COMPOSER

38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.

1p., 12mo. In good condition, lightly-aged. He asks him 'to forward these Cards immediately (I have sent one to Mr. Doane) as many have call'd asking if they are to be engaged'. He expresses his regret for 'the mistake in the Name card', but it is too late to alter it. The 'sole cause' of the error was his 'constantly thinking of the state of poor Walker'.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir & Brother'. He had been hoping to see him 'at the consecration of our Tenbury Lodge. I begged Brother Barber to invite you, & I think I told you we would put you up here on that occasion'. He hopes he will come 'at some future lodge night when we have got into work'. He informs him that he has that day 'received a notice of the Royal Arch Chapter' the following Thursday, adding 'I see I am to be ballotted for, & if elected to be exalted'.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.

The collection is in good condition, on lightly aged and worn paper, and can be grouped into three sections. ONE: Complete typewritten draft ([3] + 44pp., 4to) of Sussman's unpublished monograph on Bloch is contained in a large brown envelope, with the following note by Sussman on the front: '2ND COPY (without illustrations) of "Ernest Bloch - Music's Prophet" | JS'. It includes the contents, list of illustrations, introduction, and two-page 'Key and Bibliography'.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

3pp., 16mo. 25 lines of text. Bifolium. Good, on lightly-aged paper, with slight traces of mount adhering to the blank reverse of the second leaf. The letter begins: 'Dear Miss Paget | Miss Martin has just forwarded me your note so I will send you a few lines to-night. I am very pleased you are singing my song on the 27th., & will be pleased to go over the song with you before the concert.' She gives details of her movements over the next few days before concluding: 'I hope it will not trouble you much to come out here -.

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

On 8.5 x 11 cm piece of paper, cut from the bottom of a letter. In good condition, lightly-aged. Entirely in German's hand. The side of the letter with the signature reads: '[...] write you, & I hope we may be able to arrange a meeting. | Yours sincerely | Edward German'. The other side reads: '[...] you at Sidcup with the Georges many years ago. | I should be very pleased to meet you again, but at present I seem to be fully occupied [...]'.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

Total 3pp., 12mo, fold marks, pinholes in two,good condition. The letters illustrate how difficult it was to get money out of Driberg. [28 May] Ayrton is about to go to America and must "gather all available resources to keep things going here [...] Could I therefore have some of the money owing for the portrait of Constant? All of it would be splendid but even some would help." [7 June] He thanks Mrs Driberg for payment of half. [6 Feb.] "Forgive my bothering you but I am a bit pressed for money at the moment and you still owe me half the price of the Lambert portrait whihc is Twenty Pounds.

1p., 16mo. On a piece of watermarked laid paper, 17 x 10.5 cm. Fair, on lightly-aged paper, with a manuscript correction ('tracts' to 'tracks'). In three numbered stanzas, Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! | A Woolwich Torpedo, | But Oh! But Oh! | The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881.

2pp., 12mo. On bifolium. Fair, on lightly-aged paper, with strip of tape from previous mounting adhering at the foot of the recto of the second leaf. He asks her to send 'cards for your afternoon Friday' to 'our dear friends Mr. and Mrs. Koecher (and the Misses Koecher)', who would 'enjoy every minute'. He gives the Koecher's address as de Keyser's Royal Hotel, Blackfriars, and ends by conveying his wife's love.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

4pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed on the reverse of the second leaf to 'T: P: Cooke Esqre | Royal Coburg Theatre', with two postmarks. The two men do not appear to have been related. TSC requests TPC's 'friendly interference to endeavour at getting from Mr.

4 pp, 12mo. Good, on lightly-aged paper. The unnamed recipient appears to have been named as executor in a prvevious will of Sir Henry Bishop. Opens in dramatic style: 'I was very greatly surprised to receive a letter from you this morning, dated from Brighton, as my poor Brother, Sir Henry Bishop, had not the slightest idea that you were still an inhabitant of this world, having heard of your death some time since, in consequence of which, he made another will similar to the one in your possession, but changing the executors'.

Both signatures on the same side of a light-green leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. The first signature is the larger of the two: 'Wilhelm Backhaus | Nov. 20th. 1922.' The second reads 'Lindley Evans. | 20/11/22'.

On one side of a piece of pink paper, roughly 18 x 7.5 cm, cut from an autograph album. In good condition, on lightly-aged paper. At the head James has written ' "The Sun-God" W. G. James', with the opening two bars beneath this, beneath which he has written the words 'I saw the master of the Sun -' In the bottom right-hand corner: 'Yrs Sincerely | William G. James'. James's music for Aubrey de Vere's poem was first published in 1921.

On rectangle removed from autograph album. In good condition. Reads 'Albert Coates | 1929'.

Leaf detached from album, some staining, complete and clear. On one side a photographic portrait of jan Kubelik which he has signed and which has been annotated with the above place and date. Overleaf appear the signatures of Phyllis Neilson-Terry, actress and the Russian tenor, Stefan Bielina, dated by him 9/12 1921.

Detached album leaf, c.17 x 14cm, good condition, on one side signed Fritz Kreisler | 2/XI 1922, the other Nellie Melba | 1923. A small image of Kreisler, extracted from a magazine, is below the signature.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.