CENTURY

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

8vo (dimensions of leaf roughly 265 x 180 mm): twenty-four unpaginated pages on twelve leaves, with four pages in a bifolium inserted, and a price list printed on one side of a loose leaf. Unbound. Stitched as issued. Good, clean and tight, on lightly-aged paper with a little spotting to the outside pages.

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

12mo: 36 pp. Stitched. In twentieth-century card wraps. Good, with a little light spotting, on aged paper. Note, dated 'December 30th, 1837.', on last page, attributes the work to Palmer. Scarce: half of the ten copies listed on COPAC are facsimile or microfilm editions.

12mo bifolium: 3 pp, with reverse of second leaf blank. Unbound. Good, on lightly aged and spotted paper. Names the officers on p.1, and gives the nine articles of consitution on pp.2 and 3. Small circular red stamp of the Webster Collection (no. 4156) in bottom right-hand corner of reverse of second leaf. No copy listed on COPAC.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

On a piece of yellow wove paper roughly 565 x 455 mm. Text and illustrations clear and entire on creased and spotted paper with some wear to extremities. The order of the procession is given in three columns, divided by decorative rules. At the foot is an illustration (120 x 195 mm) of the queen's coach reaching Westminster Abbey, with crowds and a banner reading 'LONG LIVE VICTORIA'.

On one side of a piece of wove paper roughly 220 x 280 mm. Good, on lightly aged and creased paper, with a few short closed tears to extremities. Cheaply but effectively printed in a variety of point sizes. Reads '£1 REWARD | LOST, on Monday Evening, December 16, either on the Motor-bus between Oxford and Witney, or in Witney, A Lady's Gold Wrist-Watch & Bracelet | Engraved on the back, P.E.B., Dec. 28, 1921. | A Reward of £1 will be paid to anyone bringing the same to the Police Station at Witney, or to the County Police Station, New Road, Oxford.'

Printed on one side of a sheet roughly 395 x 250 mm. Good, on lightly aged and creased paper. Text clear and entire. At foot: '(16611-21.) Wt. 6705-99. 325. 6/10. D & S.' Fifty-two entries, beginning with 'Cambridgeshire, Wisbech', each with columns for the years 1902 to 1909 of 'Numbers of Casuals relieved in the Workhouse', and with a final column headed 'Two Nights' Detention System enforced or not.' Totals given for each county, and a final 'Total of the District'.

On one side of a piece of wove paper roughly 275 x 230 mm. Printed and manuscript text clear and entirely legible on worn, creased and grubby paper with one small strip of paper repairing reverse. Crest of City of London at head. Two sets of four columns, side by side. The four columns are: 'Ships at Market', 'QUALITY', 'Ships sold' and 'PRICE'. The whole of the 'QUALITY' column in the first set is headed 'NEWCASTLE', containing 45 entries from 'Adair's' to 'Walls End Walker'.

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

12mo: 1 p. Ten lines of text. Bifolium. Grubby, and with the text of the letter faint. Letterhead printed in red with illustration of the firm's headquarters. Written in, or faded to, lilac, and could well be a carbon. Sending copies of the two newspapers as 'we think it probable you would like your newly published works noticed or reviewed' in them.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

12mo bifolium. Ellenborough's letter (15 lines of text) occupies the first leaf; with the pencil draft of Gough's reply (also 15 lines), with additions and deletions, on the recto of the second leaf. Very good, with traces of grey paper mount adhering in a thin strip to the reverse of the second leaf. Ellenborough will 'afford' Nichols 'every facility for the making of tracings from the Tiles at Southam'. If Nichols will let him know when he is coming he will 'make it a point to be here'. Suggests that Nichols might come 'after Church, about 2 o'clock, on Sunday next'.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

8vo: 1 p. 14 lines of text. On aged and spotted paper, laid down on a piece of card, and with the head of the letter (not affecting the text but causing the loss of the top half of the letterhead) worn away. Originally a 2-page 12mo bifolium, but with the text from the second page laid down below the first.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Dimensions of leaf 11 x 9 cm. Twelve lines of text, headed 'P. 320'. In poor condition: grubby and aged. Laid down on piece of grey paper removed from autograph book. 2 cm closed tear in bottom left-hand corner affecting a couple of words of text. Difficult hand. Criticising a note, giving references to three works. Ends 'I don't see any use in printing this letter - but Sir F. Madden will tell you better. | JM -'.

12mo: 2 pp. Sixteen lines of text. Good, on aged paper, with a strip from the previous mount adhering at the head of the reverse. Docketed in a contemporary hand 'Jacob Bell' and 'M. P. for St. Albans 1851.' He thanks him for taking the trouble to search 'the last document which fortunately is found much to my surprise in a store room in my own house'. He 'cannot account for the accident' and apologises once again.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.