JOURNALISM

Dimensions of card roughly two and three-quarter inches by four inches wide. Good, with light creasing to corners. Clear signature reads 'Yours very sincerely | Max O'Rell | 18 March 1895'.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

One page, 12mo. Very good, with light paperclip spotting. 'Certainly. I am glad to comply with your request.'

One page, 12mo. On blue paper discoloured from glue by previous mounting. Seven-line printed biographical cutting in top right-hand corner. 'I am very happy to comply with your request [for an autograph].'

One page, 12mo. Very good on lightly-aged grey paper. Reads 'Dear Sir. | Here is the autograph you require. | Faithfully your's | [signed] Edmund Yates'. The words 'Here' and 'to' are slightly smudged.

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

One page. Dimensions of paper roughly four inches by seven. On piece of aged, stained paper, mounted on piece of card. Remains of biographical cutting in bottom right-hand corner. Reads 'Here you are Sir | Autographs cheap today | F. C. Burnand | F. C. B. | 10 Dec 1901'.

8vo: 1 p. Very good. He has 'pleasure in complying' with his correspondent's request. 'You may have seen a book I have recently published - "Retrospect of a Long Life" - and have learned that I am in the 84th year of my age - born on the 9th May 1800. | I am thankful to God for good health and for many other blessings.'

12mo, 1 p, 17 lines. Very good. He has been 'from home visiting here & there', and has returned to 'a mass of correspondence which is perfectly appalling'. He is sorry she 'sent back the book', as he meant her 'to keep it in perpetuity'. 'The recent work which finds most favour with the public is Lord Cockburn's Memorials. It is entertaining but not in all respects accurate. It is however worth reading & will serve to beguile a winter's evening.

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

12mo: 2 pp. On creased, discoloured paper, with small closed tear and traces of previous mount adhering to reverse. An amusing, playful letter in a smudged, expansive hand. Reads 'My dear Phil | The other Phil Phil May will Phil the page in Xmas No. This will fill up & give it a fillip. ergo no Caran d'Ache | With Phil we're full. | Ought to be a fine number. | Have asked Phil May to contribute previously - | Well Phil May - but will Phil? | perhaps a wilfil person'. Accompanied by long typed commentary, giving provenance 'From a group of letters to Phil Agnew.

8vo: 4 pp. Good. Difficult handwriting. He wants him to keep the cheque, which he considers 'only a compromise between our different expectations'. 'I know that you deserve the larger sum that you spoke of - but it is a tight squeeze to make the & expenses for the year of the New Englander come out even, and I do the best I can.' With seven-line postscript.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

Octavo: 32 pp. Stapled and unbound. Rather worn, particularly at first and last leaves. A few pencil marks and notes, and slight ink staining at head of first leaf. Twenty illustrations. 168 items; three-part index on final page. Influential catalogue, the collection sold in its entirety to Duke University. One of Birrell & Garnett's managers was Graham Pollard, co-author of the book which unmasked T. J. Wise as a forger.

All five items good, on lightly aged paper. All five bifoliums, bearing traces of previous grey paper mount on the verso of the second leaf. LETTER ONE (one page, 12mo, 30 May 1865): He is 'very poorly', with a 'bad bilious attack which has threatened to turn into jaundice'. 'Yesterday I met Mr Herbert in Regent Street. We talked for a few minutes at cross purposes, my thoughts running on his journalistic prospects and projects, while he was thinking and speaking about his election at the Savage Club.

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

One page, 12 x 9 cms. Rust stain from paperclip and strip of offset discolouration. In purple ink. A recent letter to Harmsworth was sent to the wrong address. He has 'another letter of Yates's [Edmund Yates (1831-1894), journalist and writer?], better than the one of which you had a copy'. Wonders whether Harmsworth wishes 'to make use of it'. Would also like to know whether 'shares in "Answers" [Harmsworth's magazine 'Answers to Correspondents']' can 'be got through a broker in the ordinary way'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

One page, quarto. On aged and creased paper. Letterhead illustrated with engraving of the paper's headquarters. Thanks him for the copy of Rowney's 'Artists' Almanac'. 'Like yourselves, we are an old family firm and as such have always taken a live interest in the Arts.' Endorses the Empire Art Council, feeling that '[t]here is a great deal that can be done in the exchange of art exhibitions, etc., between the various parts of the Empire'. Docketed with London address on reverse.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

The five issues are each eight pages long and octavo. All five issues unbound, and stabbed. All good, though lightly aged and with some wear to extremities. An improving publication, produced 'Under the direction of the Committee of General Literature and Education, appointed by the Society for Promoting Christian Knowledge'.

Three pages, 12mo. Very good. The letterhead, in red, carries Mayhew's crest, with his initials 'HM' and motto 'LABOR VINCIT'. An insight into doings within the Mayhew family. As her correspondent has 'not been here', she is concerned that she 'must have offended you in some way or another'.

One page, 12mo. Very good. He presents his correspondent with 'deux petits ouvrages sortis de ma plume'. The first was mentioned by 'Mr. Burgess' and the second is 'un petit traite qui a eu le bonheur il y a quelques ans de remporter le prix annuel dans l'Universite d'Oxford'. Signed 'Willm. Roberts'. In a postscript asks to be recommended to any acquaintances Van Santen may have 'a Rotterdam Anvers ou Bruxelles'. Address, with broken wafer, on second leaf of bifolium. Roberts is perhaps best remembered for the controversy brought on by a passage in Byron's 'Don Juan'.

Journalist and musical critic (1806-79), Paris newspaper correspondent, 1839-44, who sent dispatches by pigeon. One page, 12mo. In poor condition: grubby and heavily stained. 'Dear Sir | I have been abroad or I would have replied to your note ere this. I will be at home until Noon next Monday. | Yours faithfully | [signed] | C J Gruneisen'.

Editor and journalist (1785-1870). The recipient (1784?-1874) was a writer on military matters, and editor of the United Services Journal. Two pages, 12mo. Good, though grubby, and with docketing, rust from paperclip and biographical details typed in line at head. A formal letter, unsigned and in the third person. 'Mr Redding presents his Compts. to Sir J. Phillepart with but scanty recollections for it is many years since they met and wishes to remind him of an article sent to the U[nited]. S[ervices]. J[ournal]. thro' Mr Hunt.

Novelist and miscellaneous writer (1822-98). Dimensions roughly five inches by three. Grubby and with minor fraying, loss and closed tears to edges (not affecting text). Printed halfpenny stamp and two postmarks in black ink. Addressed to 'Mrs. Black | 5 Hazlitt Road | W. Kensington | W.' 'I have not received ye Ladies Pictorial, but fine - all very well done with great sympathy & tenderness & so well written - I have begun by informal LSaturdays - & shall be very glad to see you if you could come'. Signed 'E: Lynn Linton'.

Journalist (1802-79). Three pages, 12mo. Good, but on slightly discoloured grey paper, with some staining from previous mounting to one edge. 'Dear Sirs, | You will see some of your publications noticed in the Morning Advertiser of to-day. As we mean to make literary notices a feature in our paper, any publications you may send us will meet with every attention. Mrs Hall's "Pilgrimages" [published by Arthur Hall, Virtue & Co] has not reached me, otherwise, being a Christmas book it would have met with an immediate notice.' Asks to be sent 'all the advertisements you can.

American Unitarian clergyman (1811-93) and editor and proprietor of the North American Review; Professor of Christian Morals at Harvard, 1860-81. One page, octavo. Good but on discoloured paper with slight spotting. 'It is my invariable rule not to send proof to any writer for the North American. You are however at entire liberty, to see the proof of your article by your own arrangement with the printers, who will be very ready to oblige you.' Signed 'A. P. Peabody'.