ART

The poster is printed in black on one side of a 59.5 x 42.5 cm piece of glossy art paper. In fair condition, on lightly-aged paper, folded four times. It is for a joint show with Livia Szadai at the Galerie Hildebrand, Klagenfurt. There is a photograph of her work (Wollbilder oder Umh

Four pages, 12mo, bifolium, good condition. "Many thanks to you for the photographs- they are delightful remembrances or rather they recall a delightful visit for if truth must be told, I don't think the Photo by any means a successful one - you look dreadfully ill, your son worse Mrs Spiers a Mulatto, Hull [or Hall] - all four, Mrs Hull[Hall] & Mrs Hawthorne very [?underlined] would not be made frights of.

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

Printed in black on one side of a 49.5 x 65 cm. piece of thick paper. In fair condition, aged and rolled into a tube. A tasteful design, featuring an engaving of a palm leaf. Signed at foot by 'Paul Chabas' and 'A. Bréauté'.

ONE: Printed 'Spy' cartoon. 35.5 x 23 cm. Coloured. In fair condition, lightly aged and worn. A placid Firth is shown before an easel, with brush in one hand and pallette in another. TWO: ANS. 2p., 12mo. With mourning border. 'Dear young ladies | I have pleasure in complying with your request for an autograph. | Faithfully yours | W. P. Firth. | To | The Misses Savage'.

Both items in fair condition, on lightly-aged and creased paper., the typed letter having a few autograph notes by Craig at end. ONE: ALS. 4pp., 8vo. He begins by telling Craig that he has been worrying about 'how to get your dope for you'. He is going to get in touch with 'Say & Drier', but does not know how the latter will react, 'being pro German you know - in the Guard Cuirasiers of the Prussian Guard in the last war'.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

3pp., 12mo. Bifolium. In fair condition, on aged paper, laid down on part of a leaf from an album. He writes that he has 'carefully looked over the Copy of "Turner's England and Wales," that will be offered for Sale at Christies rooms on Tuesday next', and that while he finds it 'in all respects good of its kind, and applicable to the Library of a gentleman', it is 'not so well applicable to the Studio of an Artist, whose aim is to acquire from it, all the knowledge that a more refined class of impressions of places might impart to him'.

1p., 4to. In good condition, on lightly-aged paper, laid down on a leaf removed from an album. The letter begins by directing the recipient to 'place the head stone upon the figure if you intend to place it before the rest of the figure is erected'. If the recipient's 'previous arrangements did not contemplate putting the whole figure together' he asks him not to do as he has directed. Chantrey is 'desirous that the figure should be in the best possible condition to be looked at' before the next Wednesday morning.

Previously laid down in an autograph album. On both sides of a 12 x 10.5 cm. piece of paper, cropped down from 12mo. In fair condition, but with some loss of text due to cropping, and with traces of glue on first page (i.e. the page without the signature). On the first page he approves the postponement of the recipient's visit to Edinburgh, and on the second he expresses admiration for 'the kind and generous sentiments displayed on both sides and described with such perfect simplicity' in 'the presented papers'.

1p., 12mo. In good condition, lightly-aged, with traces of glue from mounting on blank reverse. Reads: 'Sir, | In reply to your polite note of the 22nd. inst:, I am quite prepared to receive the "Camel Coats" [?] with which my friend Mr: Morris has kindly bethought me, and I shall thank you for their delivery.'

46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.

On 3 x 11 cm piece of thin card, cut from conclusion to a letter. In fair condition, aged and with traces of mount to two corners (not affecting signature). Reads: 'Yours sincerely | Laura. T. Alma Tadema'. Text on reverse: '[...] with us, I should be so pleased if you would join us - [...]'.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

1p., 12mo. In good condition, on lightly-aged paper. Written in response to a request for an autograph, and signed at foot 'Yours Truly | Jas: C. Hook'. Above this, beneath the heading 'Lincoln', Hook has transcribed twelve lines from 'Ode Recited at the Harvard Commemoration, July 21 1865', beginning 'He knew to bide his time, | And can his fame abide,' and with 'J. R. Lowell.' at the end.

1p., 12mo. In fair condition, on lightly-aged paper. Addressed to an unnamed recipient. He gives his prices for 'a head in Marble', a 'Torso bust', and a 'pale draped bust'. Docketed on reverse with biographical details in a nineteenth-century hand.

Receipt, part printed, part MS., 21 x 13cm, fold marks, good condition. A "Mr Cornish" has purchased Parts 17 & 18 of the Birds of Great Britain. Note; "The Birds of Great Britain" (1862–73).

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

14pp., 4to, illustrated (full-page illustrations paginated), printed paper wraps, wraps stained and sl.chipped, contents good. Brief history, personnel, etc

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

3pp., 12mo. Bifolium. In fair condition. He has been 'clinging' to Lucas's umbrella since the return from a trip to Ostend, where Cust had 'an awful quart d'heure with the luggage people, who were very unwilling to send it on, [...] but by bribery and threats of weeping and pcitures of you all shivering on deck, I <?> them to entrust the 16 or 17 packages to the guard of the train next due'. The letter continues in much the same chatty tone.