ART

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

One page, cr. 8vo, fold marks, smudges (ink?), minor foxing and damage NOT affecting text. He thanks her for her letter, but apologises that "I do not feel able to come & criticize at the Sketch Club meeting in December. | I have just recently written [elision] letters refusing to give two lectures, & although a criticism is not exactly the the same, it's very similar - I am constantly being asked to give lectures & criticisms & if agree [sic] to do it for you I should have to accept others.

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think.

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

[26]pp., 8vo, facsimiles, printed wraps, closed tears on front wrap, back wrap chipped, dusted edges, faint foxing throughout, contents good. Author's name from p. 6, Augusta Gregory. She seeks to have a codicil to Sir Hugh Lane's respected, and pictures transferred to the City of Dublin.Appendices: I. [Statutory declarations by Ruth Shine, and others] -- II. [Codicil to will of Hugh Lane] -- III. A list of the pictures -- IV. [Letters addressed] "To the Trustees of the National Gallery, London."

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

2pp., 12mo. In envelope, with postmarks, addressed to 'Herrn Julius Bondi | Sekretär | in Salzburg | Schlachtofgasse 19'. Both items in good condition, lightly aged, with minor staining from mount labels. Both letter and envelope carry Defregger's printed monogram 'F v D'. The item is offered with an English translation, according to which Defregger claims that demand for his pictures 'has never before been so high as in recent years', and that he has 'totally sold out of them apart from my personal collection'. He is also 'very much behind' with commissions as a result of his eye problems.

2pp., 12mo. In good condition, lightly aged. The letter has two themes. First, the condition of Osborne's eye following his departure from the Hospital for Tropical Diseases and treatment for amoebic dysentery. ('I have been away in Worcestershire having a slack time on a fruit farm. On my return I must have used the eye more than it could stand, and it became inflamed badly. […] I do hope your eye is now behaving itself and that you will soon be out of the doctor's hands and able to resume your work.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

ONE: Manuscript pedigree. On one side of a 49 x 38 cm piece of thick laid paper, with no watermark. Folded three times. Discoloured and with light damp staining. The greater part of the pedigree is written in ink in a loose hand, and traces the descent of Sir Thomas Lawrence's mother Lucy (née Read) to William the Conqueror.

1p., 4to. On bifolium. In good condition, lightly aged. Addressed by Stanley, with red wax seal, on reverse of second leaf, to 'The Secretary | In the Manchester Institution | Moseley [sic] St | Manchester'. The text itself consists of the names and prices of the two pictures to be submitted to the 1842 show, with the date and Stanley's name and address: 'No 1. | Water Mill | North Devon | 25£ with Frame. | No 2 | Lane Scene | Painted from Nature | 25£ with Frame | C R Stanley | 25 Gt Maddox St | Hanover Sqre. | August 9th. 1842'.

6pp., small 4to. Stitched into brown wraps with lithographed title on cover, in pastiche of Gothic design, including monogrammed initials 'IS' in shield, with the letters picked out in red. In fair condition, aged and worn. An extremely scarce item (no copies found on OCLC WorldCat or COPAC), whose text and illustrations cast light on the practices at the Royal Academy in the mid-Victorian period.

1p., 8vo. In good condition, lightly aged. Closely written in red ink. He begins by thanking him for being 'awfully sweet & kind' in writing, before going on to deal with the state of his health, it having been 'a difficult time, especially as I became so ill – but at the moment things aren't too bad'. The results of 'all the horrible tests' in hospital have 'come out first class', and the 'weird symtoms [sic] have now been proved to have been caused by yet another of those unknown viruses which first of all attacked my guts & then my brain'.

1p., 12mo. Mourning border. In good condition, lightly aged. Reads: 'Dear Miss Read | With pleasure I subscribe myself | Yours faithfully | Briton Rivière'.

2pp., 8vo. In good condition. Clausen is writing to Lucas in the latter's capacity as chairman of the London publishers Methuen & Co., and the letter is a 'note of introduction' for Clausen's 'friend Mr Curnow Vosper, who has written and illustrated a children's book, which he wishes to submit to you. | Mr. Vosper is a painter, a member of the old Water-colour Society, and I have no doubt his work is known to you. I hope that you may find this his latest work, of interest.' Vosper does not appear to have published any book during this period, either with Methuen or anybody else.

An interesting artefact from the early days of Akido in the United Kingdom. Akido was introduced into the UK 1955 by Kenshiro Abbe Sensei at the Hut Dojo in Hillingdon. His first student was Ken Williams. In 1957 Haydn Foster joined the Hut and continued to teach there until his death in 2011. The Renown Society was formed in 1966 by Williams after Abbe returned to Japan. This was the original society teaching Akido in the UK. The Renown Society broke up in 1969. 4pp., foolscap 8vo.

On one side of a 7.5 x 11 cm piece of paper cut from the conclusion of a letter, laid down on another piece of paper. In fair condition, lightly aged and worn. Reads: '[...] I have got in the birds they come all night - I send in either tomorrow or next day. The above is my new address | Yours truly | William Roberts'. Addressed at bottom left to 'H. Roberts, Esq'.

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left.

2pp., 12mo. In good condition, lightly aged. The 'Gentlemen' are clearly the publishers of a book which they wish Bell to review. She writes that she is greatly obliged to them for offering her 'a copy of your beautiful book on Japan', and has written 'to 4 editors to ask for space for early notices of it'. The book is 'indeed a marvel of technical skill in reproduction & it would be a pleasure to me to speak as highly of it as it deserves'.

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. The year of writing is supplied in a contemporary hand. Beside his address at the head if the ketter Tayler writes: 'This will sound tarnation rural in the catalogue.' He begins the letter by explaining that he is 'dating from my little Cottage here', and that he has let his house in town, 'reducing my Rent to less than half and I can paint to more purpose and without interruption of idle Callers here'. The delay in replying has been occasioned by 'so much of bustle and packing'.

According to one source: 'Known as Daisy, American-born Rosalie Gill arrived in St Ives in 1887. She spent much time in Newlyn, where she enjoyed the theatrical productions of the Newlyn artists, contributing an oil painting to the West Cornwall Art Union exhibition in Penzance in September that year. She eventually returned to St Ives in 1890, and exhibited a St Ives title at the 1893 Chicago World Columbian Exposition. She died in Paris in 1898.' 2pp., 12mo. Oddly laid out on one side of a folded 4to leaf. In good condition, lightly aged and creased.

2pp., 12mo. In good condition, lightly aged. Craft and his wife have 'just heard with surprise of the great loss' Forbes has 'so suddenly sustained', and send their 'sincere sympathy for you in so sudden a bereavement'. They extend their condolences to Forbes's mother, and Craft explains that his wife has not written to her personally, as she did not wish 'to add to the burden that unfortunately she is now compelled to bear'. From the Forbes papers, from which other Newlyn items are offered separately.

2pp., 12mo. Bifolium. In good condition. Addressed to 'Dear Mrs Forbes', and expressing his 'sincerest sympathy' in her 'present affliction'. Her sorrow will be 'shared by all who knew your late husband & appreciated his genial disposition'. From the Forbes papers, from which other Newlyn items are offered separately.

3pp., 12mo. Bifolium. In good condition, lightly aged. The letter begins: 'My dear Forbes | It is impossible to tell you how shocked and grieved I was at receiving such sad news this morning. | It came to me as the greatest surprise and I can hardly realize that it is true that this terrible blow has come upon you all.' He had wanted to write to Forbes's mother, but could only 'say again what I have already said'. He continues: 'My thoughts go back to Newlyn and I think of the many pleasant hours I spent with your Mother and Father and I can hardly believe that one is gone.

4pp., 12mo. Bifolium. In good condition, lightly aged. A splendid long letter in a close hand, revealing and informative, written a year after Fletcher had completed his masterpiece 'Evicted', painted at Steventon, and the first painting acquired by Queensland Art Gallery in 1895. Addressed to 'My dear Forbes', the letter begins: 'Your letter reached me yesterday having been sent on from home to the above address | Yes! Indeed you have my deepest sympathy.

For information about Forbes, see Elizabeth Knowles's 2017 biography. A total of 27pp., on seven 12mo bifoliums, each with a mourning border. The collection in good condition, lightly aged and worn. Seven letters, six of them addressed to 'Dearest Mother' and the other to 'My dearest Mother'. The seven letters are all written around the end of 1888 and beginning of 1889, and reflect Forbes's concern at his mother's low spirits following the death of his father. There are two letters from 30 December [1888].

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. He offers him a choice of engravings, explaining his constraints; 'Aussi vous savez entre amis et artists un traitement secondaire sera indigne'. There is also Haden had strong connections with France; according to his entry in the Oxford DNB, he completed 'his professional studies in the medical schools of the Sorbonne, Paris, and Grenoble, where he acted as prosecteur in 1839, and, later, lecturer on surgical anatomy at the military hospital'.

3pp., 12mo. Bifolium with mourning border. In good condition, lightly aged. A spirited and characteristic letter. He begins by explaining that he has been 'exceedingly tormented with neuralgia for the last week' and is 'still very ill at ease'. He has not been 'out of doors for some time - & tis quite impossible just now'. He regrets 'missing Dear Old Mozart - & seeing you all', but hopes to 'make up for the loss by being most dreadfully pleasant'.

2pp., 12mo. On bifolium with mourning border. In good condition, lightly aged. He writes that he has only just received Allchin's letter on his return from the country. 'Please ask Sir George Burrows to call at any hour in the day most convenient to himself.'

1p., 12mo. In good condition, lightly aged. Addressed to 'W. H. Allchin Esq'. The 'arrangements for the intended Exhibition of the works of the old Masters have already progressed too far' for 'any further works offered [...] on loan' to be considered for acceptance.