E. Phyllis Roberts, organist, winner of the Henry W. Richards Prize for the organ at the Royal Academy of Music; Dr Moir Carnegie of the Royal Academy of Music
Dated 'June 15th, 1935.'
On one side of a piece of pink paper, roughly 18 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Eight bars of music and libretto, with staves for 'Soprani', 'Alti', 'Tenori' and 'Bassi'. Covering most of the page, and followed by 'From "The Waters of Babylon" (Psalm 137) | (May 1935.) | E. Phyllis Roberts. | June 15th, 1935.' Twenty-nine line poem 'To the Gentle Owner of this Album' on the reverse, signed 'Moir Carnegie | 21-6-10'. (in whose name a "prestigious" prize was given).
Alphonse Gosset, Architecte a Reims, Laureat de la Societe Centrale des Architectes (1878).
Paris: Libraire Polytechnique Baudry et Cie, Editeurs. 1886.
Quarto: 140 pages. 62 plates. Somewhat grubby and with a few nicks and dogears, but good overall, on browning high-acidity paper. In original red printed cloth, stained and with cover becoming detached. Accession number in red in top-right hand corner of title-page.
27 February 1849; 23 Bishopsgate St. Within [City of London].
4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.
Sir Charles Hallé [born in Germany as Carl Halle] (1819-1895), English conductor and pianist
30 June 1890; Sydney, Australia.
12mo, 1 p. Twelve lines of text. Clear and complete. On aged and grubby paper. A formal letter in the third person. He has 'received with surprise the enclosed invoice. [not present] He has given no orders for any copies of the work & must therefore decline to accept the parcel, should it have been sent out to him in Australia.' If it is 'lying at his London house' he will forward it to the firm 'on his return home'.
George Ellis (d.1895) [playwright of Drury Lane and Surrey Theatres?] [the wreck of the Oneida, 1850; August Edouard]
4 September 1878; on letterhead of 10 Bolton Road, St John's Wood.
12mo bifolium: 3 pp. Good on slightly grubby paper. He wishes to be informed 'which branch of the family the enclosed represent'. 'They are part of a large collection of persons connected with the Stock Exchange & mercantile world. The collection - some hundreds - was saved from the wreck of the "Oneida" in 1850', and is the work of August Edouard, 'who served under the first Napoleon'. He has 'the history of them, and a very interesting one it is'.
George Bernard Shaw [Alec Clunes; Arts Theatre Club, London; May Hemery Ltd]
[London: May Hemery Ltd for the Arts Theatre Club, 1946.]
From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.
On one side of a piece of pink wove paper, roughly 19 x 15 cm. In poor condition, aged and ruckled, with several closed tears repaired on reverse with archival tape, and a hole (roughly 1 x 1.5 cm) through the musical notation, which heads the page and consists of a staff with grand clef and three notes of music. Beneath this: '[signature, underlined] Willy Hess | April 1892'.
Jan Kubelik (1880-1940), Czech violinist and composer
Printed date on programme: 7 October 1905.
The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.
Leonard Bernstein (1918-1990), American composer, pianist and conductor
All three items in very good condition. Clear, bold signature, on a cropped piece of paper three inches by five wide, reading 'Leonard Bernstein | Edinburgh | <'73>'. The first photograph (six and a half inches by eight wide, and with the stamp of the Scottish Tourist Board on the reverse), shows a smiling Bernstein in a Prince of Wales check double-breasted jacket with a bespectacled old gentleman in a single-breasted pinstripe jacket, admiring a bagpiper in full regalia at a British railway station (Edinburgh Waverley?).
Charles Kean [Charles John Kean] (1811-1868), Anglo-Irish actor, son of Edmund Kean [James Claude Webster; the Athenaeum Club, London]
Docketed 'Decr. 1857.'
The dimensions of the envelope are roughly 6.5 x 12 cm. The flap has been gummed down and the reverse bears traces of glue from previous mounting. The front of the envelope is good, though slightly grubby. Reads 'James Claude Webster Esqe. | Secretary | Athenaeum Club | Pall Mall'. Docketed in a contemporary hand, in the top left corner, 'Charles Kean the Actor. | Decr. 1857.'
Robert Sayer of Fleet Street, London printseller [theatrical prints; Comédie Française; Bellecour; Marie Favart, Trial, Clerval; Laurette]
All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.'
Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.
['Weightman Mountain & Andrews, Ltd., Printers, 31 & 33 Victoria Street, Westminster, S.W. 14/2/10' [i.e. 14 February 1910].]
Dimensions roughly 26 x 20 cm. Four printed pages, in a bifolium, stapled into coloured illustrated covers. A scarce piece of theatre ephemera, in reasonable condition: creased, with rusted wraps and with one short closed tear to front cover, which carries the words 'Adelphi Theatre. Sole Proprietors, A. & S. Gatti.' and an illustration, painted in an impressionist style, of a fashionable group dining. Stamped 'Saturday Feb 19'. The back cover, also in colour, carries an advertisement for 'Vinolia Toilet Preparations', with an illustration, entitled 'Envy', by 'W.
Cedric Sharpe (1891-), cellist and composer; Ethel Hobday (1872-), pianist; Marjorie Hayward, violinist; Dora Stevens, soprano [autographs of British classical musicians]
Docketed 'Autumn 1924'.
On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.
Sir Henry Wood [Sir Henry Joseph Wood (1869-1944); the proms; Royal Albert Hall]
Undated, but after his knighthood in 1911.
On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.
Dora Labette (1898-1984, occasional stage name 'Lisa Perli'), soprano; 'Violet Vanbrugh' [real name Violet Augusta Mary Barnes (1867-1942)], English actress
On a leaf (roughly 15.5 x 18 cm) removed from an autograph album. Aged and a little grubby. Both hands bolder than usual. Recto reads '"Courage Mounteth with occasion" - | Yours sincerely | [signed] Violet Vanbrugh'. Verso reads 'Yours sincerely | Dora Labebette.'
Sir James Steuart Wilson (1889-1966), English tenor and musical administrator
On a fragment, roughly 11 x 16 cm, of a page of laid paper from a diary. Good, on lightly aged paper. Two signatures, under the heading 'July 22': 'Spencer <?> | Steuart Wilson.' Lightly docketed in pencil.
Francis Barrington Foote [Frank Barrington Foote] (born c.1850; fl. 1911), English singer
On piece of laid paper (roughly 13 x 11 cm). Aged and chipped. Reads 'Yours truly | Frank Barrington Foote'. Chipping to the outer edge, very close to the last couple of letters of the signature. Foote, who frequently sang with Adelina Patti at Covent Garden, ended his days destitute in New York City.
On a leaf of pink paper, roughly 13.5 x 11 cm, removed from an autograph album. Lightly creased and with a thin glue stain along inner margin (not affecting text). The inscription, in a top outer corner, reads 'Noël Eadie | 21. 1. 24'. It is somewhat smudged, either having bled or been badly blotted.
Marie Novello (1898-1928, born Marie Williams), English pianist
Undated, but around 1917.
On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.
Alec Hurley [Alexander Hurley (1871-1913), music hall artiste, coster singer, and Marie Lloyd's second husband [George Le Brunn; Harry Castling; London street ballad; cockney; East End slang]
Date, place and printer not stated. [circa 1898]
On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.
One page, 8vo, grubby but text clear and complete. He introduces a colleague from his Green Room, Frederick Mervin, whom he describes as a good fellow as well as an actor and singer of ability. He hopes his correspondent will make Mervin's "trip to the Colonies pleasant to him (presumably Australia) . "I hear all the news about you from your brother Alfie when I meet him. I trust this new venture will be hugely successful." Note: Lyster opened in Melbourne with a new company but died in Nov. 1880, presumably shortly after receiving this letter.
[John Augustin Daly (1838-99), American playwright] [J. W. Bouton; Geo. A. Leavitt & Co., Auctioneers; William Blake; John Camden Hotten]
No date ; 'GEO. A. LEAVITT & CO., Auctioneers, Clinton Hall, New York.'
Octavo: viii + 201 pages. Good and tight, on aged high-acidity paper, with some chipping and a little light staining at foot. A few pencil marks. In original printed grubby and chipped wraps cloth-taped to spine. Front wrap annotated in pencil. Four-page introduction entitled 'A PLAYWRIGHT'S WORKING LIBRARY.' Even considering the importance and interest of the theatrical collection, the high point is undoubtedly item 102: 'BLAKE, WILLIAM. ORIGINAL DRAWINGS IN WATER COLOURS and INDIA INK by the celebrated WILLIAM BLAKE (Pictor Ignotus).
C. B. Cochran [Sir Charles B. Cochran; Sir Charles Blake Cochran] (1872-1951), English theatre impresario
9 November 1940; on letterhead of 'Charles B. Cochran | 49, OLD BOND STREET, | LONDON, W.1.' ['Telegrams: "Cockranus, Piccy, London."]
Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'