ART

The first item with discoloration to the first leaf; the rest in good condition, lightly aged. ONE: To Miss Macerone. 15 March 1866. 3pp., 12mo. Bifolium. He is sorry he missed her earlier, it being 'such a rare thing for me to be out at that time of the afternoon'. He has been 'nearly wild with rheumatism lately', and is 'taking some hot air baths'. He is 'obliged to be at 40 Gt. Marlborough St. at 5 O'Clock' and trusts that 'another bath or two will make me fit to work for I am most shockingly behind hand for the Gallery'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

Document, typed, three pages, sm. fol., good condition. A "Mr. Benoist" of 36 Piccadilly (where he provided luxury food: CUISINE, CHARCUTERIE ET COMESTIBLES "FRANCAISES, on behalf of the proprietors of the Grafton Galleries, facilitates the letting of the Galleries to "Messrs Montague Morris and V. Fodor of 12 Talbot House St Martin's Lane". The document is signed by Benoist as Director of the Galleries, and by "Montague & Fodor". Clause as follows: 1. & 2. agreement that "picture and Fine Art Exhibitions" allowed from 20 Oct. 1908 to 25 Dec.1908; 3.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

Each of the sets of two engravings on a separate strip of paper, each roughly 7 x 15.5 cm. Printed in black. In good condition, lightly aged and worn. The three strips laid down on the same side of a 35.5 x 26 cm leaf removed from an album. In pencil in a contemporary hand at head of page: 'Anaglyptographic Engravings', and beneath the second strip, 'William Hogarth 1697-1764', and beneath the third, 'Christopher Wren Born 1632. Died 1723'.

4pp., 8vo. Bifolium. Disbound. A frail survival, on aged paper, with chipping to gutter and extremities.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.

Printed, 4pp., 8vo, fold marks (partly stained), sl. chipped, mainly good condition. 243 paintings listed, with prices. Paintings selected from various sources from Manchester (243) to Edinburgh (15) to the RA (8), etc. A shilling ticket gave entry to a lottery.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

One page, 12mo, black border, speckled (foxing?) and smudged, text clear although hand difficult. She tahnks him for enquiries and tells him all are "fairly well". She has heard form a Mrs Coben that "Coben is very ill" and encourages him to visit him, giving him directions and expressing sympathy with the wife.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

11pp., 4to. With three plates and five figures in text. Paginated 292-302. Stapled in card wraps. Inscribed on front cover: 'with best wishes | B.A.R.C.' The only copies on COPAC at the Warburg Institute and V & A.

1p., narrow 12mo. In fair condition, lightly aged and worn. He explains that he has 'not written since my Vol in 1920 any Book on Le Blond except the one just published of which I enclose the Prospectus & do not contemplate any other'. He points out the differences between the two volumes and ends with an offer of help.

Both sets of proofs unstitched and unopened (and both opening out into a folio sheet), and both with title-pages printed in red and black. Both in very good condition, on lightly-aged paper, and both stamped on first page 'PLEASE PASS FOR PRESS | MARGINS' in blue, with purple oval dated printers' stamp. FIRST SET: 16pp., 8vo, paginated to xvi. Title: 'THE WORKS OF MR. FRANCIS | RABELAIS | [...] | Illustrated by W. HEATH ROBINSON | The Second Part'. Publishers' details at foot on pasted label at foot of title-page: 'MCMLIV | THE NAVARRE SOCIETY LONDON'.

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

[1] + 10pp., crown 8vo. Held together with a metal stud, and placed in a brown card folder, with typed title on front cover. In good condition, with light signs of age and wear. Professionally presented, with the text typed out in columns and the sums and running totals written out in manuscript. An estimate, with costings for a large number of itemised elements, ranging from 'temporary lavatory accommodation for the workmen for all trades' to 'the removal of trees or shrubs as required, and grub up the roots - The timber will belong to the Contractor - and he must here allow for same'.

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

ALS, on letterhead of the City Art Gallery, Leeds; 10 March 1916. He offers to review 'Rebecca West's forthcoming little book on "Henry James"', being 'particularly interested in both author & subject'. Asks for contact details of a relative of Walter Riddall's: 'I lent him before his death one of my "To-Day" volumes which I can't replace & don't want to lose.'

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He has been 'asked by a gentleman who called here to advise you of publications after Albert Moore &c', and lists five engravings, with prices, the last being, for five guineas, 'a very fine work after <?> etching "A Christmas Carol" | Artist proof on vellum'. He also draws the recipient's attention to 'Phoebe Sir Fredk Leighton cut of which I enclosed'.

33pp., 8vo. In brown printed wraps. Disbound from a collection of pamphlets, and with library stitching on spine. Aged and worn, with stamp of the Free Public Library, Wigan, to damaged front cover. Covers and last leaf loose. 82 lots with unusually detailed descriptions. Mostly devoted to British artists, the collection included a Constable, couple of Turners, three Gainsboroughs and four by Sir Joshua Reynolds. Scarce: the only copy on COPAC or WorldCat at Oxford.

On both sides of a rectangular (5.5 x 16.5 cm) strip cut from letter. In fair condition, with light signs of age and wear. Recto: '4 Brixton place | Brixton Surry [sic] | Janry: 12th. 1833 | Sir | M Mackenzie has conveyed to me y polite offier of allowing a few prospectus of my [...]'. Verso: 'to Dr. Tournay by my friend Dr Burney, but as your house is the rendezvous of all the learned & the rich in Oxford, perhaps it is unnecessary for me to solicit the onor of Dr Tournay's influence. | I remain, | [...]'.

[36]pp., 12mo. In olive wraps printed in green. Printed on art paper with 17 photographic illustrations (14 of them of the house), and the last four pages carrying advertisements. In fair condition, lightly aged and worn. Disbound from a collection of pamphlets ('13' in manuscript at head of front cover), and with library stitching at spine. Uncommon: five copies on COPAC and WorldCat, but none at the British Library or in North America.

On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.

1p., 12mo. In good condition, on lightly-aged paper. The letter reads: 'I beg to re-enclose for the excerpt from your publication "Men & Women of the Time," of my biography which I have revised, making a very few alterations, & adding a few lines which I write on the other sheet of this note: [not present] my permanent address now is the above'. The note relates to the fifteenth edition of the work, published by G. Routledge & Sons in 1899.

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. For further information about Williamson and his publications, see his entry in 'Who Was Who'; see also Marillier's entry in the Oxford Dictionary of National Biography.