PUNCH

2pp, 12mo. Bifolium. In good condition, lightly aged, with thin vertical strip of paper from mount adhering along top of first page. Begins: 'My dear Mrs Craigie | Mr Arthur à Beckett tells me that your story will soon be ready. When? I want if possible to commence with it [?] within the next fortnight. I shall have to definitely settle the matter. I hope you will let me have it very soon as I will then have it set up for you at once [last two words underlined]'.

Long's obituary in the New York Times, 6 September 1998, describes her as 'war correspondent for The New York Herald Tribune and The New York Times who covered the London blitz and the Nuremburg trials' and 'one of only a few women who were correspondents in World War II'. She had joined the New York Herald Tribune's London bureau in 1941, and subsequently married Raymond Daniell, chief of the New York Times's London bureau, joining that newspaper as a reporter in February 1942.

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

For information on Graves see his generous obituary in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

On 5 x 10 cm slip of paper. In good condition, lightly aged. Reads: 'Yours faithfully | George du Maurier'. The first line lightly inked, the signature itself bold and strong. Nothing else on the card, except for the number '92' in a contemporary hand at top left above the signature.

Card with stamp and postmark. Of the two addresses in her letterhead, she has deleted the London one (105 Hallam Street, W1). In good condition, lightly aged and worn. Addressed to 'Secretary to | E. V. Knot [sic] Eq. | Offices of “Punch”'. The card reads: 'Miss de Casalis hopes to broadcast Mr. Knot's “Reparation” at the end of her turn on Friday 27th 9.35 to 10.15 (Forces programme) & again on Sunday to Forces abroad.'

In good condition, lightly aged. Written with purple ink. Addressed to 'J. W. Arrowsmith Esq | Publisher | Bristol.' The message begins, without salutation: 'Booking Office blocked with Copy. But I have had the "Modder River" taken out of turn. You will find a notice in tomorrow's "Punch"'. He announces that on the fifteenth of the following month he is 'to be a guest of the New Vagabond Club', and notes that Arrowsmith is a member, adding 'we may possibly meet'.

On 10.5 x 19.5 cm piece of paper. in good condition, laid down on part of a leaf removed from an album. Good firm signature and strong handwriting. Reads: 'Dear Mr. Bull | It is a pleasure to accede to your request | Truly yours | A: Pearse'.

1p., 12mo. In fair condition, aged and worn, with traces of mount on blank reverse. He is sending, 'as promised, the address', but has forgotten 'the exact member of the club'. 'I conclude, however, that it is well known to Sir Rowland's myrmidons' (Sir Rowland Hill and his postmen). He asks for 'a line of assurance', and for a proof if the recipient prints the address. A pencil postscript at the foot of the leaf has been neatly torn away, except for the following, up the right-hand margin: '<...> I have pencilled might be omitted. She can judge'.

Two good tight copies, on lightly aged paper, in worn original bindings with gilt decorations on front covers, with engravings on browning paper because of high acidity content. Both volumes with bookplate of Alan Angele and manuscript library shelf label. ONE: 'The Comic Latin Grammar'. 163 + [3]pp., 8vo. Eight engravings and numerous illustrations in text (the first engraving is positioned as frontispiece rather than at p.23 as specified).

The three items in fair condition, on aged and worn paper, the last two items with traces of grey paper from mounting adhering. ONE: From Charlotte Street. 'Saturday' (undataed). Signed 'Irving Montagu'. 2pp., 8vo. Arranging to dine at Draper's in the face of a clashing invitation. TWO: From Briar Cottage, 2 January 1893. 4pp., 12mo. Signed 'Montagu'.

The three items are unconnected, but clearly derive from the papers of a descendant. All three are in good condition, with light signs of age. ONE: The charcoal drawing, in colours, is on a 13 x 19.5 cm piece of wove paper, and is an impressionistic representation of his head, close cropped and with eyes closed, sleeping or in death. TWO: The letter from 'M. Jackson' is 3pp., 12mo. Bifolium. In it Jackson invites Henry Keene, shortly after C. S.

Printed in black on one side of a 19 x 29 cm piece of stiff card, with rounded corners. In fair condition, lightly-aged, with 4cm vertical closed tear at head. The memorial to a stern-faced Gladstone is depicted - a setting sun blazing behind it - between two mythical seated women, Justice on the right, and a hooded woman with a hand mirror on the left. In the background are the Houses of Parliament and Westminster Abbey. The card is made out in manuscript to 'Edward C Young' (with '186357' at foot), and the caption at the foot reads: 'This Memorial Card was issued to [ Edward C Young.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

Eight witty and attractive caricatures, in a sub-Punch style. All eight in good condition, on lightly-aged paper. Each in black ink on a separate piece of paper, five of them 33.5 x 21.5 cm, and three of them 21 x 17 cm. The context of the caricatures is at present obscure, but would undoubtedly make itself clear with specialist research. The five largest illustrations are: ONE: Caption: 'Please to remember | The twenty-seventh of November | The "Bilk-Powder" treason and plot'.

Both items are 2pp. 12mo, on bifoliums. Both in good condition, on lightly-aged paper. ONE: 'I was so sorry I couldn't come this afternoon - especially if he was a simple kind of American publisher. Owing to a rash fit of indulgence in Church going I had to have tea elsewhere'. TWO: Letter of condolence on the death of Robert Lynd.

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

1p., 32mo. Good, on lightly-aged paper. The note reads: 'My dear Webster, | I have fasted all the week in joyful expectation of the 1st of December. | Every truly your's [sic] | Douglas Jerrold'.

The envelope is 27.5 x 12.5 cm, and the cartoon is printed lengthwise (around 15cm long including caption) on the front in brown ink, with facsimile signature. In good condition, lightly-aged and worn, with the flap of the apparently-empty envelope gummed back into place. The stamp is attached in its customary place, with the address in Thomas's autograph beneath it: 'Wm. Booth Esq | The Rosery | Cambridge Rd. | Felixstowe'. Thomas's original cartoon had been drawn in ten minutes for the Weekly Dispatch 'Smokes for Tommy' campaign.

1p., 12mo. In good condition, on lightly-aged paper. Brooks (who conducted the Literary Gazette between 1858 and 1859) writes that he has read Glen's 'friend's verses carefully, and with much pleasure. There is an echo of Keats in them, but no mere invitation.

ONE: Brooks's letter to Leitch Ritchie: 4pp., 12mo. Bifolium. Very good, on lightly-aged paper. He thanks him for his 'kind and courteous communication', and is pleased that 'the article I sent seems to you adapted to the purpose'. Brooks has, he explains, 'availed myself of your suggestions in reference to the additions'. He continues with references to Vauxhall and 'The Highland Lamp'.

16mo, with the first three issues continuously paginated to 240, and issue V paginated 321-400. Each volume with a frontispiece by Leech, and numerous illustrations by him in text. Three of the four issues (I, III and V) with an initial four-pages of advertisements, and more advertisements on the wraps. The four volumes in fair condition, on aged paper, in worn wraps, with the first volume lacking its spine. Each with the small and neat ownership inscription of 'L Jackson' in the top right-hand corner of its front wrap.

1p.,12mo. Fifty-three lines of small type. Good, on lightly-aged and ruckled paper, with traces of mount on blank reverse. The item begins: 'MR. PUNCH is accustomed to receive letter and treaties, imploring him not to call homoeopathy fudge, and some of them attempting to assign reasons why he should not. In all these communications, the medical opponents of homoepathy are called "allopathists."' Later on the author comments: 'PROFESSOR HOLLOWAY is perhaps an allopathist; however he does not tell us on what principle his pills and ointments cure all diseases.

2pp., 12mo. 29 lines of neatly-written text. In very good condition, on lightly-aged paper. Addressing his letter to 'J: S: Buckingham Esqre.', Pollock writes that Buckingham's letter, 'enclosing the Rules &c. of the British and Foreign Institute', has been forwarded to him in Monmouth, where he is 'engaged on a long Circuit professionally, which comprehends all South Wales, and the West and South of England'. He is 'on the move continually', without 'time or opportunity to give sufficient consideration to the subject'.

2pp., 16mo. Bifolium. Very good, on lightly-aged paper, with small hole through both leaves at top inner corner. Beneath the signature the faint stamp of the St. James's Budget, 15 Dorset Street, EC. Raven-Hill points out that the Pall Mall Budget had only the right to use his drawings 'in that paper', and that he holds 'the entire copyright of all my drawings that appeared' in that magazine. 'If you want any of mine you could of course get the blocks from them & we could come to some arrangement about using them'.

2pp., 12mo. Bifolium. Very good, on lightly-aged paper, with small hole through both leaves at top inner corner. The letter begins: 'As far as I can remember I keep the Copyright of my late drawings in the Pall Mall Budget'. He refers Brodhurst to the magazine's editors, and apologises for his alte response.

On one side of a 4.5 x 13 cm strip of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. All in Partridge's hand. Reads: '[...]ment of time occupied. | With many regrets, | I am truly yours, | Bernard Partridge.'

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

4pp., 12mo. Good, on lightly-aged paper. He considers the cut excellent, and is grateful to Brooks for having 'managed so well' with his article. 'Many such an article of mine has been sacrificed, though absolutely a pretty good one, and comparatively to that which stood in its place, superexcellent. But such is my luck. By the by, don't measure the quantity of all that I do by what appeareth.' He reports that 'Fred is much amused with the verses on the Queen's first baby. I said that there are two men here besides himself who understand a joke.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The first page headed 'Act III', and the whole tightly-written and filled with deletions, interpolations and marginal notes, providing a valuable insight into the creative process of one of Victorian England's most successful dramatists. The last page breaks off: 'Handeside confesses his own desperate attachment. Markham <...>'. 'A Sister's Penance' was a great success, with 83 performances at the Adelphi between 26 November 1866 and 2 March 1867.