publication details: 
On letterhead of Cranbrook, Staplehurst. 10 May 1877.
£35.00

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

[Sir George Hayter, artist.] Autograph Receipt Signed ('George Hayter'), to Messrs Crace, for the loan 'of two spear axe pikes, and a body & helmet suit of armour'.

Author: 
Sir George Hayter (1792-1871), painter and engraver [Messrs Crace & Son, 14 Wigmore Street, London, interior designers]
Publication details: 
'33 Gloucester Place in the new Road [London]'. 25 April 1855.
£130.00

On one side of a piece of cm blue paper. Reads: 'April 25, 1855. | 33 Gloucester Place in the new Road | Received of Messrs Crace | The favour of loan of two spear axe pikes, and a body & helmet suit of armour, to be returned. | George Hayter | with Thanks & Compliments.'

[Shelagh Maitland, artist's model.] Autograph Letter Signed, offering her services to the Duchess of Kent, stating she has worked for Lord Plunkett, Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger. With risqué autograph poem.

Author: 
Shelagh Maitland, artist's model [Princess Marina, Duchess of Kent [Princess Marina of Greece and Denmark] (1906-1968); Cathleen Mann; Simon Elwes; Sir John Lavery; T. C. Dugdale; David Jagger]
Publication details: 
40 Queensborough Terrace, W8 [London]. 19 July 1938.
£80.00

Both items are in an envelope addressed to the Duchess at 3 Belgrave Square. The envelope and its contents are on aged and creased paper. LETTER: 2pp., 12mo. Bifolium. Knowing that the Duchess is 'a well-known artist', she is offering her 'services as a model'. 'I was permanent model to the late Lord Plunket [sic] and have been painted by Cathleen Mann, Simon Elwes, Sir John Lavery, T. C. Dugdale, David Jagger and several other well-known painters.' She describes her appearance and asks to be granted an interview. POEM: 2pp., 12mo. In pencil. Unsigned, but clearly by Maitland.

[John Burnet, painter, engraver and writer on art.] Autograph Letter Signed ('Jno: Burnet') to the editor of the Literary Gazette William Jerdan, regarding a loan of a document made by a 'friend of Vandyk [Vandyke]'.

Author: 
John Burnet (1784-1868), painter, engraver and writer on art [William Jerdan (1782-1869), editor of the Literary Gazette]
Publication details: 
30 Cadogan Place [Sloane Street, London].] 'Tuesday' (no date).
£180.00

1p., 4to. In good condition, on aged paper, with wafer. Addressed on reverse to 'William Jerdan Esqr. | Brompton'. The letter reads: 'My dear Sir, | A particular friend of Vandyk [sic] has hastily drawn up the enclosed. you have made what use of them you require, perhaps our friend Watts would like to see them.'

[Thomas Phillips, portrait painter.] Autograph Note Signed ('T Phillips') informing '- Wilder Esq.' that his 'Picture is now varnished & ready to be sent away'.

Author: 
Thomas Phillips (1770-1845), English portrait painter [Wilder]
Publication details: 
8 George Street, London. 1 April 1842.
£35.00

1p., 12mo. Good, on lightly-aged paper, with slight traces of glue from mount on reverse, which is docketed 'Phillips the Portrait Painter'. The note reads: 'Dear Sir | Your Picture is now varnished & ready to be sent away. Pray be so good as to favour me with the Direction for the Case'.

Manuscript account book of an East London sign painter: 'F. J. L. Foot | Ledger & Journal | Business Commencing | Aug 27th 1934'.

Author: 
F. J. L. Foot, East London sign painter of the nineteen-thirties [sign writing]
Publication details: 
Dating from 27 August 1934 to 9 September 1937.
£220.00

286pp., foolscap 8vo, with 143 numbered double-page spreads. In sturdy ruled account book with stamp of the London stationers Parnell & Co. Very good, on lightly-aged paper, in worn black-cloth binding. Each entry gives the name and address of the business for which the work was done, with details of the job including the dimensions of the letters, and cost. Although some work is done in central London (Bedford College, Regent's Park), most is for firms in the E17 (Walthamstow) and E18 (Woodford) postcodes, suggesting Foot's location in the same neighbourhood.

Autograph Note Signed "Hubert Herkomer" to an unnamed correspodent.

Author: 
Hubert Herkomer [Sir Hubert von Herkomer, 1849-1914], Portrait Painter
Publication details: 
Lululaund, Bushey, Herts, no date given.
£45.00

One page, 12mo, bifolium, fold mark, mainly good condition. "I am quite ashamed of my blunder in having sent you the letter of Mrs May's so curiously addressed [to me?] & thank you for this trouble of forwarding it. The [?] misled me - pray excuse me, & let me welcome you [?] Sunday in my New House - a house that is the dream of three generations of craftsmen (practically) now realized."

Autograph Letter Signed ('H. Davis Richter') from the English painter H. Davis Richter to Dorothy Swan

Author: 
H. Davis Richter [Herbert Davis Richter] (1874-1955), English artist [Dorothy Swan]
Publication details: 
Letter on letterhead of 5 Redcliffe Square, South Kensington, SW10. 28 January 1946.
£100.00

Item One: Autograph Letter Signed from Richter to Swan. 1p., 12mo. In good condition, on lightly spotted paper. From the letter it would appear that in 1946 Richter was acting as one of the selectors for the 59th Exhibition of the Royal Institute of Oil Painters, at the Royal Academy of Arts, Piccadilly, London. He writes that he is enclosing 'the mighty deed [a book, as the letter explains], also the invitation for the exhibition at the Royal Academy valid from Feb. 13 to March 17.

Autograph Signature of the artist, children's book illustrator and poster designer John Hassall.

Author: 
John Hassall (1868-1948), English painter, children's book illustrator and poster designer
Publication details: 
Without place or date.
£25.00

On one side of a 5.5 x 20 cm strip of laid paper, cut away from the bottom of a letter. In good condition, on lightly-aged paper, with traces of mount adhering to the reverse. Reads, in a firm attractive hand: 'Yours very sincerely | John Hassall.'

Autograph Note Signed "Vicat Cole", painter, to "Mr [George] Gurney", artist.

Author: 
[George] Vicat Cole, artist
Publication details: 
The George Inn, Dorchester, Wallingford, [Oxon], 9 Nov. [no year].
£56.00

Two pages, 12mo, bifolium, ford marks, good condition. "I have at last done what you wished to the picture & hope you will like it. I have directed it to be packed & sent to you at once, & shall be glad to have a line from you to say it is all right. [...]" Note: George Gurney's art collection was auctioned in 1903. It contained two pictures by Vicat Cole, including a "View of the Thames".

Autograph Letter Signed from the animal painter Gourlay Steell ('the Scottish Landseer') to eccentric art patron John Christie of Cowden

Author: 
Gourlay Steell (1819-1894), animal painter, 'the Scottish Landseer' [John Christie (1822-1902) of Cowden, art patron and eccentric; William Brodie (1815-1881), Scottish sculptor]
Publication details: 
On letterhead of 4 Palmerston Place, Edinburgh. 1 November 1881.
£120.00

4pp., 12mo. Thirty lines. Fair, on lightly-aged paper, with traces of mount at head of second page. Steell is enclosing 'a catalogue of the most recent works of the kind you desire', and points out that 'the short biographical sketches of deceased Scottish artists, in connection with our catalogue, was only printed [last word underlined] by Messrs. Constable'. He ends by offering his 'warmest wishes for the married couple' - in 1881 Christie's seventeen-year-old daughter Alice married Robert King Stewart, KBE, of Murdostoun Castle, Lanarkshire.

Autograph Letter Signed ('R. S. Lauder') from the Scottish historical painter Robert Scott Lauder to the Liverpool painter W. G. Herdman, regarding to the sending to Edinburgh of one of his pictures, with another by his brother James Eckford Lauder.

Publication details: 
35 Upper Charlotte Street, Fitzroy Square, London. 23 January 1847.
£65.00

1p., 12mo. Good, on lightly-aged paper, with thin strip from mount adhering to blank reverse. Addressed to 'W. G. Herdman Esqr. | Liverpool'. If his brother's picture ('Mr J. E. Lauder') and his own 'are not by this time sent off'', he would like this done immediately, 'as they must be in Edinh. by the 1st of Feby.'

Autograph Letter Signed from the Scottish painter Thomas Faed inviting a fellow-painter to his studio, and expressing concern that his paintings may get 'massacred [...] in the hanging'.

Author: 
Thomas Faed (1826-1900), RSA, Scottish painter
Publication details: 
24a Cavendish Rd, St John's Wood [London]. 3 April [post 1876].
£80.00

3pp., 12mo. Bifolium. Watermarked 'JOYNSON | 1876'. Fair, on lightly-aged paper, with minor staining from mount at foot of second leaf. Written in a hasty, untidy hand. The recipient appears to be 'My dear Hornby', 'Horley' or 'Howley'. Faed writes that he is 'slaving away chopping and changing sometimes worse and sometimes better (I hope) on Saturday, Sunday, and Monday. 7th.

Autograph Letter Signed ('Philip H Calderon.') from Philip Hermogenes Calderon, member of the St John's Wood Clique, to fellow-artist John Callcott Horsley, describing a trip to the 'dissolute city' of Paris.

Author: 
Philip Hermogenes Calderon (1833-1898), English painter born in France of Spanish extractino, member of St John's Wood Clique, Keeper of the Royal Academy, London [John Callcott Horsley (1817-1903)]
Publication details: 
On letterhead of 9 Marlborough Place, St John's Wood, NW. 'Sunday Evening' [no date].
£220.00

3pp., 12mo. Bifolium with mourning border. Good, on lightly-aged paper, with thin neat strip of paper mount at head of third page.

Typed Letter Signed ('Edwin H. Blashfield') by the American mural painter Edwin Howland Blashfield, inviting Mr and Mrs Thomas to visit him in his studio in Carnegie Hall, to see works 'which will probably not be exhibited again in New York'.

Author: 
Edwin H. Blashfield [Edwin Howland Blashfield] (1848-1936), American mural painter [Carnegie Hall, New York]
Publication details: 
[New York.] 17 April 1918.
£120.00

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

Autograph Letter Signed from the herald painter for the College of Arms Gerald Cobb to the architectural historian Peter Reid, regarding a staircase in Bishopswood and his new book.

Author: 
Gerald Cobb (1899-1986), Queen Elizabeth II's herald painter for the College of Arms at the time of her coronation, and authority on ecclesiastical architecture [Peter Reid, architectural historian]
Publication details: 
College of Arms, London EC4. 7 June 1979.
£56.00

1p., 12mo. Seventeen lines of neatly-written text. Good, on lightly-aged paper. He apologises for the delay in replying to Reid's letter, and knows 'nothing about the staircase you mention as coming from a house in Holborn, & now in a house in Bishopswood.' He 'looked it up in R[oyal]. C[ommision]. H[istorical]. M[onumments]., (Vol. II) Hertfordshire (par. of Walford-on-Wye) but Bishopswood is only mentioned re some romann remains.' He hopes Reid is 'enjoying the Herefordshire countryside', and is himself finding life 'rather hectic'.

Two Autograph Letters Signed (both 'A Henry Savage Landor') from the traveller Arthur Henry Savage Landor to 'Mr Roper' of Boston [the inventor Sylvester H. Roper?].

Author: 
Arnold Henry Savage Landor (1865-1924), English painter, explorer and writer, born in Florence, discoverer in Tibet of sources of Indus and Brahmaputra rivers [Sylvester H. Roper (1823-96) of Boston]
Publication details: 
First Letter: 'Saturday' [1 December 1888]; on lettherhead of the Somerset Club, Boston. Second Letter: 'Sunday' [6 January 1889]; 2 Walnut Street [Boston].
£165.00

Both items in very good condition, on lightly-aged paper, each with slight trace of paper label at spine. Letter One: 3 pp, 12mo. Docketed at head of first page '1 Dec/88.' and 'The Explorer of Thibet [sic]'. He thanks him 'for the Card of the St Botolph Club' and will try to go there the following day. He has 'so many things to do' that he is not sure he will be able to stay there long. Letter Two: 4 pp, 12mo. Docketed beneath address '6 January 89.', and beneath signature 'The traveller in Thibet [sic]'. Thanking him for the 'note and cheque', and hoping that the sketch arrived safely.

Autograph Letter Signed ('Blanche Lindsay') from Lady Blanche Lindsay, poet and artist, wife of Sir Coutts Lindsay, founder of the Grosvenor Gallery, to 'Mr. Evans'.

Author: 
Lady Blanche Lindsay [Lady Caroline Blanche Elizabeth Fitzroy Lindsay] (1844-1912), wife of Sir Coutts Lindsay, founder of the Grosvenor Gallery
Lady Blanche Lindsay
Publication details: 
4 April 1888; 4 Stratton Street, Piccadilly, London.
£230.00
Lady Blanche Lindsay

12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.

Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson to his 'brother-artist' David Sassoon of Kirkcudbright. With signed print of a landscape by Stevenson.

Author: 
Robert Macaulay Stevenson (1854-1952), Scottish artist, associated with the 'Glasgow Boys' school [David Sassoon (1888-1978), Kirkcudbright artist]
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson
Publication details: 
'Kirkcudbright | Yuletide 1934'.
£75.00
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson

Dimensions of card 14.5 x 11 cm. Bifolium. Good, on lightly-aged paper. Cloudy print of landscape on recto of second leaf, signed in pencil 'R Macaulay Stevenson'. Neat pen inscription on recto of first leaf: 'My dear brother-artist Sassoon and dear Madame Sassoon this is just from Stansmore and myself to wish you a Merrie Christmas and a Happy New Year | [signed] R Macaulay Stevenson | Kirkcudbright | Yuletide 1934'.

Autograph Letter Signed ('W. J. Newton') from the miniature painter Sir William John Newton to James Lakyn, regarding damage to his house in Argyle Street caused by building works.

Author: 
Sir William John Newton (1785-1869), miniature painter to King William IV and Queen Victoria [Richard Westmacott (1799-1872); Burrell & Valpy, architects]
Sir William John Newton (1785-1869), miniature painter to King William IV and Qu
Publication details: 
19 October 1864; 6 Argyle Street, London.
£60.00
Sir William John Newton (1785-1869), miniature painter to King William IV and Qu

12mo, 3 pp. Text clear and complete. Fair, on aged paper. 'Mr Westmacott [the sculptor Richard Westmacott the younger?]' has called on him, and he has 'shown him the settlement all down my Wall - I told him that you had seen it but did not contemplate any immediate danger - he said that Mr Valpy [Henry Valpy (fl.1851-1885) of the architects Burrell & Valpy] was out of town'. Westmacott will write to Valpy, as he thinks there ought to be 'a conference with' Lakyn, who 'should be requested to make a report'.

Collection of papers relating to the editing and design by Montague Shaw of Michael Simonow's two books on the Polish artist Zdzislaw Ruszkowski ('Unofficial War Artist' and catalogue raisonné), with correspondence by the artist and photographs.

Publication details: 
1984 to 1987. Both books were published in London by Mechanick Exercises: 'Unofficial War Artist' in 1985 and the catalogue catalogue raisonné in 1987.
£500.00

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page.

Nine Typed Letters Signed, one Typed Note Signed and one Autograph Card Signed (all eleven 'Nicolette') from the author and artist Nicolette Devas to the military historian Antony Brett-James.

Author: 
Nicolette Devas [née Macnamara; other married name Shephard] (1911-1987), author and artist [Antony Brett-James (1920-1984), military historian and Sandhurst lecturer]
Nicolette Devas
Publication details: 
[1960-74?] All from West London. Card postmarked 11 October 1960, on cancelled letterhead of Anthony Devas, 12 Carlisle Square. Three items (none with year) on letterhead 18 Wetherby Gardens; seven (two from 1974) on letterhead 68 Limerston Street.
£550.00
Nicolette Devas

Apart from the card (12mo, 1 p), totalling 4to, 10 pp; 12mo, 2 pp. All items in good condition, with text clear and complete, on lightly-aged paper. All post-1960. Two of the eleven (20 January and 13 June 1974) are fully dated by Devas; another four have day and month. The card from 1960 is the earliest item; the three from Wetherby Gardens date from between this point and Devas's second marriage to Rupert Shephard in 1965, and the seven from Limerston Street from after the marriage. A good-natured correspondence, written in a chatty style.

Part of an Autograph Letter, Third Person, to Richard Dighton, artist.

Author: 
[Prince of Wales; Albert Edward; Edward VII] W.Knollys, Private Secretary to the Prince of Wales
Letter, Third Person, to Richard Dighton, artist.
Publication details: 
Place and date not present.
£45.00
Letter, Third Person, to Richard Dighton, artist.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

Two Autograph Letters Signed from Edward Le Bas to 'Miss Inglis'.

Author: 
Edward Le Bas (1904-1966), English painter and collector [Jean Winifred Inglis (1884-1959), artist]
Two Autograph Letters Signed from Edward Le Bas
Publication details: 
Letter One: 14 January 1934; 6 Fitzroy Square, London. Letter Two:4 August [1945?]; on letterhead of 53 Bedford Square, London.
£180.00
Two Autograph Letters Signed from Edward Le Bas

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

Autograph Letter Signed ('Thomas Faed') to W. F. Stocks.

Author: 
Thomas Faed (1826-1900), R.A., Scottish artist [Walter F. Stocks]
Autograph Letter Signed ('Thomas Faed', artist)
Publication details: 
31 January 1870; Sussex Villa, Campden Hill, London.
£85.00
Autograph Letter Signed ('Thomas Faed', artist)

12mo, 2 pp. Twenty lines. Text clear and complete. In bifolium. On aged and discoloured paper, with small closed tears along central fold lines of both leaves. A reference, 'bearing testimony to your perfect efficiency as a teacher of landscape painting possessing, as you do, the first and greatest requisite, namely a power to sketch beautifully from nature, your success should not be short of great. [last word underlined]' Apologises for not answering sooner, caused by 'the loss of your card'. From a small archive of Walter F. Stocks's correspondence.

Autograph Letter Signed ('W Russell Flint') to L. Carpenter of Leigh-on-Sea, discussing his artistic development.

Author: 
Sir William Russell Flint (1880-1969), British artist
Publication details: 
8 July 1948; on his Peel Cottage, Campden Hill, letterhead.
£280.00

4to, 2 pp. Twenty-three lines of text, clear and complete. In fair condition, creased and lightly-worn. With stamped envelope addressed by Flint. In reply to a question from Carpenter ('I very, very freqently receive letters such as yours') Flint writes: 'Dont worry about not receiving art instruction in painting because I never had a lesson in my life.' He believes he inherited the skill he 'started with', but constant study of the works of masters & constant practice have brought me (with the aid of a kindly Providence) to my present position'.

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