ENGRAVING

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

Printed in black on one side of a 19 x 29 cm piece of stiff card, with rounded corners. In fair condition, lightly-aged, with 4cm vertical closed tear at head. The memorial to a stern-faced Gladstone is depicted - a setting sun blazing behind it - between two mythical seated women, Justice on the right, and a hooded woman with a hand mirror on the left. In the background are the Houses of Parliament and Westminster Abbey. The card is made out in manuscript to 'Edward C Young' (with '186357' at foot), and the caption at the foot reads: 'This Memorial Card was issued to [ Edward C Young.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

1p., 12mo. In good condition, lightly-aged, with small piece of mount adhering at head. Accepting an invitation to dinner.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

The three items in good condition, on lightly aged and worn paper. ONE: 4 April 1858. 2pp., 12mo. Bifolium. Addressed to 'Mr. H Moore | Messrs. Gambert & Co.' Regarding the financial arrangement surrounding his engraving 'The Miller's Daughter'. On the subject of 'the two repayment bills', he would 'rather not part with £50.00 for some two or three months to come'. TWO: 11 December 1858. 1p., landscape 12mo. Directing the firm to give the bearer 'six (6) Artists Proofs of Millers Daughter -, which I long since promised to the owner of the Picture'. THREE: 24 December 1860. 2pp., 12mo.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

Both the engraving and the letter are in good condition, on lightly-aged paper. ENGRAVING: Dimensions of image: 5.5 x 9 cm. Dimensions of paper: 12 x 18 cm. In black ink. The coffee house, with signage, is shown behind an old stone wall, in front of a country house. It is built like a barn with a taller structure beside it (possibly a reading room). LETTER: 2pp., 12mo. Bifolium.

12 x 8.5 cm. Bifolium. Printed in red and black on thick watermarked deckle-edged laid paper. In good condition, on lightly-aged paper. Engraving in black ink on recto of first leaf, incorporating the words 'Rowfant Club' and '255 Erie St', showing a back-view of a man in a chair seated at a table, spreading open a large volume containing ''BOOK-PLATES'. Text on recto of second volume, printed in black and red, with the printed words 'Compliments of' followed by the autograph signature of 'F. H. Baer'.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

An attractive and unusual item, and extremely scarce: no copies recorded on either OCLC WorldCat or COPAC. Engraved print in shape 11 cm diameter circle, carrying text and numeration, attached to printed 8vo leaf and superimposed on matching circular print with months and further numeration, to make a calculation tool. At head of page, beneath title and above wheel: 'To find the SUNDAYS that depend on EASTER day.

A scarce and unusual item. On one side of a piece of 11 x 15 cm paper. Laid down on 13 x 17 cm paper backing. Aged and creased, with three evenly-spaced vertical folds. The illustration, at the centre of the ticket, is captioned 'MISCUIT UTILE DULCI', and depicts two naked cherubs, one with a Mercury helmet, playing with books and lyre. Beneath, in small letters, 'E. F. Burney del.' and 'F. Bartolozzi sculps.' To the right of the engraving is a crested seal in red wax. Above the engraving: 'BRANDENBOURG HOUSE MASQUERADE | Monday the 24th. of February at Eleven o'Clock'.

Full title: 'A Catalogue of Engravings, by the most esteemed Artists, after The finest Pictures and Drawings of the Schools of Europe; Systematically arranged under the painters, and by Index to the Subjects: Accompanied by a List of Works in Progress, or recently completed: And also of various Books of Prints, Forming part of the stock of Moon, Boys, and Graves, Printsellers to His Majesty, And Publishers of Works of Art. No. 6, Pall-Mall.' viii + 214pp., 8vo. In original quarter-binding of grey printed boards and black leather spine.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

The card is 6 x 8 cm, with the engraved image of the Basilica 5 x 7 cm, within a ruled border, with 'Sr. John Goodricke' in copperplate in a cartouche at the foot. In fair condition, aged and lightly ruckled and spotted. In a contemporary hand, on the reverse: 'No 9, Somerset Street. | Portman Square'. An attractive and unusual item. Goodricke's connection with St Peter's is unclear, but a common feature shared with Bramham Park is the presence of an obelisk. Goodricke's son was the noted 'deaf astronomer' John Goodricke (1764-1786).

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

4pp., 4to. Bifolium. 135 lines of text. In fair condition, on lightly aged and worn paper. At the time of writing Dolman had just published 'Four Lectures on the Offices and Ceremonies of Holy Week, as performed in the Papal Chapels. Delivered in Rome, in the Lent of 1837, by Nicholas Wiseman'. Later in 1839 he would publish Wiseman's anonymous 'A reply to the Rev. Dr. Turton's "Roman Catholic Doctrine of the Eucharist considered"'. Written in a close neat hand.

On 4 x 14.5 cm slip of paper. In fair condition, placed in a windowpane frame, on leaf removed from album. In good condition, on lightly-aged paper, in creased mount. Reads: 'Augst. 23: 1783 Recd. of Mr Boydell Twelve Pound's [sic] on Account | Robt. Dunkarton | £12: 0: 0'. On the reverse is a receipt signed by a 'Jno Harley'. For more information about Dunkarton and Boydell, see their entries in the Oxford DNB.

The two engravings in good condition, with light signs of age, and with 'A Faint Impression' with some offsetting in light pink (not entirely displeasing). Both headed above the image 'Casualties of London Street Walking', with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image, 23.5 x 18.5 cm; plate, 27 x 20 cm; paper, 29 x 22 cm.

Both in the same style. ONE: 'Cheap Meat.' Dimensions: paper 25 x 29.5 cm; plate 22.5 x 27.5 cm; image 18.5 x 23.5 cm. In good condition, lightly aged and worn, with slight discoloration to corners from previous mounting. Beneath plate: 'W. H. Pyne delt.

On 32.5 x 23 cm piece of thin wove paper. In fair condition only: aged, especially at extremities, and with loss to all four corners on removal from mount. The image (which is roughly 21 x 17 cm) and text are clear and clean, as is the signature 'James Tregaskis', in pencil in the bottom right-hand corner. A charming view, in Railton's characteristic style, of a somewhat decrepit eighteenth-century interior, with a plump young girl in voluminous late-Victorian smock playing on the stairs with a small dog.

On piece of 12 x 22.5 cm paper. In good condition, on lightly-aged paper. Mounted on backing paper. An amusing and attractive engraving, in an English caricature style, the significance of which is now unclear.

16pp., 8vo. Vignette and eight full-page illustrations, all hand-coloured, depicting Sly Boots the fox, Farmer Brown, Joe the shepherd boy, and Trusty the dog. Disbound and stapled. On aged and worn paper. Scarce: the only two copies on COPAC and OCLC WorldCat at the British Library and University of California, with dating to the first entry.

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.