ROYAL

Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

The material is laid down and loosely inserted on 39pp. of a folio album with paper covers (the ATS badge drawn on the front). The album itself is aged and worn, but the material inside is in good condition, with light aging.Biographical information on Wynne-Edwards is given in a loosely-inserted copy of an autograph letter to 'Mrs.

1p., 12mo. In good condition, laid down on leaf removed from album. The note reads: 'The form of receipt is in the printers' hands. Addressed to Buller at the South Kensington Hotel.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

8pp., 12mo. Text complete on aged and worn paper. A charming and high-spirited description of life in the provincial theatre in Victorian England, in better than average verse showing the influence of Byron's humorous poetry.

2pp., 4to. Bifolium, with the lower part of the second leaf lacking, and only part of Brownlow's franking of the address present, together with his broken seal in red wax. Frank reads: '<...> Febry eighth 1834 | <...> Massingberd Esqre | Ormsby | Spilsby | <?> | Brownlow'. In fair condition, on lightly aged and ruckled paper, with folds strengthened with archival tape. He writes regarding the award of the Honorary Medallion of the Royal Humane Society to 'Rd.

29pp., 8vo. On white and pink paper. Followed by three fold-out plates and two diagrams, all in colour ('Battle of Fondouk', 'Battles of Goubellat Plain & Tunis', 'Later Phase of Battle of Tunis', 'Wireless Communications | H.Q. 9 Corps - Apr/May 1943 | Standard Layout', 'Wireless Communications | Corps H.Q. | Suggested requirements'). Stapled, with grey front cover bearing title. In fair condition, lightly aged and worn, with the last few plates detached.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

Jacob was one of the ten children (seven sons) of Archdeacon Philip Jacob (1803-1884). Both items are in good condition, on lightly-aged paper. ONE: 'HMS Leopard | Dec 12th. 1854'. 4pp., 12mo. Bifolium on grey paper. To 'My dearest Brother'. The fifteen-year-old Jacob has a shaky grasp of spelling and punctuation.

Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He was a full member of the Royal Society of British Artists. The present collection casts an interesting light on the efforts of a good English artist to be of use to the war effort. Ten items.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

2pp., 4to. Bifolium. Good, on lightly-aged paper. He informs the recipient that he is 'happy to have it in my power to comply with your request for the admission of your Son as a Cadet in the Royal Military College', and that he has 'inserted him in the List of Candidates for Examination' on 1 October 1805. He states that he is sending 'the usual Circular letter, which will give you the necessary information respecting the qualifications required, and articles to be provided by the Young Gentleman on his admission into the Establishment'.

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.

Paper, blue, 9 x 5cm, irregular shape, sl. chipped in two places, mainly good conditon. On the verso, the words "Gentlemen I beg [...] the receip[t?]".

The pedigree is written out by Crisp on one side of a 37 x 95 cm piece of paper, folded twice into a 37 x 23.5 cm packet, printed on the front of which is: 'Visitation of England and Wales. | DRAFT PEDIGREE. | Please return to Frederick Arthur Crisp, F.S.A., "Grove Park Press," 270 Walworth Road, London, S.E.' The same address is embossed at the head. In good condition, on lightly-aged paper. In top right hand corner of cover is a manuscript label with 'JELLICOE.' underlined in red. The pedigree, descending from 'Capt.

2pp., 16mo. Bifolium with black border. He writes that he had 'looked forward with great interest to seeing your academy pictures for this year', but that he is disappointed not to be able to do so, as a result of a heavy cold. 'I have no doubt they will more than sustain your reputation, and it will be a true pleasure to me to hail them on good places on the line in the R.A.' He ends by sending regards 'to Mrs. Faed & yourself'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

1p., 4to. In good condition, on lightly-aged paper. With the date stamps of the Royal Society of Arts. He thanks him for 'the cuttings, several of which I had not seen', and states that he will be delighted to 'present a copy of my book to your library'. He had been meaning to give one 'at the conclusion of the exhibition'. He is grateful to Menzies for offering to review the book in the Society's journal, and is 'already so much indebted to te Royal Society of Arts for kindness received'.

30pp., 16mo. Stapled pamphlet in printed illustrated wraps. Aged, worn and creased, in stained and damaged wraps. Bigeon's introduction begins: 'The difficulties often met with to obtain at any time freshly gathered mushrooms, have induced me to prepare, in the very places of production, mushrooms dressed under various formulas, for which I add a few appropriated [sic] notes.' There are eight pages, in French, of 'Attestations des Chefs les plus réputés dans l'Art cullinaire', beginning with 'T. GIROD. | Chef des Cuisines Café de Paris | Paris' and ending with 'P.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

One page, 12mo, bifolium, fold mark, good condition. £I have obtained a photograph of my Academy drawing before I coloured it, & beg to send you a copy." Postscript written at an angle, "I shall be very glad to go out with the working drawings of the first wing, when you say the word." Note: further enlightenment welcome.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He explains his 'great and chief excuse' for breaking his promise to call on her that morning. 'The fact is I have to give an address on Monday evening as President of the Society of Chemical Industry'.

A feature of Brett-James's well-received war memoir 'Report My Signals' (1948) was the fifteen reproductions of his pencil drawings of Indian men who served under him, the originals of which are present here, together with a further fifty. These indicate Brett-James's skill at conveying character in well-executed pencil sketches. The sixty-five black-and-white pencil drawings in this collection are in good condition, on lightly-aged paper with occasional creasing. They consist of: ONE. The original fifteen portrait heads of men of the Fifth Indian Division reproduced as illustrations in RMS.

Printed on one side of a piece of 4to paper, with thick embossed decorative border in imitation of lace. In fair condition, on aged and worn paper, with closed tears to frail border. Royal crest at head printed in gold and other colours and also embossed. Headed: 'BUCKINGHAM PALACE. | MONDAY EVENING, 16th. JUNE, 1879.' Fourteen pieces are listed, by Mendelssohn, Liszt, Wagner (2), Gounod (2), Bizet, Max Bruch, Rossini (2), Ambroise Thomas, Massenet, Schumann and Cimarosa. Apart from Patti, Kellogg and Trebelli, the performers are 'Herr Henschel', 'Mr. W. H.