SCOTLAND

93pp., 4to. Bound with pink ribbon in buff card wraps. Creasing to front cover and first few leaves, otherwise in good condition, on aged paper, in aged and worn wraps. Ownership inscription on front cover and title-page: 'Robins MIllar | 9 Park Quadrant | Glasgow C3'. A high-society comedy, set in London. No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

107pp., 4to. Stapled and attached with pink ribbon. Aged and worn, with last few leaves detached, with worn front cover only also detached. With a couple of manuscript emendations. Millar begins a full-page introduction: 'The mood of this play is gay comedy. | It arises from the threat of gossip in a small country town.' No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

For more about Corrie see his entry in the Oxford DNB, which states that 'His most effective mature work, A Master of Men, about the conflict between a mine manager, the mine owners, and the miners, was performed by the Glasgow Citizens' Theatre in 1944.' 111pp., 4to. On paper of various colours. Autograph title-page: 'English Version | A Master of Men | A Play | Joe Corrie | Hill's Hotel | 41 Princes Sq. | London W2 | Tel. Bay. 0118'. (Many of Corrie's plays were written in Lowland Scots.) In good condition, lightly-aged, in worn buff card wraps. With a few autograph emendations.

1p, 12mo. In good condition, lightly-aged. He is declining his request as he has 'many, & much more pressing claims to meet in the way of Church building'.

2pp., 12mo. On bifolium with mourning border. In fair condition, on aged and worn paper, with 6cm vertical closed tear to first leaf, affecting a couple of words. The reverse of the second leaf carries a broken seal in black wax, and is addressed to Clanricarde. The letter begins: 'My dear Ld C: | We are in a great difficulty at the H. of Lords today for want of a third Peer.' He will esteem it a great favour if Clanricarde 'will come at ten and enable me to go on with the Causes - for otherwise there will be the whole expence thrown upon the packs'.

148pp., small 4to. In contemporary red leather half bindings with marbled boards and edges and gilt tooling. In very good condition, on lightly-aged paper, in lightly aged and worn binding. Signed on reverse of front free endpaper: 'J. Borthwick | 1820', and on the page facing this: 'General Account | book. | N.B. The Vouchers are tied up with Labels marked for the respective years. Where particulars will. | See also my Journal.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. In good condition, lightly-aged, with small part of paper mount adhering at head. Accepting a dinner invitation on 20 November.

Good firm signature, written diagonally across a 9 x 12 cm piece of grey card, the reverse of a printed advertisement for the American & Colonial Exchange, 8, The Haymarket, London, S.W. In good condition, lightly-aged, with minor traces of glue from mount on the printed side of the card.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

On 8 x 22 cm piece of paper. In fair condition, aged and creased, and laid down on piece of card. Note in a contemporary hand in red ink in the margin: 'George Combe the Phrenologist | (Holograph) [sic]'. With five emendations and deletions.

A watercolour drawing in ink, coloured in yellow, blue and red, against a sepia ground. The drawing is on a 24.5 x 18.5 cm piece of thick white paper, laid down on a 28.5 x 29.5 cm piece of grey paper. In good condition, with light signs of age. In pencil in a contemporary hand on the grey-paper mount: 'Mrs Mackinnon - hanged | done by Charles K. Sharpe Esq | She had been a great beauty | murdered a man'. The drawing is not signed, but is in much the same style as other examples of his watercolours (for example those in the Victoria and Albert Museum, London).

2pp., 16mo. Bifolium with black border. He writes that he had 'looked forward with great interest to seeing your academy pictures for this year', but that he is disappointed not to be able to do so, as a result of a heavy cold. 'I have no doubt they will more than sustain your reputation, and it will be a true pleasure to me to hail them on good places on the line in the R.A.' He ends by sending regards 'to Mrs. Faed & yourself'.

1p., 4to. In good condition, lightly aged, with tiny stain in margin. He thanks him for his letter, and invites him to 'call again' at 'this enchanting place'. He has 'finished Octave 5' and is 'at work now on another Ben Nevis story'. He has asked his publishers Chatto & Windus to send him 'Octave 3'. A letterhead with Mackenzie's Edinburgh address is printed upside down on the reverse.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

2pp., 12mo. Written in a small close and neat hand. In good condition, on lightly aged paper.

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

2pp., 4to. Bifolium. In fair condition, lightly aged. Reverse of second leaf, with part of red wax seal and Keswick postmark, addressed to Ross at Tadcaster, and forwarded to the Crown Inn, 'Harragate', Yorkshire. He begins by explaining that a delay to his departure for Scotland is the reason for the late reply. 'To morrow or next day we shall set out. The moment I reach Edinburgh I shall see Cathcart & immediately write you most minutely every thing regarding the Richmond Scenery | All this Party send you their best Compts.

2pp., 4to. Bifolium. In fair condition, aged and worn. Addressed, with red wax seal, on reverse of second leaf, to 'Mrs. Cockburn Ross | Pooles Hotel'. He begins by explaining why he has not replied to her letter sooner, his clerk having placed it 'with some Letters of Business'. Archibald Black, who was formerly in his service, is 'a good natured honest Creature', but he cannot advise her to hire him. On the poor mans account I would not wish to be more particular than just saying that it is not owing to any objection to his moral Character that leads me to dissuade you from engaging him'.

3pp., 4to. Bifolium. In good condition, on lightly-aged paper. He has communicated the recipient's letter, with the memorial regarding 'the amelioration of the Distillery Laws', to 'Sir Charles Ross & Brigadier Genl Mackenzie', and they have been well received. 'One of the Gentlemen submitted the Memorial to the perusal of the Lords Stafford & Seaforth who as I understand are zealous for the reform of those Laws'. Seaforth has signed.

2pp., 4to. Bifolium. Addressed, with postmark, on reverse of second leaf, 'To John Cockburn Ross Esqr. | Thorpe <?> | by Willerby | Yorkshire', and redirected to 'Crown Inn | Harrogate'. Recommending, 'in the view of preparing yr. young Son for commercial life', 'Mr. Jay who conducts the Commercial Academy', who was 'long ago in the House of Livingston & Co. Merchts at Rotterdam. He married a Daughter of Mr. Livingston and when the troubles in Holland forced him to leave it settled at Leith where he was involved in connections that proved unssuccessful from the disturbed state of Europe'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He explains his 'great and chief excuse' for breaking his promise to call on her that morning. 'The fact is I have to give an address on Monday evening as President of the Society of Chemical Industry'.

16pp., 12mo. Disbound and without covers. In fair condition, on lightly-aged paper. This item is an anonymous review of Macvicar's work, not the work itself, the author writing: 'what is proposed here is not a critique or an estimate of our author's philosophy, but a simple view of it as short as possible, the accuracy of which may be depended upon, since we have been favoured with it by Dr Macvicar himself'. Scarce: the only copy traced on COPAC at Glasgow. Now uncommon.

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.

3pp., folio. Bifolium. On aged and worn paper. Docketed on reverse of second leaf and addressed to 'Mr. Robert Park | Writer in | Glasgow', with postmark in red ink. The first page is headed 'Edinburgh within John's Coffee House the fifteenth day of December One thousand Seven hundred and Eighty six Years. | Siderunt of the committee respecting the Attorney Tax Law.' The minutes end at the top half of the third page, and a followed on the lower part of the same page by Sprott's covering note, written by a secretary and signed by him with short autograph postscript.

All three items bifoliums in good condition, on lightly aged and worn paper. ONE: 13 July 1799. 2pp., 4to. Regarding his endeavours to sell 'the whole Estates of Lewis & Kintail & Lochalsh [...] either in Cumulo or Lots with a resolution to sell to the amount of the debt that is upon them'. He states that it has always been his 'wish & endeavour to satisfy any Creditor on the Seaforth Estate & the interest is paid with a punctuality not exceeded'. He complains of 'the singular hardship of the times'.

1p., 8vo. In fair condition, on lightly-aged paper, despite slight singeing to extremities. He is sorry to hear of the recipient's 'uneasienes', and that he is unable to attend on him, as he is 'oblidged to goe sie the Lady Mackerston's daughter in the afternoon'. If he can, he will wait on him on the following morning, as he suspects there may be 'a tendency to your Ague'.