TWENTIETH

53 items, in remains of folder with 'Documents Modèles' in manuscript on cover. In fair condition, with light signs of age and wear. Mainly comprising tracings and drawings (some coloured) of designs (both original and copied from historical items), in pencil, pen and watercolour, including some on pages torn from notebooks, some of them annotated in French. Mattei's two coloured drawings show bold floral designs for teacups and saucers. Also present is a series of versions of a playing-card design. There are also eleven black and white photographs of pots, vases and snuffboxes.

Stamped and postmarked, and addressed to 'Colonel Barker | Bourchins Lodge | Tolleshunt D'Arcy | Essex'. In fair condition, on lightly-aged paper. Reads: 'I am trying to get some of the old firm together for a table at the Sudan dinner. I have got Kennedy Cook & wife, Griselda Maurice & myself. Would you & your wife join us | Yrs ever | Philip'. Egerton was with the Sudan Civil Service; and with the 3rd battalion of Shropshire Light Infantry won a 4th clasp of the Order of the Nile.

2pp., 8vo. On aged and worn paper. The letter begins: 'Dearest Geoffrey | She is quite convinced you were Pourponne! - says it was given to her before she saw your photographs - (about which she says some very gratifying things!) How does this strike you?!' The woman is 'hunting for a confirmatory portrait'. While Lehmann herself has 'only the haziest impression of Pourponne', she does know that 'they were mutually devoted' She exclaims: 'Oh do hurry up & start this book!

1p., 8vo. Signed in blue felt-tip pen. Letterhead illustration of drawing by West, picked out in blue and red felt-tip. A jokey letter beginning: 'ta very much for the dress - it didn't fit me so now Sandra wears it. We have called her Sandra Mercedes. Sandra, though perhaps not very evocative, is easily pronounced in both English and Spanish.

In very good condition, in transparent plastic waller. Accompanied by two booklets in French, containing extensive scholarly text on each painting. From the Philip West archive.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

1p., 12mo. In good condition, lightly-aged. He has 'given consideration to the following MSS.': 'THE WEB OF FATE by M. Garahan | ANTONY IN LOVE [by] C. E. Rose | THE NIGHT MOTH [by] Amy Miller'. As he cannot make any offer for their publication he is returning the manuscripts forthwith.

2pp., 12mo. 29 lines of closely-written text. In good condition, on lightly-aged paper. 'Such a calamity must be a terrible blow for you all but more especially to Mrs. Joy and yourself. To lose a daugher just blossoming out into womanhood is tragic indeed, the more so, if that were possible, in that she was such a bright girl.' He continues 'By the same post I have word that one of my uncles has just died, and that another has been given up by the doctors. They have both lived full lives, and, in their way, interesting lives, so that, there, one can hardly talk of a tragic end.

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

The poster is printed in black on one side of a 59.5 x 42.5 cm piece of glossy art paper. In fair condition, on lightly-aged paper, folded four times. It is for a joint show with Livia Szadai at the Galerie Hildebrand, Klagenfurt. There is a photograph of her work (Wollbilder oder Umh

Both items in fair condition, lightly aged and creased, with a little rust spotting from a paperclip. Macwhirter's letter is 2pp., landscape 8vo. The letterhead, featuring two engravings of coaches, is printed in blue, and boasts that Macwhirter is an 'Antiquarian and General Writer | Contributor since 1926 to leading journals', as well as 'Lecturer in New College, Edinburgh, to Scottish Church History Society, 1944 and 1952.' It also contains a three-line list of the journals he has contributed to.

The six items in fair condition, lightly aged and worn. The four photographs are all in black and white, and all around 12.5 x 9 cm. They show Brock swallowing and spinning swords, and balancing a microphone stand on his chin. The letter is dated 9 March 1969, and on his red and black letterhead ('New! Novel! Sensational! | Juggling Swords Balancing & Spinning Knives Illuminated Clubs'). It concerns the purchase of 'some old pro Photoes [sic] in JIMMY LYNTONS fit up article'. The pamphlet is a thin 12mo bifolium, with a drawing of Brock doing his act.

On 5 x 12.5 cm slip of good-quality laid paper. In good condition, lightly aged. In blue ink, and simply consisting of the christian name above the underlined surname: 'Maurice Chevalier'.

1p., 8vo. In fair condition, aged and creased. The letterhead, in orange and blue, boasts that Franklin is 'The World's Worst Wizard', and is headed 'Too Tuubes [sic] | The original cod prestidigitateur with a new act which is packed with crazy comedy and clean fun'. He asks him to send 'Stevenson Toy Theatre Book', and asks if he has 'any books on Marionette & string Puppets'.

The collection is in fair condition, lightly aged and worn. Two of Brock's three Typed Letters Signed are addressed to theatre bookseller Barry Duncan. In one of them, written on 18 March 1969, he writes: 'I have been knocking around for 60 years i think i have played every theatre of note and played with some of the best | but i am getting tired with this club stuff you play a diffrent club every night some time you double them in a night un [sic] packing and packing up. | so i am waiting for GALAS one show a day will do me'. The third letter is to 'Jimmy', i.e.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

ONE: Autograph family reminiscences by Rosa Mary George (née Grossmith). 19 pp., 12mo. Rough pencil notes, on ruled pages torn from a notebook. Seventeen pages on George Grossmith junior, with a page apiece on 'His Father' and 'His Uncle'. TWO: The two letters, totalling 9pp., 12mo. In fair condition, on lightly-aged paper.

ONE: Christmas card. 12mo bifolium, with coloured illustration of Christmas candle on cover. Pearson writes: 'FOR [corrected from 'from'] | Edward. A. Carrick | from his old inspirer | George Pearson | 1970'. The association between the two men was warm.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

1p., 4to. On shiny art paper. In fair condition, lightly aged and worn, with one dogeared corner. On letterhead which covers half of the page, with photograph of the pair, and text in red and black ('Presenting Comdey Cartoons and "Fashions from Rags" Dress Designing Extraordinary! Two or Three Entirely Different Comdey Spots if required introducing Monologues, Conjuring Numbers, etc. Evening Dress when required. | Special Clowning and Conjuring Act for the Children. | Road Show, Production, Panto, Variety or C.P.' The letter offers for sale 'a lot of old John Dick's "Penny" Plays'.

The collection consists of more than 2000 labels, laid down on 117pp of a substantial, heavy and thumb-indexed folio volume (38 X 27 X 7 cm), bound in brown cloth. The collection is in good condition, with the inevitable signs of age, in heavily aged and worn binding. Loosely inserted are seven pieces of card and one of paper, carrying around 50 more examples, and three more pieces of paper with sixteen examples of woven coloured ribbon, as well as three enlarged folded grid designs for the weaving of labels.

On 12.5 x 9 cm piece of cream paper. In good condition, with light signs of age. Boldly written and underlined, at the top of the page, reading 'Eric Linklater.' No other writing on either side of the leaf.

Both in good condition, on aged paper. ONE: 2pp., 4to. He reminds Macqueen-Pope that two years previously he was 'kind enough to receive me at your Office and, after a long and most interesting chat on things theatrical (over an hour, as I recall!) you wrote into my copies of your "Drury Lane" and "Carriages at Eleven" two very greatly appreciated inscriptions, by way of friendship'. He now has his 'delightful "Gaiety" and splendid 'Haymarket", and asks for 'another pow-wow' at 359 Strand.

108pp., 4to. On rectos only. In brown card covers. In fair condition, lightly aged, with bottom of front cover (probably pr`eviously carrying agent's details) cut away. 'RELUCTANT HEROES' is typed onto the cover, with 'by | Colin Morris' added in manuscript (probably by Morris himself). The play, Morris's most famous farce, was acted in London in 1950 (published version by the English Theatre Guild in the following year), and turned into a film, with a script by the playwright in 1951.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

16pp., 12mo. Disbound without covers. In good condition, on aged paper. Drophead title. The cover carried the author's name, publication details, and the full title: 'The Commune of Paris: Its Story and Meaning'. Scarce

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

Each letter 2pp., 12mo. Both in good condition, on lightly-aged paper. He starts the first letter by expressing 'great pride and immense joy' in sending 'my seventh book of French poems [...] According to the reviews, it is the best I ever wrote'. He continues with references to the recipient's 'short but memorable visit to Johannesburg', and to 'the uncomplimentary remarks passed by my confreres in Johannesburg', these being 'indeed compliments, for they indicate that I do not belong to them, in spite of our common profession.