AUTOGRAPH

1p., 12mo. In good condition, on aged paper. In envelope with Penny Red stamp and postmarks (including one dated 21 March 1853), addressed by Davenport to 'J F. D. Croker Esq | 3 Gloucester Road | Old Brompton'. He thanks him for sending 'his Dramatic Register of 52 (& one also 51 while in Scotland)', and congratulates 'Mr C upon the very excellent style in which he has put the facts together'. Also present are a cutting relating to Davenport, from the New York Albion, 24 February 1855, and a small engraved portrait of 'MR.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

3pp., 12mo. Bifolium. In fair condition, on aged and worn paper. The letter begins: 'As cheapness seems the chief topic at present, I send you 'something cheap' which I trust may suit the Gazette.' He asks, 'when any verse of mine appears in the Gazette', for a stamped copy.. He has 'many friends, connected with the Local press, who would quote & thus be serviceable to you'. In a postscript he tells Jerdan: 'You must please yourself about "Something Cheap" it is out of my usual way, written off hand: and I may have missed my mark.'

2pp., 12mo. On tinted paper. In fair condition, lightly aged and worn. The letter begins: 'Dear Gen. Townshend | Won't you come with me to the Famous Players Ball on Wed. eve? | I am going to ask Miss Balfour. We can all dine here at my office at 7 on that eve - & have time to see later a litttle entertainment prior to the dancing.' He offers to present him to 'some of our leading lights in the picture world especially Elsie Ferguson who is now playng in Arnold Bennetts "Sacred & Profane Love' (which appeared in 1921).

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

The two typed notes in good condition, lightly aged; the autograph note in fair condition, on aged paper. Two items signed 'Bernard Miles' and one 'B. M.' The first typed note suggests an exchange of material, with the autograph postscript 'One or two of the appeals for charity are endorsed by H. I. [ Henry Irving? ] himself.' The second typed note declines a collection: 'I managed to pick up an almost complete set in Leeds soon after we talked - nearly 200'. The autograph note simply acknowledges the sending of a cheque for a 'little lot of photographs I took away'.

121pp., folio, with each page on a separate leaf. The author's own pagination skips p.20, but the text is complete. In fair condition, on lightly aged and worn watermarked laid paper. Manuscript emendations (corrections, deletions and additions) throughout, and also occasional directions to a printer in the margin (for example, p.18: 'Indent an M piece') suggesting contemporary publication. (The Otago Witness in 1891 reproduced under the same title a few short extracts from the present item - starting at p.24 of it.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

1p., 4to. On shiny art paper. In fair condition, lightly aged and worn, with one dogeared corner. On letterhead which covers half of the page, with photograph of the pair, and text in red and black ('Presenting Comdey Cartoons and "Fashions from Rags" Dress Designing Extraordinary! Two or Three Entirely Different Comdey Spots if required introducing Monologues, Conjuring Numbers, etc. Evening Dress when required. | Special Clowning and Conjuring Act for the Children. | Road Show, Production, Panto, Variety or C.P.' The letter offers for sale 'a lot of old John Dick's "Penny" Plays'.

147pp., 8vo. In fair condition, on aged paper, with rusty binding, in worn covers. In manuscript on the cover are the return address and 'Producer's Copy'. In the same hand is an addition to the ending: 'Judy | Then there is a ghost' | Geoffrey | Not a word to your father'. 'Who's Who in the Theatre' records a production of the play in 1938, but there is no reference to it on either OCLC WorldCat, or on COPAC.

ONE: TLS. 1p., 4to. In fair condition, on aged paper. The letter begins: 'Dear Mary, | I am writing a musical play called "Hearts Beloved". The central character is MARIA FITZHERBERT and it is the story of her love affair with GEORGE IV, (Prinny). I am very anxious for you to consider playing MARIA FITZHERBERT. The part would suit you very well and I think the present time is just the moment to produce a historical play on an English stage.' He has seen 'Tom Arnold's representative', who would be interested if she agreed. TWO: Typescript. 49pp., folio. No title page.

ONE: Letter. 1p., 8vo. In fair condition, on aged paper. Smudged signature. He is sending the play, which he thinks has 'originality and charm and would be very funny. Who could play "Chapeau"? - I could, but I expect I'm too old!!!!' TWO: Typescript of play. 91pp., 4to. With autograph emendations. In good condition, on aged paper, in worn card covers.

129pp., 4to. In fair condition, lightly-aged, in worn wraps with label on cover. Leaver's first name misspelled 'PHILLIP' on title-page. Unpublished.

[2] + 31pp., 4to. In pink card covers. In fair condition, on aged paper, in worn and stained covers. The play was published in London by H. F. W. Deane & Sons in 1953.

The collection is in fair condition, on aged and worn paper. Geall's pamphlet is 12pp., 12mo, and stapled. The only copies on OCLC WorldCat at Harvard Medical School and Cape Town. The back page carries a letter by Geall to an unnamed individual [ Marcus Adams ], dated 17 January 1954. The handbill advertisement for the Leicester Institute of Mental Science is 4pp., 12mo., on a bifolium. The other two letters, each on Geall's letterhead, are both 1p., 4to.

159pp., 4to. Typed in red and black. In good condition, on aged paper, in worn green card covers. TWO: Typed Note, signed by Enid Reynolds, 'Secretary to Mr. David Henley', sending the play to Macqueen-Pope. In good condition on aged paper. 1p., landscape 12mo. Lindsay and Crouse's 1939 adaptation of Clarence Day's book was the longest running non-musical Broadway play in history, spawning a film and television series.

A total of 46pp., mostly on 4to Mtotohovu letterheads. In fair condition, aged and worn. From the Meynell family papers. In the first letter he describes his preparations for an elephant shoot on the Serengeti: 'I a taking a 400 elephant gun a 300 high velocity gun, and a shot gun. My escort consists of a gun bearer, cook, tent boy lorry driver & skinner.' Of the participants in the '"Ngoma" native dance games' he writes: 'they really were awful, covered in red & yellow clay or mud - they really did look maniacs & I am sure are more than half Savages'.

[1] + 15pp., 4to. In good condition, lightly aged. Nicely presented, attached by brass studs in grey covers, with paper labels on front. Unpublished. 'Who's Who in the Theatre' records this title among 4 plays by Macqueen-Pope.

ONE: Letter. 1p., landscape 12mo. Aged and creased. Addressed to 'My dear Popie'. He is sending the revised version of the play, 'which has been tightened up considerably from the earlier draft', asking whether it has 'commercial possibilities', or 'stinks'. He feels that five minutes with Pope gives him 'more practical dope on the theatre than 5 years at the RADA!' TWO: Early typescript of 'Death in Act IV'. The letter ends with a reference to 'Fanny K', Francis's 1950 biography 'Fanny Kelly of Drury Lane'. 68pp., 8vo. In fair condition, on aged and worn paper.

ONE: Letter: 1p., 12mo. In good condition. Pope's 'stimulating verve' over 'an excellent lunch', at which 'Stoll' (a member of the family of Sir Oswald Stoll) was present, emboldens Platnauer to hope that his play might be 'a commercial success, despite the admittedly rational principles upon which theatrical choice is based today? Tastes change - usually before the pundits are aware of it.

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

BThe five items in fair condition, lightly-aged, with slight rust staining from paperclip. In a difficult hand. ONE: ALS to Macqueen-Pope, 20 March 1941. On his Larkwood letterhead, with 'From Allan Aynesworth' at head. Undated. 3pp., landscape 12mo. Providing a deal of information about his association with Maude, the last page beginning: 'Friendship about 50 years. We joined the Garrick & Beefsteak Clubs where we dined together with so many of our Theatre Friends Inc. Wyndham Irving Alexander Hare & Kendal to name a few.

1p., 4to. In fair condition, on aged paper with wear to extremities. A twenty-three line letter discussing Council business, with the last paragraph reading: 'I have to thank you on behalf of the Council for the notes which you so kindly sent in for use at the last meeting. Mr. Hornell will do a certain amount of ethnological work, but in view of your opinion and that of others on the Council as to the difficulties involved, it is not proposed to appoint anyone else for this branch.' On the reverse of the letter are pencil notes by Seligman, made while reviewing a book.

4pp., 12mo. Bifolium. In fair condition, on aged paper, with traces of tissue mount running along one edge. Addressed to 'My dear Lloyd'. He is sending on Mrs Hay's letter, and asks his 'intentions with regard to Lt: Col: Hay - when he left Aldershot it was understood that the Command of the 2nd. Bde. Divn. Field Artillery would be kept open for him, but now Major Hall has been appointed Hay has lost his command here'. He praises Hay as 'so good an officer & has done such good work here that I am very anxious to help him' He suggests him for another appointment at Okehampton.

1p., landscape 12mo. On aged, worn and creased paper. Written in a shaky hand. Reads: '9th. | This was just going out as your Letter came in yesterday. So thought it better too keep back till I had mastered the contents of yours which was most satisfactory and told me all I wanted to know - | A thousand thanks for all you have done | F. S. H.'

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

1p., 8vo. On aged and creased paper. Lily Braytonis is a 'vague relative' of his, and she sends her 'good wishes [...] a propos the Chu Chin Chow article'. She would like to 'read through the relevant proofs' and Routh sends on her address. Brayton appeared in more than 2000 performances of 'Chu Chin Chow'. For more on Routh, see his obituary in the Independent, 8 June 2008.

The thirty-six items in the folder are in good condition, with light signs of age. ONE: Six Autograph Letters Signed, one Typed Letter Signed, and one Autograph Card Signed. All signed 'Moira Lister' except the last communication, the card, which is signed 'Moira d'Orthez'. With four stamped envelopes, addressed to Duncan at his bookshop in St Martin's Court. A courteous and businesslike correspondence, firmly parrying Duncan's efforts at greater familiarity. The first letter, typed, is dated 8 March 1955, and relates to the sale of books.

1p., 8vo. In fair condition, on aged paper. Tasteful floral design to letterhead, in Art Nouveau style. His affairs have forced him to advance his departure (from Paris) by an evening, but assures him that, before the moment comes, he will have himself sought out his wigs.