JOURNALISM

2pp., 12mo. Bifolium with mourning border. On lightly aged and ruckled paper, with slight damage at head of gutter. The letter would appear to concern a contribution intended for 'The Juvenile Forget Me Not', the annual Mrs S. C. Hall began editing in the late 1820s. begins: 'My dear Mrs. Hall | I sent you the story or rather the bit of a story you have - because you asked for it. Therefore if you like it, the pay is not to be considered - But at the same time if you dont like it, pray dont think of using it out of courtesy.

King's letters total 135pp., 12mo; 10pp., 4to. The earlier letters (mainly from East Molesey) all addressed to 'Mr Dossé'; 37 of the later letters (all from Dublin) addressed to 'Dear Philip'. The collection also contains the holograph of King's review of Graham Cleverley's 1976 book 'The Fleet Street Disaster' (6pp, foolscap 8vo), and 11 Autograph Letters Signed and three Autograph Cards Signed to Dossé from King's wife Ruth (neé Railton), dating from between 1971 and 1979. These are written in a chatty style, the letters totalling 25pp., 12mo; 2pp., 4to.

4pp., 12mo. Bifolium. Aged and stained, with creasing along one edge. A wonderful letter, linking two notable figures in late-Victorian society, beginning: 'Do I remember it? how can I ever forget it, considering that we introduced ourselves to each other, without any introduction; & that casual acquaintanceship has developed into a friendship (without a discordant note) which has lasted for about 38 years.' Regarding their first meeting he writes: 'I was not subpoenaed as a short hand writer, as no such functionary was engaged at Bow St.

The three items in fair condition, on aged and worn paper, the last two items with traces of grey paper from mounting adhering. ONE: From Charlotte Street. 'Saturday' (undataed). Signed 'Irving Montagu'. 2pp., 8vo. Arranging to dine at Draper's in the face of a clashing invitation. TWO: From Briar Cottage, 2 January 1893. 4pp., 12mo. Signed 'Montagu'.

43 + [1]pp., 8vo. Strapled ino printed card wraps. Internally in good condition, lightly aged, in aged and worn wraps with rusted staples. Over 24 pages the speeches by Henderson, Lloyd George and the Marquis of Londonderry are reported in full, as is that of the chairman, quoting letters he has received from Prime Minister Ramsay MacDonald, Viscount Rothermere, General Smuts and several others. This is followed by a five-page list of guests, and a final seven-page 'Extract from "The Observer" of Sunday, Nov. 17, 1929', titled 'The Soul of a Newspaper'.

1p., 12mo. On aged and worn paper. Docketted on reverse: 'Letter Lectures | Prevost Peradol | 23 April 1869'. Reads: 'Sir | I accept the honourable invitation which is transmitted to me through your kind letter from the Directors of the philosophical institution of Edinburgh. The subject will be the social and political condition of France in two lectures.'

On 1.5 x 6 cm. slip of paper. In good condition,, with light signs of age. Presumably cut from a letter in response to a request for an autograph.

1p., 12mo. In fair condition, on aged and worn paper. Another hand - presumably that of the recipient - has written the word 'Printer' at the head of the page, and docketted the reverse 'Maginn | with Lockharts Greek Bubble' (the anonymous poem 'The Greek Bubble', published in 1826, is in fact said to be the work of J. Thompson). The letter reads: 'Dear Sir | Inclosed is a review of a poem by a friend of mine, who I believe is an acquaintance of yours. If you could make room for it tomorrow, you would much oblige me. Arrange the review yr. own way.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Mr. Fisher | I am so sorry I cannot attend the meeting. Unfortunately, I am absolutely obliged to attend to my newspapers all day long. | Yours faithfully | Alfred Harmsworth'. The Daily Mail was little more than two years old at the time of this note.

1p., 12mo. A frail survival, creased and aged. Begins: 'The MANCHESTER TIMES has now been in the hands of the present Proprietor for twelve months, [Paulton had bought out Prentice in 1847] during which period its increase in circulation has been unprecedented. | At the commencement of the present year the Proprietor of the MANCHESTER TIMES announced that its circulation, during the previous half-year, had ranged from | 3,000 to 4,800. | He then expressed his strong conviction, that in SIX MONTHS from that time the maximum would become the average circulation.

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

1p., small 4to. He refers to 'lunch with the Bells' and 'Tattie', and apologizes for keeping the books for so long: 'They were a great help, especially Rory Fitzpatrick's God's Frontiersmen'. He ends with the news that he is revising his manuscript, 'and would like to send you a copy when it is eventually published'. The book Heren was working on does not appear to have been published.

21pp., fourteen of them in 4to, and the other seven pages cut down. In fair condition, on aged and worn paper. Stapled together, with the first leaf detached. The article is complete but untitled. It is unattributed, but comes from the J. R. Gordon papers. A well-written and incisive piece, written from an insider's point of view. Gordon lays out his stall at the very start: 'Few people of our generation have influenced the life of it so profoundly as Lord Northcliffe. He was the incomparable journalist of our age.

3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

2pp., 12mo. Bifolium. In fair condition, on aged paper. Written in a difficult hand. 'The negatives are with Mr P, Solicitor, 50 Leinster Square, who, while I was away, received them from the W Printing Company. I will ask him to leave them out for you. I will call to-morrow or the nexxt day and give you an order for this delivery.'

32pp., 8vo. Disbound. On aged and worn paper, with title leaf detached. Hargreaves begins the pamphlet by stating his case: 'The real issue involved is, not whether the "impersonality" of the Press, as illustrated by the management of the Times, is fair and acceptable to a few prominent politicians, but whether it is useful and beneficial to the community at large.

1p., 12mo. On bifolium. In fair condition, on lightly-aged paper, with one dog-eared corner, and minor traces of previous mount to blank second leaf of bifolium. The text is neatly written out in the two men's autographs, as follows, with Chorley's writing in square brackets. 'My Autograph? With pleasure. Another Lady begged me to get an autograph of H. F. Chorley. She did not ask for mine. | I immediately wrote to Chorley, and he promptly replied. | [But not for Hope I pray, to day contriving | Tomorrow's dreams. | Only for Patience, through long years of striving | Against the stream.

4pp., 12mo. Bifolium. A long and detailed letter, beginning: 'The situation is not quite as we thought it. Yesterday I saw Mr. Higgs at Downing Street and he explained to me all the circumstances concerning the consideration of Mrs. Latey's petitions. | The suggestion emanating from him, with the Prime Minister's concurrence, is as follows.' The plan outlined, as Mrs Latey is not eligible for the pension, is for a fund to be established for her, to which 'the Prime Minister would add [...] a sum from Royal Bounty - the whole to be sunk in an annuity for her.

9pp., folio. With compliments slip ('With Compliments from C. R. Irani'). No other copy traced, either on COPAC or OCLC WorldCat.

One page, 12mo, edges sunned, some spotting and darkening, text clear and complete. "Thanks for the 'Hermit' which I hope to peruse at my leisure. If possible, I may hand you a small subject in return but am now very busy indeed."

All three items in good condition, on lightly-aged paper. All signed 'Ralph Straus'. ONE: TLS. 6 January 1939. 1p., 8vo. After expressing his willingness to have 'the programme of Wat Tyler and the Bil of Madame Sala for 1827', he expresses his desire to acquire playbills 'of Sala's grandfather, in a King's Theatre ballet 1776 onwards - particularly if it gives his Christian name of Claudio. I know of one in Jan. 1788.

1p., 12mo. In good condition, on lightly-aged paper. Addressed to 'E. Draper Esq'. He asks him to send 'the page of Freeman's [altered from 'Freemason's'] Journal mentioned in your Note to the Editor', and undertakes to return it safely, 'after inspection of the contents'.

ONE: Brooks's letter to Leitch Ritchie: 4pp., 12mo. Bifolium. Very good, on lightly-aged paper. He thanks him for his 'kind and courteous communication', and is pleased that 'the article I sent seems to you adapted to the purpose'. Brooks has, he explains, 'availed myself of your suggestions in reference to the additions'. He continues with references to Vauxhall and 'The Highland Lamp'.

Letter: 1p., 12mo. In good condition, on lightly-aged paper. He begins by suggesting that Baron write to 'Mr Payn' (the novelist and editor James Payn) via the Reform Club, Pall Mall. (Baron's method involved asking one celebrity how to contact another.) He next discusses two of his works: '"The Memorial Windows" appeared in the Gentleman's & was published in Pippins & Cheese (Bradbury & Evans) - "The Valley" you will see in enclosed list'. He concludes by thanking Baron for his 'complimentary note'. With envelope addressed to 'J. T.