ART

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

4pp., 12mo. In good condition, on lightly-aged paper. The second page carries photographic reproductions of the bas-reliefs of Tennyson and Carlyle, in frames. The third page gives details of the twelve portraits (Carlyle, Tennyson, Hawthorne, Longfellow, Dickens, Whittier, Lowell, Thackeray, Bryant, E. A. Poe, Ambriose [sic] Thomas, O. W. Holmes), executed by 'Mr. RALPH BARTLETT GODDARD, the eminent Sculptor', stating that they are available in plaster or bronze, and 'form a most suitable adornment for the walls of a private or public library, schoolroom, or study'.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

2pp., 16mo. Bifolium with black border. He writes that he had 'looked forward with great interest to seeing your academy pictures for this year', but that he is disappointed not to be able to do so, as a result of a heavy cold. 'I have no doubt they will more than sustain your reputation, and it will be a true pleasure to me to hail them on good places on the line in the R.A.' He ends by sending regards 'to Mrs. Faed & yourself'.

1p., 4to. On pink paper. In fair condition, lightly aged, worn and creased. With Dodd's personal oval stamp in purple ink. Reads: 'Mr J Gulliver | Sir | Will you kindly forward to me at the above the subscription on Bible you had of us in September | In so doing you will save the expences of sending a man'

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

The first two are addressed to Ross, 'of Rochester by Greenlaw', and the third to him 'of Shandwick by Parkhill | Rossshire'. Each letter with postmark in red ink. ONE: Letter of 6 November 1797. 3pp., 4to. In good condition, lightly aged and worn.

Medium-length unpaginated volume, 16mo. With ten fold-out plates (Perugino, Raphael, Giulio Clovio, Paolo Veronese, Rubens, Nicolas Poussin, Jean Marc Nattier, Thomas Gainsborough, Raeburn, Francois Millet). In printed wraps. On aged and worn paper, in heavily worn wraps. 118 items, well described, with prices.

1p., 4to. In good condition, on lightly aged and creased paper. With Royal Society stamp of acknowledgement. Written on behalf of Crouch, who is 'desirious of securing recognition by the R.S.A.', and who has 'supplied us with many designs of high artistic merit or many years and has made a considerable contribution to theh success of our fine art productions.' He praises the 'originality of design and the high artistic merit of his work', and considers that 'his work for industrial art deserves the highest recognition', being 'easily recognizable' and in a 'style distinctly his own'.

1p., 12mo. In good condition. In stamped envelope addressed by Dicksee to 'Shirley Slocombe Esq. | 27 Warwick Gardens | Kensington | W.14'. He apologises for his late reply to Slocombe's 'kind congratulations', explaining that he is 'faced by over 500 letters all needing answers'. Dicksee was knighted the following year.

1p., 12mo. In good condition, on lightly-aged paper. He acknowledges receipt of a cheque for 35 guineas, for 'the small drawing of Constantinople', adding that 'Prince Hohenlohe called and saw it here today, and liked it very much'. He ends with the news that he has engaged 'Heffer to call here for it, & pack & send it to its destination'.

3pp., 12mo. Bifolium. In very good condition, lightly-aged. She begins by explaining that as she is 'obliged to leave London', she will not be able to 'draw any more at his House this year'. She asks him to inform her how much she owes him 'for the Lessons he has been so obliging as to give - Lady Katherine Douglas & Miss Stuart will be at Mr. Parris's this Morning - | Ly Eastnor is desired by Lady Selkirk, & Lady Stuart de Rothesay, to enquire from Mr. Parris, what they are indebted to him for the Lessons to these two young Ladies'.

The first item with discoloration to the first leaf; the rest in good condition, lightly aged. ONE: To Miss Macerone. 15 March 1866. 3pp., 12mo. Bifolium. He is sorry he missed her earlier, it being 'such a rare thing for me to be out at that time of the afternoon'. He has been 'nearly wild with rheumatism lately', and is 'taking some hot air baths'. He is 'obliged to be at 40 Gt. Marlborough St. at 5 O'Clock' and trusts that 'another bath or two will make me fit to work for I am most shockingly behind hand for the Gallery'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

Document, typed, three pages, sm. fol., good condition. A "Mr. Benoist" of 36 Piccadilly (where he provided luxury food: CUISINE, CHARCUTERIE ET COMESTIBLES "FRANCAISES, on behalf of the proprietors of the Grafton Galleries, facilitates the letting of the Galleries to "Messrs Montague Morris and V. Fodor of 12 Talbot House St Martin's Lane". The document is signed by Benoist as Director of the Galleries, and by "Montague & Fodor". Clause as follows: 1. & 2. agreement that "picture and Fine Art Exhibitions" allowed from 20 Oct. 1908 to 25 Dec.1908; 3.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

Each of the sets of two engravings on a separate strip of paper, each roughly 7 x 15.5 cm. Printed in black. In good condition, lightly aged and worn. The three strips laid down on the same side of a 35.5 x 26 cm leaf removed from an album. In pencil in a contemporary hand at head of page: 'Anaglyptographic Engravings', and beneath the second strip, 'William Hogarth 1697-1764', and beneath the third, 'Christopher Wren Born 1632. Died 1723'.

4pp., 8vo. Bifolium. Disbound. A frail survival, on aged paper, with chipping to gutter and extremities.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

Printed, 4pp., 8vo, fold marks (partly stained), sl. chipped, mainly good condition. 243 paintings listed, with prices. Paintings selected from various sources from Manchester (243) to Edinburgh (15) to the RA (8), etc. A shilling ticket gave entry to a lottery.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

One page, 12mo, black border, speckled (foxing?) and smudged, text clear although hand difficult. She tahnks him for enquiries and tells him all are "fairly well". She has heard form a Mrs Coben that "Coben is very ill" and encourages him to visit him, giving him directions and expressing sympathy with the wife.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.