ENGRAVING

Mezzotint engraving by Thomas Burke of 'IOHANNES HENRIVS HAMPE', i.e.the German-born Fellow of the Royal Society Johann Heinrich Hampe, from a painting by Angelica Kaufman, with twenty-seven line Latin inscription.

Author: 
Thomas Burke (1749-1815), Irish engraver; Angelica Kauffmann (1741-1807), Swiss artist [Johann Heinrich Hampe (1697-1777), German-born physician and Fellow of the Royal Society in 1729]
Publication details: 
No place or date [London, eighteenth-century].
£150.00

On one side of a piece of paper, roughly 28 x 21.5 cm. On aged and worn paper. The engraving, roughly 11 x 13 cm, placed at the head of the page, is a head and shoulders portrait of Hampe, depicted in an oval frame, with inscription in Greek wound round a staff with snake (recalling the rod of Asclepius) and laurel sprig. Kauffmann's name engraved at bottom left and Burke's at bottom right. Beneath the engraving is a 27-line inscription beginning: “IOHANNES HENRICVS HAMPE | SIEGENA-NASSOVICVS | MEDICINAE DOCTOR DVISBVRGENSIS CLIVORVM'.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£1,200.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

[First work from the press, in original wraps.] Les Bucoliques de Virgile, précédées De plusieurs Idylles de Théocrite, de Bion et de Moschus; suivies de tous les passages de Théocrite que Virgile a imités; traduites en vers français par Firmin Didot

Author: 
Firmin Didot (1764-1836), French engraver, printer and type founder
Publication details: 
Gravé, fondu et imprimé par le traducteur. À Paris, À la Librairie de Firmin Didot, Rue de Thionville. 1806.
£280.00

[13] + 264pp., 8vo. In original purple wraps lacking spine label. A landmark work in the history of printing. In fair condition, on aged and dogeared paper, with damp staining to the first few leaves, and front cover of the wraps detached. Pp.246-264 carry Didot's 'Note Bibliographique et Typographique', with the engraving on p.263 of the Estienne device, to indicate that it is possible to print both text and 'taille douce' on the same page.

[Samuel Cousins, engraver.] Autograph Note Signed ('Saml: Cousins.') to the London printseller Martin Colnaghi, sending sixty proofs of his 'plate of "Miss Macdonald"'.

Author: 
Samuel Cousins (1801-1887), English engraver [Martin Colnaghi, London printseller]
Publication details: 
Without place or date [1830].
£65.00

On 8 x 17cm piece of paper. In good condition, on aged paper, with small spike hole. Reads: 'To Martin Colnaghi Esqre | Sir | I have the pleasure to send you 60 Proofs from my plate of "Miss Macdonald," 30 of which number are before the Publication. | Saml: Cousins.' Docketted on reverse 'S. Cousins.' Cousins's engraving of Miss Julia Macdonald, from a portrait by Sir Thomas Lawrence, was published in 1830.

[Robert Dodd, marine painter and engraver.] Autograph Receipt Signed ('Robt Dodd') to John Boydell

Author: 
Robert Dodd (1748-1815), English marine painter and engraver [John Boydell (1720-1804), engraver, printseller and Lord Mayor of London]
Publication details: 
No place. 13 October 1791.
£65.00

On 17 x 19cm piece of paper. In fair condition, on aged paper, with trace of previous mount on blank reverse. Embossed with the four-penny government stamp. Reads: 'October 13th. 1791 | Recd. of the Rt. Honble John Boydell Twenty two pounds fourteen Being the Ballance [sic] in full for Engraving | Robt Dodd | £22 .. 14 . 0'.

[Samuel Cousins, engraver.] Autograph Note Signed ('Saml. Cousins'), inviting the unnamed recipient to a meeting of the Chalcographic Society.

Author: 
Samuel Cousins (1801-1887), English engraver [The Chalcographic Society]
Publication details: 
12 Regents Park Terrace. 1 November 1847.
£80.00

1p., 12mo. In good condition, on lightly-aged paper, with minor traces of former mount on blank reverse. The message reads: 'Dear Sir | I shall have the pleasure to receive the Chalcographic Society on Friday evening next, when I hope to be favor'd with your Company'. For information about the Chalcographic Society, , founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011). A society set up for the encouragement of interest in engravings, ridiculed in a Blake notebook.

[Sir Michael Clapham, while proprietor of the Cloanthus Press, Cambridge.] Scrapbook of Sir Michael's wife Elisabeth, containing forty examples of items either printed by him, or with woodcuts by his sister Christiana, or a combination of both.

Author: 
Sir Michael Clapham (1912-2002), printer and industrialist; his sister Christiana Muriel Clapham (d.1967), engraver; children of Sir John Harold Clapham (1873-1946) [Cloanthus Press, Cambridge]
Publication details: 
Items dating from between 1932 and 1937; many from the Clapham family home, Storey's End, Cambridge.
£850.00

The 40 items range in size from 25 x 19cm to 5 x 4.5cm. All in good condition, lightly-aged, and all but five laid down on the grey paper leaves of a heavily-worn album, with back cover loose, and with ownership signature of Sir Michael's wife Elisabeth Clapham at head of first page. The couple married in 1935, and one of the 40 items is a card with text in red featuring Elisabeth's maiden name. It conveys 'Good wishes for Christmas & the New Year from Elisabeth Rea | 6 Barton Street, S.W.1'.

[Samuel Cousins, engraver.] Autograph Letter Signed ('Saml. Cousins'), accepting an invitation from Edward William Cooke to dine with him and 'meet the President and Council of the Royal Academy'.

Author: 
Samuel Cousins (1801-1887), engraver associated with the Royal Academy [Edward William Cooke (1811-1880), RA, marine gardener and engraver]
Publication details: 
On letterhead of 24 Camden Square, London NW. 20 February 1865.
£40.00

1p., 12mo. In good condition, on lightly-aged paper. He writes 'My dear Sir | I have the pleasure to accept your kind Invitation to Dine with you on the 4th March [amended from '28 Inst'] to meet the President and Council of the Royal Academy.' For more information about both men, see their entries in the Oxford DNB.

[John Henry Robinson, engraver.] Autograph Letter Signed ('J. H. Robinson') to an unnamed male recipient, discussing his engraving of the Marchionness of Abercorn, and pointing out that the plate belongs to the printseller F. G. Moon.

Author: 
John Henry Robinson (c.1796-1871), engraver [Sir Francis Graham Moon (1796-1871), London printseller and publisher]
Publication details: 
20 Spring Street [London]. 23 February 1842.
£45.00

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

[William Pengree Sherlock, watercolour artist.] Autograph Letter Signed ('W P Sherlock') to an unnamed recipient, sending his 'last little Effort' in engraving, as proof of his abilities.

Author: 
William Pengree Sherlock (b.1775), watercolour artist and engraver, son of the artist and engraver William Sherlock (1738-1806)
Publication details: 
Cumberland Place, Shepherd's Bush. 21 July 1817.
£120.00

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

[Sir Francis Seymour Haden, etcher and surgeon.] Autograph Letter Signed ('F. Seymour Haden') to 'B. Gibbs', explaining his reasons for declining an invitation, and a 'lantern man' at 'Gipsy [sic] Hall'.

Author: 
Sir Francis Seymour Haden [pseud. H. Dean] (1818-1910), etcher and surgeon
Publication details: 
On letterhead of Woodcote Manor, Alresford, Hampshire.
£65.00

4pp., 12mo. Bifolium. On aged paper, with a patch of damp staining across both leaves. He should be happy to accept the 'kind invitation', 'if it were not that I believe I am to be the Guest of your Honorary Secretary Dr. Rice Oxley on this occasion'. He hopes that 'Gipsy Hall will be the proper to come to in either case'. He requires 'certain particulars', and will be writing to Oxley regarding 'the ability of the lantern man to obtain fine definition - linear definition I mean'.

[Sir Charles Holroyd, English engraver, first Keeper of the Tate Gallery.] Autograph Letter Signed to 'Mr Kitton' [the author Frederic George Kitton], accepting the congratulations of the Hertfordshire Arts Society on his knighthood.

Author: 
Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery [Frederic Geoge Kitton (1856-1904), author; Hertfordshire Arts Society]
Publication details: 
On letterhead of the National Gallery, London. 11 November 1913.
£120.00

1p., 12mo. Good, on lightly-aged paper. 'Allow me to thank you and through you the members of the Hertfordshire Arts Society for your kind congratulations upon the honour the King confers upon me and upon the Gallery in the work of which I am privileged to assist'.

[Joseph Skelton, engraver.] Autograph Letter Signed to an unnamed firm of art suppliers, with a list of his requirements.

Author: 
Joseph Skelton [Joseph John Skelton] (1783-1871), engraver famed for his depictions of Oxford, brother of the engraver William Skelton ()1763-1848
Publication details: 
Magdalen Bridge, Oxford. 18 November 1823.
£150.00

1p., 4to. In good condition, on lightly-aged paper, with traces of mount adhering to the blank reverse. Docketted: 'fo 369 | G F'. He asks to be sent 'the following goods of the very best quality by the next Oxford Van which leaves daily Old Change about one O Clock.' Four items are listed: various reams of 'drawing Atlas', 'drawing Elephant', 'Plate Elephant' and 'the best & largest letter press demy'. Also '2 quires of the best Plate French Grand Eagles'

[Benjamin Phelps Gibbon, engraver.]

Author: 
Benjamin Phelps Gibbon (1802-1851), Wesh engraver
Publication details: 
89 Albany Street, Regents Park [London]. 17 November 1841.
Upon request

1p., 12mo. Good, on lightly-aged paper. He reports that he shared the 'bounty' of the recipient's 'delicious present' with his brother, who has been 'confined to the house for a month'. He reports that 'Mr Watts and family are well', and hopes that 'Mr Stack is so'.

[Althea Willoughby, English artist.] Two Autograph Letters Signed and one Autograph Note Signed to the publishers Ingpen and Grant regarding her designs for woodcut engravings for Alexander Somerton's 'Glades of Glenbella'.

Author: 
Althea Willoughby (1904-1982), English artist, designer of posters for London Transport, 1933-1936 [Ingpen and Grant, London publishers]
Publication details: 
All three from 20A Alfred Place, SW7 [London]. 14 April, 10 July and 2 August [1929].
£180.00

Each item is 1p., 12mo, the note being the last of the three. All written in green ink, the first on green paper, and the other two on pink paper. The three in very good condition, on lightly-aged paper. Written in an attractive, calligraphic hand. ONE: She writes that she is enclosing 'four rough designs [not present] for the woodcut frontispiece to the "Glade [sic] of Glenbella', and asks to be informed by return of the firm's choice, and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts.

[Abraham John Mason, wood engraver.] Autograph Letter Signed ('A. J. Mason') to 'J. Mayer Esqre', discussing a commission for an advertisement to be placed in the Art Union Monthly, mentioning individuals (Hall, Fairholt, Clements) and processes.

Author: 
Abraham John Mason, wood engraver [Samuel Carter Hall, editor of the Art Union Monthly]
Publication details: 
28 Liverpool Street, King's Cross. 27 January [no year].
Upon request

4pp., 12mo. 55 lines of text, written in a neat, clear hand. On bifolium, with second leaf neatly placed in paper windowpane mount. The letter begins: 'I herewith send the electrotype of the Trowel, [not present] which is I think a beautiful specimen of the peculiar but slow process.

[John Henry Robinson, engraver.] Autograph Letter Signed ('J. H. Robinson') to an unnamed male recipient, discussing his engraving of the Marchionness of Abercorn, and pointing out that the plate belongs to the printseller F. G. Moon.

Author: 
John Henry Robinson (c.1796-1871), engraver [Sir Francis Graham Moon (1796-1871), London printseller and publisher]
Publication details: 
20 Spring Street [London]. 23 February 1842.
£45.00

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

[William Upcott, antiquary and autograph collector.] Autograph Letter Signed ('Wm. Upcott') to the music publisher and collector of Napoleana John Davis Sainsbury, requesting the loan of plates to be engraved by Charles John Smith for Henry Colburn.

Author: 
William Upcott (1779-1845), antiquary and autograph collector [John Davis Sainsbury (b.c.1793), music publisher and Napoleonic collector; Charles John Smith, engraver; Henry Colborn, publisher]
Publication details: 
102 Upper Street, Islington. 18 February 1836.
£120.00

1p., 12mo. Good, on lightly-aged paper. Addressed to 'J. Sainsbury Esq'. The letter reads: 'Dear Sir | My friend, Mr Charles Smith, is engaged by Mr. Colborn to engrave the portraits of Sir Hudson Lowe, Madame Bertrand and M.

[John Raphael Smith, mezzotint engraver and publisher.] Autograph Letter Signed ('J. R. Smith') to the architectural writer James Elmes, informing him of the progress of a work and that he is sending two proof plates. Carrying 3 signed notes by Elmes

Author: 
John Raphael Smith (bap. 1751, d. 1812), mezzotint engraver and print publisher [James Elmes (1782-1862), writer on architecture]
Publication details: 
'Newman Street. 33. [London]'. 17 June 1811.
£120.00

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

[James Mitan, engraver.] Autograph Letter Signed ('J Mitan') to the print collector Robert Balmanno, arranging an exchange of prints by Abraham Raimbach between Balmanno and the engraver Charles Heath.

Author: 
James Mitan (1776-1822), English engraver [Robert Balmanno (1780-1861), Scottish author and print collector; Charles Heath (1785-1848), engraver; Abraham Raimbach (1776-1843), engraver]
Publication details: 
63 Warren Street, Fitzroy Place. 2 December 1814.
£220.00

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

Corrected Autograph Manuscript and Typescript of a chapter of a book by F. J. H. Darton [Frederick Joseph Harvey Darton] titled 'The Microcosm of England', on the London publisher Rudolph Ackermann, headed 'Aquatint collection draft'.

Author: 
F. J. H. Darton [Frederick Joseph Harvey Darton] (1878-1936), English publisher and writer [Rudolph Ackermann (1764-1834), London publisher, born in Saxony]
Publication details: 
[London, 1920s?]
£380.00

Both items in good condition, on lightly-aged paper, with slight rust spotting. Manuscript: 12pp, 4to. On twelve leaves, paginated 1-12. With emendations and corrections. Note at head of page: 'Dates & title meant to be typical only: subject to revision from collection catalogue etc & to fit later details of book.' Also at head of page, in red pencil: 'Aquatint collection draft first chapter'. Manuscript: 9pp., 4to. On nine leaves attached with stud (last leaf loose).

Ten loose uncoloured india-paper proofs of the steel engravings of illustrations (from designs by the Marchioness of Waterford) accompanying the poem 'The Babes in the Wood', published in London by Joseph Cundall.

Author: 
[Joseph Cundall (1818-1895) of 12 Old Bond Street, London publisher and photographer; Louisa Anne Beresford [née Stuart], Marchioness of Waterford (1818-1891), watercolour painter and philanthropist]
Publication details: 
London: Joseph Cundall, Mdcccxlix. [1849.]
£320.00

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Hand-coloured steel engraving by S. Cousen from painting by W. H. Bartlett of a river view of Albany, New York

Author: 
William Henry Bartlett (1809-1854), English landscape painter; John Cousen (1804-1880), engraver [Albany, New York]
Publication details: 
From the book 'The History of the United States of North America' (New York: Virtue & Yorston, 1855-1856).
£28.00

11 x 17.5 cm., with the original margin of the print, with caption, trimmed away, and the engraving laid down on a piece of 24.5 x 30.5 card. From the papers of Marie de Grasse, Lady Evans, wife of Sir Francis Henry Evans, and originally Marie de Grasse Smith, daughter of Hon. Samuel Smith of Albany, New York. In pencil on the mount: 'Albany 1837.'

Signed engraving by John Cameron, depicting a humorous scene in front of a 'Junk Shop in Chelsea'.

Author: 
John Cameron, artist and engraver [Chelsea, London]
Publication details: 
Without place or date [1950s?].
£180.00

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Original lithographic engraving by Dupare, from a drawing by Arago, of 'Nouvelle Hollande. Vue d'une partie de la presqu'île Péron, et 1re entrevue avec les sauvages', depicting a meeting of Aborigines and Frenchmen at Shark Bay, Western Australia.

Author: 
[Jacques Etienne Victor Arago (1790-1855), artist; Louis Claude Desaulses de Freycinet (1779-1842), Paris publisher; [Dupare, French engraver; Australian aborigines; Shark Bay, Peron Peninsula]
Publication details: 
[Paris: de Freycinet. Circa 1825.]
£80.00

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

[Cloth-backed lithographic engraving.] A Chart of Anglican Church Architecture: Arranged Chronologically with Examples of the Different Styles.

Author: 
F. Bedford [Francis Bedford (1816-1894), lithographer and photographer; R. Sunter, York publisher; John Weale, London publisher; Standidge & Co., London printers]
Publication details: 
Drawn and Lithographed by F. Bedford, 40 Ely Place, Holborn. Published as the Act directs by R. Sunter, 23 Stonegate, York, and John Weale, 59 High Holborn, London: 17 August 1843. Printed by Standidge & Co. 77 Cornhill, London.
£180.00

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

Reproduction of a drawing of Charles Dickens by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a carte de visite.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [Charles Dickens; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£120.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

Autograph Letter Signed ('E Duncan') from the engraver and watercolour painter Edward Duncan, inviting John Paget to a meeting of the Chalcographic Society at his house.

Author: 
Edward Duncan (1803-1882), English engraver and watercolour painter [The Chalcographic Society; John Paget]
Publication details: 
110 Adelaide Road, Haverstock Hill. 17 August 1863.
£65.00

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

[Printed handbill.] Description (By Mr. Tom Taylor, M.A.) of the "Triumph of Christianity" painted by M. Gustave Doré

Author: 
Tom Taylor, M.A.; Gustave Doré
Publication details: 
Bradbury, Evans, and Co., Printers, Whitefriars. [Circa 1867.]
£125.00

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

Printed copy of letter from the Poet Laureate Robert Bridges, headed 'To the Donors of the Clavichord', in facsimile of his handwriting, with collotype print of photographic portrait of Bridges, seated at the instrument, by Lady Ottoline Morrell.

Author: 
Robert Bridges [Robert Seymour Bridges] (1844-1930), British Poet Laureate from 1913 to 1930 [Lady Ottoline Morrell; Emery Walker; Arnold Dolmetsch]
Publication details: 
Letter dated 'Chilswell Dec 1924.' The photograph engraved by Emery Walker.
£150.00

Nicely printed on laid paper, on sheet folded to make a bifolium, with the facsimile of the letter on the reverse of the first leaf, and the photograph of Bridges facing it on the recto of the second. As he is unable 'to write personal thanks to each of the many friends who contributed to honour my 80th birthday by their lovely gift', he asks them to accept the photograph 'as a memento'. 'Apart fr.

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