MODERN

Each of the thirty poems ends with the typed name 'Louis How'. The collection is in good condition, on lightly-aged paper, with each poem printed on one side of a 4to leaf. There is no record of any of the thirty being published. Six of the poems have minor manuscript emendations, and several include minor corrections in type. A prolific poet, in 1915 How was grouped with Amy Lowell and Ezra Pound in an article by Zoe Akins in Reedy's Mirror (published in his native St. Louis).

2pp., 4to. 53 lines. Fair, on lightly-aged paper, with minor traces of previous mounting at head, and a light and unobtrusive water stain. The letter is headed by Rose 'Y.M.C.A. B.A.P.O.2 B.E.F. France'. Regarding Sheppard's recently-published 'Quest of Ledgar Dunstan', Rose writes: 'You have a wonderfully keen mental eye which sees everything with extraordinary sharpness, & you have a literary hand which etches with just & delicate touch. The book is also one of singular intensity of feeling which carries the reader along fascinated & thrilled.

The first 40 prints in good condition, and the last three lightly-aged and fair. Each of the 20 Panajou Frères prints (19 landscape and 1 portrait) is mounted on a 24 x 30 cm piece of grey card, blindstamped with the circular monogramme of 'PANAJOU FRES | BORDEAUX'. Depicting an extensive concern, with the outside of a large plant by a country river, and every stage in the production of plywood from log to storage in the factory. A second group of 20 prints (15 landscape and 5 portrait) are unmounted, and measure 18 x 24cm.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

1p., 8vo. Good, on lightly-creased paper. He writes that he was 'very interested' to get Brill's letter. 'I will certainly work on something: I have many ideas, and you will probably be able to select something from what I will show you.' He suggests 'a drink at the Chelsea Arts Club one evening? I now have an answering machine, so you can leave a message there - or even with Monica at the College'.

ONE: Typed Letter Signed ('Henry') from Moore to Juda ('Dear Hans'). On letterhead of Hoglands, Perry Green, Much Hadham, Herts. 29 March 1973. 1p., 12mo.

The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.

For more information relating to this influential series of concerts, see 'Pursuit: The Uncensored Memoirs of John Calder' (2001). Seven items, including two duplicates. Text of all items clear and complete. In fair condition, but with one side of a duplicate advertisement heavily sunned (see below). ONE: Typed Letter Signed ('Ian Hamilton') from Hamilton to Conn (husband of the poet Jeanne Conn), 12 February 1960. 4to, 1 p. Eighteen lines. Responding to Conn's criticisms, explaining reasons for cutting short discussion and cancelling part of the programme, and giving future plans.

8vo, 24 pp. In original grey printed card wraps. Disbound. Text clear and complete on aged paper. Wraps with some damage at spine caused by disbinding. Compliments slip loosely inserted, bearing a simple pencil sketch of a face in profile. A few light pencil annotations.

8vo: xvii + 296 pp. In original black cloth, with design in silver stamped on front board. No dustwrapper. Faded spine and lightly-marked cloth. Inscribed by Curtiss on front free endpaper: 'To Ellery Sedgwick - | Most gratefully - | Mina Curtiss | Christmas, 1932.'

4to, 1 p. Four lines of text. Good, on lightly-aged paper, with slight staining from paperclip in top left-hand corner. He thanks him for his 'very interesting letter': 'The photograph shows an agreeable, and perhaps distinguished building. I return the picture thereof, and wish you every success therein.'

All three items in very good condition. Clear, bold signature, on a cropped piece of paper three inches by five wide, reading 'Leonard Bernstein | Edinburgh | <'73>'. The first photograph (six and a half inches by eight wide, and with the stamp of the Scottish Tourist Board on the reverse), shows a smiling Bernstein in a Prince of Wales check double-breasted jacket with a bespectacled old gentleman in a single-breasted pinstripe jacket, admiring a bagpiper in full regalia at a British railway station (Edinburgh Waverley?).

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

On leaf (roughly 10 x 15 cm) torn from autograph album. Good, on lightly aged paper. Signed 'Hugo Rignold' with another signature ('John <?> | <?>') in pencil above it. Docketed in pencil.

4to, 1 p, 8 lines. Lightly creased and with a little smudging from a carbon and some minor paperclip staining (none of which affects the signature). He is sending 'a short article [not present] - "Art in the Post War World", and a copy of an address to "The Auckland Society of Arts." ' He believes 'that countries like New Zealand, cut off from the inspiration and example of what is best in European Art, are prone to be dazzled by Materialistic Efficiency; even when linked with the best technical flavourings through Art in industry.'

On piece of paper roughly 2.5 x 5 cm. Laid down on leaf of cream paper, 8.5 x 12 cm, from an autograph album. In slightly faded blue ink, and with a crease to the bottom left-hand corner, affecting the lower loop of the 'J'.

Association founded in England in 1921 to promote the interests of writers worldwide. First item, two pages, 12mo; next four, one page, 12mo; last item, one page, octavo. All good, though lightly creased and on discoloured paper. All have two punch holes. Item one with staple marks in top left-hand corner. The collection consists of instructions to the printer of the association's journal 'P.E.N. News'.

Architectural historian (1904-92) and curator of Sir John Soane's Museum, 1945-84. Seven leaves, all very good, though some lightly creased and all with staple holes in top left-hand corner. The first three letters to Mercer and the last three to Samson. Three letters docketed. ITEM ONE (two pages, 12mo, 7 August 1958): He is 'much attracted' by the Society's invitation 'to give three Cantor lectures on Country Houses', 'especially as I understand the text of the lectures would be published'. There is however 'one rather grave difficulty.

English novelist (1900-96). One page, octavo. Good, but with slight marking from staple in top left-hand corner. He is glad his correspondent is 'having therapy for your bad back for, hard work though it is, and must be in your case, I'm sure you will find it helpful. | About author's proofs, they of course usually go back to publishers; but what I am glad to be able to send you is the jacket of my latest book which at least has a picture and my signature, and I hope it will, at least, be decorative in your study.' Signed 'Victor S Pritchett'.

Irish novelist (1863-1951). One page, 12mo. Good, but with some rust stains from staple. Reads 'Dear Sir | I enclose autograph with much pleasure | Believe me | yours truly | H De Vere Stacpoole.'

Author and editor of "Christian Newsletter" and "Frontier". Total ten letters, 12 pages, 4to, minor defects, mainly good condition.

Pamphlet, 19pp., yellow printed wraps, some soiling, chipping and creasing but fair condition. INSCRIBED BY THE AUTHOR: "Revd W.E. Channing / With respects of the author".

Good+. Dustjacket (not price-clipped)with one-inch tear, sl. bumped and sl. worn in parts, mainly vg. INSCRIBED by autho on title-page: "To Dagmar Jenkin: Slavomir Rawitz / 6th June 1956." Also inscription on front free endpaper by former owner, "Ian" [Jenkin] (also dated 6 June 1956).

Very good in dustjacket. INSCRIBED by author "Diana Holman-Hunt". She has also added the words "especially you" to her printed expression of gratitude to anyone who helped.