ART

See his entry in the Oxford DNB. In fair condition, lightly aged and with slight wear at base. Typed address to ‘Mr. J. A. Neuhuys, / 37, Dean Road, / Willesden Green, / N. W. 2’. Reads: ‘Will you please send me on approval No. 582a, from your catalogue No. 29. / R. W.’ Recipt marked with red date stamp of 1 January 1924, and message lightly crossed out in pencil.

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly discoloured, with traces of grey paper mount adhering to the blank reverse. Folded once for postage. The year is not given, but the water mark appears to read ‘[18]21’. Good clear signature. Fielding writes: ‘My Dear Madam, / I shall have much pleasure in shewing you the pictures which I have prepared for the Exhibition, should it be agreeable to Mrs. Sharp & yourself to come to Newman at any hour on Monday or Tuesday next, & I hope you will do me the favour of persuading Mr Sharp to accompany you.

Bosselt was a student of Joseph Kowarzik at the Städel Institute in Frankfurt. He studied at the Académie Julian in Paris, then assisted in founding the Darmstadt artists’ colony. From 1904 he taught at the art school at Dusseldorf. He received an honourable mention at the 1898 Salon des Artistes Français in Paris, and his work was part of the sculpture event in the art competition at the 1932 Summer Olympics. These two letters are neatly and closely written, and both signed ‘Rudolf Bosselt’. Each letter is 1p, 4to. The first letter is 18 lines long, the second 15 lines long.

A good illustrated article on Groves and his boats is to be found in the magazine ‘The Gull’, March 2013, pp.19-26 (available online), emphasizing his ‘brilliant line drawings in British Seagull’s early post-war advertising’. 1p, 4to. In fair condition, lightly aged. Neatly folded twice. Twenty typed lines beneath the heading ‘A Bird Sanctuary for Lymington.’ Some lines and passages lightly underlined in red pencil. Signed at foot by Groves, as ‘Organiser and (Sec: pro-tem)’. Begins: ‘An Important Meetings is to be held in / The Assembly Room. Angel Hotel. Lymington. / on / Friday.

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

6pp, 12mo, on two bioliums. A long letter, neatly and closely written. In stamped envelope, with stamps and postmark, addressed to ‘Miss Sprott / Magavelda / Blakeney / Holt [Norfolk]’ and signed ‘John Bacon’. The letter and envelope are in fair condition, on slightly discoloured paper and with short closed tears along the folds made for postage. He begins: ‘Dear Miss Sprott.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mounting on the blank reverse. The letter reads: 'I shall be happy to execute your orders, and shall be obliged if you kindly forward me the blocks and Copy, with your directions upon what style you wish these drawings to be done: to my address as above.'

See the entries in the Oxford DNB for his father Sir Francis Baring (1740-1810) and his son Thomas Baring (1799-1873). At the time of writing he was working with the merchant bankers Hope & Co. in Amsterdam, but growing 'so disgusted with the drudgery of the counting house' that he wanted to abandon commerce for the law. 1p, 4to. In good condition, lightly aged, with neat traces of windowpane mount adhering to the edges of the blank reverse. Folded for postage. Signed ‘Tho. Baring.’ Recipient not named. Reads: ‘Dear Sir / As I observe in the papers that the British [?] is to be closed on ye.

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

As a naturalized British subject, resident in England from the 1850s to 1903, Haag has an entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Mr. Carl Haag presents his compliments to Mr. & Mrs. Arbuthnot Guthrie, and very much regrets not being able to accept their polite invitation for Wednesday next, having already accepted a previous engagement for that day.’

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

John Lewis Roget (1828-1908) was the son of Peter Mark Roget (1779-1869), the celebrated compiler of 'Roget's Thesaurus' (which work he edited after his father's death). He was called to the bar in 1853, and the inheritance he received on his father's death enabled him to retire in 1871. A blue plaque erected to his memory in the town of Deal, where he spent the latter part of his life, describes him as 'Thesaurus compiler, Artist & Art Historian'.

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged. Folded once. Eighteen lines of text. Begins: ‘Mr H Gastineau presents his compliments to Miss Nelson and in consequence of having received her address from Miss Stringer relative to a wish to receive some instruction from him, he writes’, giving details of when he would be able ‘to give a lesson at Windham Place’, were he to ‘receive a line to say that such an arrangement’ was desirable, after which ‘future appointments can be made’.

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and creased. Signed ‘Frank Short’. The salutation is unclear: it appears to be to ‘Dear Mist Gosselin’, but it could be ‘Mirst’ or ‘Urist’ Gosselin. He thanks him for his kind note, ‘but it wasn’t really of any importance about that bell. Don’t trouble any more about it as far as I am concered.

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

See his entry in the Oxford DNB, and that of his brothers the architect Leonard Scott Stokes and the inventor of the ‘Stokes Gun’ Sir Wilfred Scott Stokes. 2pp, 12mo. In good condition, lightly aged. Folded once. Signed ‘Adrian Stokes’. He has added the word ‘at’ above the letterhead, indicating that the residence is not his (it is in fact the house that his brother Leonard designed for himself).

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

See his entry in the Oxford DNB. 1p, 12mo. On the first leaf of bifolium. In good condition, lightly aged. Folded once. He begins by thanking him ‘most sincerely for your cheering note of congratulation’. Whilst it is ‘pleasant to be raised to the “Upper Shelf”’, he finds that ‘the position of Associate of the Royal Academy is one that is quite Ideal. To gain that - and to paint a good picture were my two great ambitions’.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged, with slight spotting to margin. Folded three times. Good signature: ‘Peter Scott.’ Addressing himself to ‘Dear Squirrel’, he writes: ‘Yes, of course I will try to advise you on the right type of field glasses. I have used Ross 12 by 50 Stepsun for many years and have found it a very good glass for ornithological and also general use. I would strongly recommend it.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.