TWENTIETH

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

On one side of 9 x 11 cm piece of paper. In good condition, on lightly-spotted paper. Reads: 'I shall keep your clever little ode. Congratulations and good wishes. | Len. Harvey. | Cruiser & Heavyweight Champion | Jan. 1934.'

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

116pp., 4to. (Paginated to 117, without a p.95, but with no text lacking.) No prelims. Each page typed on a separate leaf, and the whole bound together by string through punch holes. Text complete. Dog-eard and worn, with the first two leaves separated from the rest. No record discovered of author or title. The play is set during the Second World War, and begins: 'Afternoon fourclock ... Late spring ... side of road, North Cork district six miles from town of Kilneesh, Irishman trying to fix a tire ... car protruding from wings showing a flat.

118pp., of which the first 102pp. are in 4to, and the last 16pp. in folio. Stapled into red card wraps. Ownership inscription on inside front cover: 'Padraic Fallon, | Prospect, | Wexford'. Internally in good condition, on lightly-aged paper, in heavily-worn wraps. The story is set among race-horse trainers in Ballinasloe in 1936. There is a curious example of typewriter slippage in the last line but three on the last page: '[...] and the woods and 5h3 5o2nw in 2hifh h3 hqe wp3n5 hiw lir3. Qne [...]'.

ONE: Typescript of '"Small Hotel" | A Comedy in Three Acts |by | James Gardiner'. 144pp., 4to. Bound with ribbon in blue card wraps with typed label. Text on rectos only. In pencil on title-page: '56 Welbeck Street'. In fair condition, on aged paper, in heavily worn wraps. 'The action takes place in the Lounge of the Bay View Hotel, near Dormouth, a South Coast Naval port.' No record of the play has been found, either on OCLC WorldCat or on COPAC, or on the ITDb. TWO: Typed Letter Signed to Commander Vivian Ellis from Olive Harding of Myron Selznick (London) Ltd.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.

[1] + 28pp., 4to. In good condition, on aged paper, bound with studs in worn light-blue paper wraps. In manuscript at foot of title-page: '2nd carbon'. The following is typed beneath the title, and has been deleted in pencil: 'Written in 1900 and Dedicated to Baroness de Grandcourt, to whom he is indebted for the idea'. With a few manuscript emendations. This piece was published in Boston in 1916.

96pp., 8vo. In exercise book, in blue ink with red underlining. With two additional passages on slips of paper pinned onto leaves. Aged and worn, in red card wraps with repaired spine. Nicoll notes an earlier title 'All for Him'. Set in the house of London stockbroker David Carne. Considering the play's popularity in the provinces, its fall into oblivion is surprising. Productions are noted at Southampton (1918-1919, 1930-1931), Oxford (1919), Swansea (1920), Sunderland (1924, the poster announcing: 'J. R. C.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

144pp., 4to. Stapled into red card wraps, with typed label on cover. A carbon copy with label of the London typing bureau Curtis and Page. The play was published in London by Victor Gollancz in 1941, with a second edition from the same publisher in 1954.

93pp., 4to. Bound with pink ribbon in buff card wraps. Creasing to front cover and first few leaves, otherwise in good condition, on aged paper, in aged and worn wraps. Ownership inscription on front cover and title-page: 'Robins MIllar | 9 Park Quadrant | Glasgow C3'. A high-society comedy, set in London. No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

107pp., 4to. Stapled and attached with pink ribbon. Aged and worn, with last few leaves detached, with worn front cover only also detached. With a couple of manuscript emendations. Millar begins a full-page introduction: 'The mood of this play is gay comedy. | It arises from the threat of gossip in a small country town.' No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

'The Bird of Paradise', Tully's best-known play, is set in Hawaii during the 'Revolutionary Days of the Early Nineties'. It was the subject of what the New York Times called 'one of the bitterest plagiarism suits on record'. A schoolteacher named Grace Fender was initially successful in her claim that it was based on her play 'In Hawaii', but the case was reversed on appeal. It was first produced in Rochester, USA, in December 1911, with productions at Daly's in New York in 1912, and the Lyric Theatre, London, in September 1915. A total of 158pp., 4to.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

74pp., 8vo. Stapled duplicated typescript, with pages on rectos only. In fair condition, with moderate signs of age and wear. Light staining at head, and discoloured title-leaf detaching. A few minor manuscript emendations, and '-Debel' added in manuscript to the translator's name. 'La Princesse Americaine' was first performed in 1963, and like Aloni's other early work was influenced by the European Theatre of the Absurd. An English translation of the play appeared in 1980, but OCLC WorldCat has no record of the publication of a French translation.

136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.

114pp., 4to. Typescript by May Hemery Ltd in black and red ink, with pages on rectos only. In black card covers, with label on front. In good condition, with light signs of age and wear, in worn covers. See Steve Nicholson, 'British theatre and the Red Peril: the Portrayal of Communism 1917-1945': 'Originally called 'Face to Face', 'Comrade Detective' was translated, designed and produced by Herbert Marshall on the suggestion of the wife of the Soviet Ambassador.

137pp., 4to. Typed text on rectos only. Bound with red ribbon into red wraps, with typed label on front cover. In fair condition, aged and worn, in heavily-aged wraps. Pencil annotations to the list of characters. Bound in before the beginning of almost every scene is a manuscript leaf carrying a page giving the layout of the set. The label of Joan Ling Ltd, Gloucester House, 19 Charing Cross Road, WC2, is pasted over Knoblock's typed address 21 Ashley Place on the title page. Knoblock's papers are at his alma mater Harvard.

1p., 4to. With a firm expansive signature which is certainly not duplicated, as it has indented the paper. On letterhead with design showing golden flagpole with flag in red with four white stars. Schwarzkopf declines to participate in what he describes as Pitt's 'momentous undertaking', explaining: 'To write such a piece and do so properly requires considerable time.

1p. 8vo. In good condition, on lightly aged and worn paper. With envelope addressed by Ambler to Pitt at Kennister in Somerset. Also present are copies of two letters to Ambler from Pitt, dated 2 January and 20 February 1980. In the first Pitt congratulates Ambler on the receipt of an OBE, reminds him of their previous correspondence through Peter Janson-Smith, and sends 'Part I of my trilogy on the North African campaign' ('If it gives you one tenth of the enjoyment I get from every one of your books, it will have been worth writing.').

Typescript: 132pp., folio. Each page on a separate leaf, all of which are attached with metal clasps in a grey card folder, with the label of the International Copyright Bureau Ltd, London, on the front cover (as well as on the title page). In fair condition, lightly-aged and worn, with title leaf coming away. Text with a few minor manuscript emendations. Accompanying the typescript is Harbottle's letter, signed 'Laurence'. 1p., 8vo. In good condition, on lightly-aged paper.

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

2pp., 4to. Printed on the same side of one piece of shiny art paper, folded to make a bifolium. Aged and stained, with wear and slight loss to extremities. Photograph of Russell beneath title, alongside 'Sonnet | To W. Clark Russell', reprinted 'From "English Sea Pictures." By Julia D. Young, Author of "Barham Beach, the President's Poem." - New York.' The author laments that '[i]n this country, it is not the fashion to ennoble those who really do something for their time and generation', such as Russell, whose 'stupendous output' consists of 'fifty-seven books everyone [sic] of them good'.

On 5 x 11cm. piece of paper, torn from the conclusion to a typed letter. In good condition, lightly aged. Reads: '[...] myself, you would write to me. | Yours very truly, | Edgar Wallace'.

In blue ink, on 3.5 x 10 cm piece of thick paper, cut from a letter. In good condition, with traces of glue from mount on reverse. Reads: 'Yours faithfully | Walter Greenwood'.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.