GEORGIAN

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

Four pages, 12mo. Very good, with strip of brown paper adhering at the head. Text clear and entire. A long letter, casting light on the effects on the English middle classes of the financial crisis of 1825. Clayton begins by thanking Procter for the 'card case'. He 'will gladly do any thing that may fall within [his] power, to assist the Associate Fund', but does not think that he can 'do much'. 'The times are such, that Cases of <?> distress so multiply in our different communities, as to swallow up a large proportion of our pecuniary means'.

All items octavo. Bound together in contemporary leather half-binding with red label. Good, on aged paper. Front board beginning to split. Label and stamps of Newport Reference Library. Each title-page initialed in contemporary hand 'G. S. W.' Part 2, 1825: pp.[ii] + [103]-348, items 1666 to 6197. Part 3, 1825 ('Including the libraries of the late Rev. Dr. Ryland; J. Nott, M.D. of Clifton, Deceased; And other Collections, recently Purchased'): pp.v + 349-606. With two-page 'Brief Memoir of the late John Nott, M.D. of the Hotwells, Bristol', 'Extracted from Felix Farley's Bristol Journal'.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

On thin laid paper roughly two and three-quarter inches by three and three-quarter inches wide. Good clean image, on aged paper with slight wear in bottom left-hand corner. Enclosed by a border. Reads, in a variety of hands, 'Thomas Payne | BOOKSELLER, | Near the South Sea House | BISHOPSGATE-STREET | LONDON. | Sells all Sorts of Stationary [sic] Wares.' According to BBTI the Thomas Payne who was at this address in 1750 may possibly be the eminent bookseller Thomas Payne I (1719-99) of the Mews Gate.

Two pages, on a rough-edged leaf approximately seven inches by four. Good, though aged and a lightly stained. A highly interesting list of twenty-seven titles by a radical publisher. Several works relating to Robert Wedderburn and Thomas Davison. Also 'The Cast-Iron Parson', 'A Peep after Hell' and 'GREAT GORGY: giving a Humourous Description of his Journey to Westminster, on Giff, the Ch-lor's Grey Mare'. Ends 'The Trade Supplied with all the Popular Works of the Day. | Printing & Bookbinding | NEATLY AND EXPEDITIOUSLY EXECUTED. | NEWSPAPERS SERVED IN TOWN AND COUNTRY.

LETTER: Two pages, 12mo. Very good. Addressed on verso of second leaf of bifolium. Three postmarks (two in red and one in black ink) and red wax seal. Written after Wilson's appointment as Bishop, but before his departure from Islington, where he was Vicar of St Mary's. Addressing his 'dear friend' he excuses his silence, which is 'merely for the physical impossibility of answering a tenth part of the letters I receive'. His 'house has been over-full - IS now - I have not a bed free | At any time, however, I am to be found at Breakfast at 9 - & shall rejoice to see you'.

Two pages, quarto. Very good. 'It is great pleasure that I sit down to write to any one of my brother clergy of the diocese, as it seems an approach to that acquaintance with them which I hope before long to have an opportunity of making personally'. '[P]ressure of business' makes impossible 'any very specific answer' to the contents of his correspondent's letter, 'But they shall not be forgotten'. He will 'speak to the Military board as to the Bungalow appointed for public worship'. He laments that the 'situation with regard to the military' has not been adequately defined.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

Seven pages, octavo. Disbound, and with the four leaves detached from one another and neatly laid down on a paper mount. Very good. From (according to the title-page) the edition in 'LONDON. Printed for EDW. NICKSON. Januar. 24. 1643.' Republished as a supplement to the 'British Stage'. Only two copies on COPAC, at Bristol and in the British Library.

Dimensions roughly four and a quarter inches by eight wide. Good on lightly aged paper, and with traces of previous grey-paper mount adhering to reverse, which is docketed, in a nineteenth-century hand, 'Handwriting of the Author of Lorenzo de Medici'. Also docketed in left-hand margin of recto. Begins 'One of the most fatal enemies to the tranquility & happiness of human life is that jealous & timid apprehension which foresees evils at too great a distance, & often imagines them when they do not exist'. Initialled in top left-hand corner.

Eight 16mo leaves ['A4' at foot of recto of first leaf]. Sixteen unpaginated pages. Unbound, in contemporary marble wraps. Aged and slightly stained, but good overall. Dramatic fold-out handcoloured engraving of distressed men in rowboat in turbulent sea, roughly four and a half inches by five wide, captioned 'CENTAU. | Situation of part of the Crew who are leaveing [sic] the Wreck in a Boat.' Closed tear in engraving unobtrusively repaired on reverse with archival tape. Small stamp of the Webster Collection, with manuscript date 1924, on reverse of print.

Full subtitle: 'With a comparative review of the systems proposed by H. Cranmer Phillipps, R.N. and by Captain Levin Joergen Rohde, of the Royal Danish Navy, Knight of the Dannebrog, &c. &c.' The letter was previously attached by four small pieces of red sealing wax on the verso of its blank second leaf to the title-page of the pamphlet. Letter and pamphlet are now detached, with traces of wax adhering to both, but not affecting the text of either. LETTER: 12mo, one page. Good on aged paper.

Two pages. On piece of paper roughly five inches by nine wide. Aged and with a few nicks, but good overall. Seven lines, beginning 'Debentur Carolo Duci St. Alban Magro Austrag Dni Rs [...]'. 'Letter Money' in margin. Various docketings cross-wise on reverse, including signature of 'Jno: Bidleson' ('John Bidleson Atto. Int. J Dawson') and sums totalling £343 2s 6d.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

One page. Dimensions of paper roughly thirteen inches by eight. Very good on aged paper, with slight loss at head and small closed tear (neither affecting text). Headed 'Annuity for Life, 1746.' '[...] Received the [19] Day of [July] 17[70] by me [William Earl of Radnor Asse. to Robert Lord Romney] Of George Grenville, junr. Esq; One of the Four Tellers of His Majesty's Receipt of Exchequer, the Sum of [Three hundred pounds] in full for [Six] Months Annuity, due the [fifth] Day of [July] last past, of [£600] per Annum, during the Life of [me William Earl of Radnor] [...]'.

On both sides of a piece of paper roughly eight and a half inches by five and a half. Both sides of text enclosed within decorative border. A scare survival, in poor condition, worn and spotted with frayed edges and several closed tears. Text clearly legible. Headed 'FOR GRATUITOUS DISTRIBUTION.' Thirty-nine lines of text on reverse. Begins 'The following predictions of this venerable pillar of Church and State were at the time sneered at, as the senile and effete expressions of a bigoted octogenarian. What a lesson has he left to those who now hold the rudder of the State in their hands'.

Mushet (died 1828) was an officer of the Mint, and author of 'An Inquiry into the Effects Produced on the National Currency, and Rates of Exchange, by the Bank Restriction Bill' (1810). The recipient (1787-1864) edited Bunyan. One page, octavo. Good, on slightly grubby discoloured paper with one spike hole. Two short printed accounts of Musket laid down at foot of page. Reads 'Dear Sir | I shall be obliged to you to send me this afternoon or early tomorrow morning a Copy of Ede's Book of Coins'. Signed 'R Musket' and addressed, on revese of second leaf of bifoliate, to 'Mr.

French authority on English literature, and in particular on the poet Algernon Charles Swinburne. The recipient (1878-1959) was editor of the 'London Mercury' at the time of writing. One page, quarto. In poor condition, with fraying and closed tears to edges. 'I herewith return revised proofs of my French Novelists. | May I remind you that I should be glad to have some galley proofs if it can be easily arranged?' Signed 'Georges Lafourcade'.

English novelist and politician (1765-1846). The recipient (1763-1853) was a diplomat, and joint-editor of the 'Anti-Jacobin'. Three pages, 12mo. On discoloured, lightly-stained paper, with one corner of second leaf of bifoliate (with two words of text) broken off in breaking open letter, and still adhering to wafer. Had Hammond given 'a days notice' of his 'intention to come up', he might have been spared 'some hours of unnecessary Solitude'.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

Learned ecclesiastic (1721-1807), who opposed Hume and edited Clarendon. One page, quarto. Good, though on discoloured paper and heavily creased with a few small holes (not affecting text) caused by wear. Second leaf of bifoliate, damaged, discoloured and with some loss through breaking of wafer; bears address ('To / Major General Rooke | Member of Parliament | Woodstock | Oxfordshire') and postmark 'WINDSOR'. As Douglas was travelling to Salisbury, Rooke's covering letter did not arrive with 'Dr.

Arbuthnot (1767-1850) was a diplomat and statesman; Murray (c.1768-1827) was a soldier. Three pages, quarto. Good, but creased and grubby on discoloured paper. Rust stain from paperclip and traces of previous mount on blank verso of second leaf of bifoliate. He has received Murray's letter.

British soldier and statesman (1759-1833); Governor of Ceylon, 1811-20; conqueror of the Kingdom of Kandy, 1815. Two pages, large octavo. In his capacity as Quarter Master General, Brownrigg informs Brock that 'the Establishment of Entrenching Tool Carts, and Tools attached to the several Regiments in Great Britain, shall cease on the 24th of June next, and that the Horses, Harness, and Carts used for carrying the Tools shall be forthwith Sold by Publick Auction.' Gives instructions for delivering over the 'Horses, Carts, and Harness'.

Theatrical manager (1796?-1860) and poet, manager of Drury Lane and Covent Garden theatres, 1833-48. One page, quarto. Good, but somewhat grubby on lightly-creased, discoloured paper. Reads 'My dear Sir | I do not remember at this moment any point, beyond those we discussed yesterday, that requires adjustment, except the return of £63-4-8 overpaid on the rent account up to July 5th. and the four weeks salaries to your watchmen & firemen from that day up to last Saturday, amounting to £27 - | The balance of the "Warwick Box" is still unpaid.' Signed 'A Bunn'.

Two pages. Paper dimensions approximately seven and a half inches by twelve. An important and highly dramatic document, relating to the Prince's treatment of his wife Caroline of Brunswick in the period following the birth of their only child Princess Charlotte Augusta, with reference to the tensions caused by the Prince's Whig connections. 'GR' at both head and end of document. Begins 'The Propositions which you have Lately made in your Letters of your Particular Regard to me, are so Contradictory to all your actions, that I cannot suffer my Self to be Imposed on by ym.

English painter and sculptor (1781-1841). The recipient (1780-1860) was an English artist of Swiss descent. One page, quarto. Good, but with traces of previous brown-paper mount adhering to rear and minor damage to several corners. Reads 'My Dear Sir | When I asked you for an impression I had not seen the composition & had no idea that I was asking so much - believe me I feel very grateful for your kindness in putting me in possession of so very interesting a work - I do not mean to be understood as speaking of Lithography only.

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.