ENGRAVING

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

On piece of paper roughly three and a half inches by three wide. Good, lightly aged with a little creasing to one corner. Pleasant armorial design within floral arrangement. Motto 'VIGILANS' on scroll above 'Sir Richard Burton' in copperplate at foot. Indentation of plate around edge.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

English novelist (1775-1861). One page, 12mo. A frail item in poor condition: on discoloured, frayed paper, with several closed tears and some loss to edges. A formal letter in the third person. 'Lady Charlotte Bury presents Her Comp[limen]ts. to Mr: Colnaghi and would be obliged to Him if He could make it convenient to call upon Her any time this Day, as she wishes to speak to Him respecting Some Drawings which she intends to publish'.

Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

British sculptor (1882-1962) and 'MEDALLIST AND ENGRAVER | TO | HIS MAJESTY THE KING' (as per letterhead). All six items one page, quarto. All six signed 'Allan G. Wyon'. Five bearing the R.S.A. stamp and two docketed. All six very good though dusty (but see secretarial item below). ITEMS ONE (19 October 1916, typed) and TWO (21 October 1916, typed) discuss the practicalities and cost of repairing the R.S.A. 'broken Seal Press'.

Small 8vo. 80 pages. Numerous woodcuts. In original grey printed wraps, with cloth spine. Internally good, with some light spotting and discoloration. Binding worn and grubby; front fep splitting. Ownership inscription. Interesting and informative introduction discusses 'the advance made in less than seventy years in popular art and literature'. Publisher's note (p.xxviii), 'The letter-press of the present volume exactly reproduces that of the original Christmas Box.

4 leaves. 8 unpaginated pages. 16mo. 9 centimeters by 12 centimeters. Dusty but very good indeed. Evan Gill 272 describes the first edition of 1923 and a subsequent edition of 1929, but makes no mention of an undated issue. Wood engravings by Gill: lawyer's wig on cover-title; bird in cage on verso of third leaf; angel before tombstone on verso of last leaf. 'WITABEL WATLO' engraving [by David Jones?] on recto of third leaf. Prob. Taylor & Sewell 117c

PRESENTATION COPY of offprint 'FROM THE | ARCHAEOLOGIA, | VOL. XXVII. p. 405-409.' Four leaves, 8 pages, 4to. In good condition, although grubby and worn and with creasing to inner edge. Presentation inscription to top right-hand corner of title. Disbound: paginated in manuscript and with slight offsetting to verso of last leaf. No copy of this offprint in the British Library. The author Dr Hugh Welch Diamond (1809-86) was editor of the photographic journal, and a pioneer of psychiatric photography.

Art historian (1867-1948) and Keeper of Prints and Drawings at the British Museum, 1912-32. Four pages, 12mo. Good, but somewhat grubby with a few small stains. Interesting, and characteristically subtle solicitation. He has been examining the book of drawings his correspondent sent the previous week, but is unable to say who formed the collection: 'my colleagues in the library cannot tell anything from the elephant stamped on the binding'. 'The little drawings are mostly old but not of any great merit'.

Two pages, 12mo. Very good. She is sorry that her correspondent should have 'taken the trouble to call twice & have found me out, but I am working at the school just now, & am very not returning as a rule until the evening | So I trust you will excuse my calling with kind regards to yourself & Mr. Middleton Walker'. Signed 'Constance Williams' and docketed in pencil, 'a very clever sculptor in wood'. Not traced.

Beechey (1753-1839) was a member of the Royal Academy, and portrait painter to Queen Charlotte. Young (1755-1825) was a mezzotint engraver. Paper dimensions roughly four inches square. Folded twice. In good condition on paper somewhat grubby at edges. Good clear signatures: 'W. Beechey R. A. - | Jno. Young.' Beechey was knighted and elected to the Royal Academy in 1798.

These illustrations are marvellously evocative of the period before Croydon was ruined architecturally. Suitable for framing. They are photographic, in black and white, and approximately 7 inches by 9 1/2 inches, on sheets of paper approximately 10 1/2 inches by 13. Dusty and with a little spotting but in good condition overall. Captions read: 'NORTHERN END OF MIDDLE ROW'; 'HIGH STREET FROM WHITGIFT'S HOSPITAL'; 'BUTCHER ROW, SURREY STREET'; 'MIDDLE ROW, LOOKING SOUTH'; 'THE TOWN HALL, 1890'; 'INTERIOR OF THE TOWN HALL.

Art dealer (1825-1910; DNB). 2 pages. 16mo biofoliate. In good condition. The recipients name is spelt 'Bewick' at the beginning of the letter and 'Bewicke' at the end. 'Dear Mrs Bewick | I came up from Southampton on Saturday. I am starting for Lancashire in a few minutes | I shall be back on Wednesday and off the following day | I can see you here if you can call about 5.30 | Yours sincerely | Wm Agnew'.