JOURNALISM

A curious artefact, indicating Garbo’s iconic status, and an early example of a journalistic trend which has gained ground since the late 1960s. Hayden-Guest, still active as a writer, is the son of the diplomat Peter Haden-Guest, 4th Baron Haden-Guest, and brother of the 5th Baron, Christopher, who is won fame as ‘Nigel’ in the film ‘Spinal Tap’.

1p., 12mo. Good, on lightly-aged paper, with small scrap from white label adhering to a margin. He explains that the reason that a letter has not been forwarded to him is that he has not, 'for years, had to do with the management of the Illustrated London News', although he does contribute to it. Nevertheless he will try to get the recipient 'a proof of the Port[rai]t. - with great pleasure'. He adds, in a postscript at the head of the page: 'I think the Memoir was cut out from the Times'.

8pp., folio. Unopened. On aged high-acidity paper, with wear along central vertical fold, and chipping to extremities. The article is unsigned, and covers the whole of the front page and p.5 (which is headed 'Ireland won't be fooled again.') and ends on p.6. An inflammatory piece of writing, as the following paragraph indicates: 'Good-bye, Tommy! | Firstly, the army of occupation has been taken from Ireland. Dozens of ships were steaming in and out of Dublin Bay for a week, taking away the men who held this country for England before Mr. Redmond offered Mr.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

See Mitford's entry in the Oxford DNB. At the time of writing he had been retired for five years from the editorship of the Gentleman's Magazine, a post he had held for seventeen years. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to the blank reverse of the second leaf. Folded twice. Forty-four lines in a close hand.

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

4pp, 12mo. On four loose leaves. In fair condition, lightly aged and worn, with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors | (after the dinner to J. N. Dunn. April 23rd. 1897)'. (At the time of the dinner the Scottish journalist James Nicol Dunn (1856-1919) was on the verge of being appointed editor of the Morning Post, a position he would hold from May 1897 to January 1905.) There is no record of the poem having been published, and it is likely to have been written for after-dinner recitation only.

On 10 x 6 cm slip of laid paper cut from an album, with partial ruled border in pink and blue. In good condition, lightly aged. A good firm signature, reading 'Randolph S. Churchill.' No other writing on the same side; with signature of 'Geoffrey H. Crump' on the reverse.

2pp, 12mo. In fair condition, on aged paper with central spike hole. Folded twice. Begins: 'My dear Mr. Tinsley, | I see that you are not going to use my article “We Women,” & I want it so much, to form the basis of a set of articles! - & I have no copy.' She notes that it is 'generally the case with regular workers, that the Editors return the rejected MS' and explains that she has 'destroyed the first rough draft', exclaiming: 'I do hope it is not lost!' She asks him to either tell her if it is lost, so that she may 'know the worst', or if it is not lost, '& is not to be used'.

Long's obituary in the New York Times, 6 September 1998, describes her as 'war correspondent for The New York Herald Tribune and The New York Times who covered the London blitz and the Nuremburg trials' and 'one of only a few women who were correspondents in World War II'. She had joined the New York Herald Tribune's London bureau in 1941, and subsequently married Raymond Daniell, chief of the New York Times's London bureau, joining that newspaper as a reporter in February 1942.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.

The four letters are in good condition, lightly aged and worn. Each 1p., 12mo. The first three letters are written to Brooks, as editor of 'Truth'; the fourth is a letter of condolence to Brooks's wife. In the first letter (14 April 1945) he apologises for the delay in sending in a review: 'I have been two months out of the country and nothing could be forwarded.' He adds: 'I wish I saw more of Charles Webster.

Both 1p., 8vo. In good condition, lightly aged and worn, with paperclip stain to first letter. Unusual signature, in block capitals. Both addressed to Brooks at the Savage Club, with both salutations to 'Collin'. ONE: 18 April 1947. Begins: 'My dear Collin, | I consulted my firend in the Process Department here and he said that a half-tone block would not be very successful, as there is a dash of colour in the picture and the half-tone would not bring it out very well. He thought that a photograph on a piece of Matt bromide paper would look much better and not spoil the detail of the drawing.

The three items are in good condition, lightly aged. ONE: TLS, 15 March 1907. 4pp., 4to. He is sending a copy (i.e. Item Three below) of 'a complete statement of what has taken place up to date. In fact it is the actual statement I placed before my Solicitor this afternoon […] Of course this is what we might have expected from these people, and it does not come as a very great surprise. | It is a direct attempt to get out of their obligations, as they have done before, as they can get this new man, and have got him – at something like £500 a year without an interest'.

Five documents. The two telegrams are in fair condition, lightly aged and worn; the other items are in good condition. A photocopy of a typed page from Brooks's diary explains the context in entertaining fashion: '”Staggerer number one,” whispered Dick Swiveller over my shoulder this morning when on my office desk I found a letter from Ronald Staples giving me a twelve month's statutory notice of dismissal from the editorship of Truth.' He explains that the magazine is losing money, and criticises Staples's plans. 'However – here's a how-de-do!

1p., 4to. In fair condition, lightly aged, with two punch-holes in margin. He has been reading Brooks's book ('Devil's Decade: Portraits of the Nineteen-Thirties') 'during a few days' holiday in Norfolk', and finds it 'excellent': Brooks has 'drawn a very accurate picture of Rothermere'. He proposes a time for them to 'meet again and have lunch'. He wonders whether Brooks 'ever came across that photograph of Northcliffe with Cecil Rhodes which I remember you mentioned you thought you had somewhere or other', asks for a sight of it.

1p., 12mo. In good condition, lightly aged. Addressed to 'My dear Richard'. In the first paragraph he explains that he will not be able to accept his inviation as he is 'obliged to go into the country'. In the second he writes: 'Arthur Locker will succeed me here after the first of May; and he will attend at the office, with me, for about a week before his engagement begins. If you don't know him and if you will look in I will introduce you.' The Graphic was first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited.

1p., 12mo. On grey paper. Aged and with light discoloration and chipping along one edge. A somewhat barbed missive, reading: 'Sir, | I thank you for your offer, but I have so many subjects on hand just now that I fear I could not find room for your article even if I approved of it.' The Graphic was first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited, with Henry Sutherland Edwards (1828-1906) as editor. Locker had taken over the editorship only a few days before the writing of this note, on 1 May 1870.

1p., 12mo. In fair condition, lightly aged. Strip of glue from tape at head of page. Written in response to a request for an autograph. Centred in the page, and reading: 'Yours truly | James Payn | March 28th 1887.'

In a luxury binding: navy-blue straight-grain morocco covers, watered silk endpapers, internal gilt dentelles and leather hinges. Initial calligraphic address by 'L.J.S.' mounted in card frame, followed by 14pp.of signatures (numbering in excess of 150), on the rectos of 14 pieces of gilt-edged card. In good condition, with slight wear to corners and at head and tail of spine.

See Mrs George Wrottesley's obituary in The Times, 10 May 1883, in which she is praised for 'her undaunted courage and unshaken endurance of difficulties displayed repeatedly during her father's mission to the East' in 1854. 1p., 12mo. In fair condition, lightly aged. The main body of the letter reads: 'Mrs. George Wrottesley will feel much obliged to Mr Lacy if he will send her a copy of the play of | "The Wonder" - | The address is to | The Honble. | Mrs. George Wrottesley | Wrottesley | Wolverhampton'. At the head of the letter she adds a query concerning 'the play of Donna Diana'.

1p., 12mo. In fair condition, laid down on piece of card, with slight staining from the glue employed. The note reads: 'My dear Benthall. | I enclose what you wished for, a slip of Sala's “Copy”, and one of my own. They are both sufficiently grimy, having been through the printers' hands. | Sincerely your's [sic] | Edmund Yates'.

2pp., 12mo. Bifolium. Letterhead in black and red ink. In fair condition, aged and worn, with creasing at head. A sensitive letter of condolence, beginning: 'Dear Willy | I was so shocked to hear on Thursday of the great loss you have sustained, and I hesitated to write to you, for letters of condolence are such empty useless things. But on the other hand I dont want you to suppose that I feel indifferent to anything that touches you so closely & deeply.

1p., 12mo. In fair condition, aged and worn, with traces of mount on blank reverse. He is sending, 'as promised, the address', but has forgotten 'the exact member of the club'. 'I conclude, however, that it is well known to Sir Rowland's myrmidons' (Sir Rowland Hill and his postmen). He asks for 'a line of assurance', and for a proof if the recipient prints the address. A pencil postscript at the foot of the leaf has been neatly torn away, except for the following, up the right-hand margin: '<...> I have pencilled might be omitted. She can judge'.

1p., 4to. In good condition, on lightly-aged paper. The first paragraph reads: 'Dear Cuming Walters, | Forgive me for not writing sooner. The fact is I have been down with influenza and pneumonia for the last three weeks. The worst time of the year for me! After the first week I contrived with difficulty to carry on with things, lying on my back dictating letters to my daughter, who has helped me enormously. But I am up again, and though not allowed out of doors have for the last four days been working in my room here, so shall manage all right and get my Christmas No.

Dobell is not named, but the second letter contains a reference to the recipient's wife 'Mrs. Dobell'. Both letters 2pp., 12mo, and both in good condition, on lightly aged paper. ONE: 21 August 1895. Signed 'G. J. Harney.' He makes an order of books from the library of George Augustus Sala, of whom he 'cannot profess to be an admirer': 'clever, versatile, a typical journalist; but not of the stuff of Cobbett, Wooler, Hone (before he became a melancholy mad religious crank) or Hetherington – or Hunt (John).

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

1p., 4to. In good condition, lightly aged, laid down on leaf removed from album. Clarke writes that a King's student, also named Clarke, whom Stuart took 'for vacation work', has returned 'full of enthusiasm & gratitude for all you & your people have taught him'. He only hopes that the student 'made as good an impression on you as you have done on him'. He concludes: 'Why don't you come and give the students a talk one day?' According to an official account: 'The University of London ran courses in journalism from around 1923.

1p., 12mo. In fair condition, lightly aged, with small closed tear unobtrusively repaired. Reads: 'Take the enclosed note to Mr. Tinsley, 18 Catherine Sreet, Strand, a very rough but thoroughly clever and enterprising publisher, and tell him what you require. If possible, I trust he will meet your views'. According to Yates's entry in the Oxford DNB: 'In 1867, after leaving Temple Bar, he edited a new monthly, Tinsley's Magazine, but fell out with the proprietor who believed Yates was overpaying contributors, including himself. His official salary was by now £520 p.a.

Aged and worn postcard. Written in pencil, and addressed to 'The Mac Finck | 21 Heatherfield Pk | Willesden Green | NW'. Reads 'All right Sunny | See you soon. So busy. No time to Finck of ennyfinck for a week | Yours | GRS'. The image of 'MR. GEORGE ROBERT SIMS' on the front of the card shows a seated Sims pondering what to write with pen in hand and finger on cheek, seated surrounded by curios in what is probably his study. Finck's 'In the Shadows' was one of the last songs played while RMS TItanic went down.