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An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

See his entry in the Oxford DNB. 1p, 16mo. In fair condition, lightly aged and worn, and folded twice for postage. Firmly written in a somewhat florid hand. Reads: ‘Dear Sir / Accept my Grateful thanks for your Kind Gift of £1 to the Original Ragged School & believe me with much respect yours truly / Thomas Guthrie’.

See his entry, and that of his brother, in the Oxford DNB. 11 x 6 cm rectangle of paper, cut from the end of a letter, laid down on 13.5 x 7 cm piece of thicker paper. Reads: ‘[...] will see to them for you. / Kind regards to all / Thine / W. Brodie’.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In good condition, lightly aged and worn. Folded once for postage. The year is given in pencil, and a note in the same hand identifies the recipient as ‘Mrs Florence Doubleday (wife of publisher) in Oyster Bay’. Ten lines of text, in a close hand, with larger, firm signature ‘John Gielgud.’ A somewhat pompous missive. He thanks her for giving him ‘so delightful an opportunity of meeting you, and to ask me to stay in your charming house and meet your friends, who were all so nice to me’.

See his entry in the Oxford DNB. The postcard, which is blank on the reverse, has been cut down into an irregular shape, roughly rectangular and approximately 11 x 7.5 cm. At the head is the printed Blackpool FC letterhead (‘All communications to BLOOMFIELD ROAD GROUND, BLACKPOOL). Two strips of glue from tape flank the firm signature ‘Stanley Matthews’, which rises slightly and is underlined. Otherwise in good condition, lightly aged.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.

1p, small 4to. In fair condition, lightly aged and worn. Folded twice for postage. Written in a close hand, with a larger and more forceful signature, with long underlining: ‘John Gielgud.’ Reads: ‘Dear Mrs. Bannerman. / All my best thanks for the lovely lilies, which arrived fresh and safely. They are quite enchanting - and cost a small fortune if one buys them in a florists.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased. Folded twice for postage. The letter reads (with autograph parts in square brackets): ‘[Dear Mr. Hedley,’] / Thank you. / Mary and I are of course thrilled - first and foremost for Glyndebourne’s sake. / [It was charming of you to write. / Yours sincerely, / George Christie / P.S. I’m afraid I dont ever send autographed photographs. Sorry to disappoint you.] / [P]PS Please forgive typescript.’

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium on grey paper, with mourning border. In good condition, lightly aged and worn, folded for postage. With good large firm signature. The main body of the letter reads: ‘Dear Mrs Dickens / I shall be very glad to sing one number, my “Young Dietrich” at your Hospital Matinée on June 14th. With love from house to house / Sincerely / Yours / Geo. Henschel’.

See his entry in the Oxford DNB. The items are unrelated. Both are in good condition, lightly aged, and each folded once for postage. LETTER: 2pp, 12mo. On grey paper. Addressed to ‘The London Correspondent of the Birmingham Daily Post’ and signed ‘George Henschel’.

See Michael Kennedy's assessment of Boult, in his entry in the Oxford DNB: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' On card with stamp, crest and ‘POST CARD’ printed in red. In fair condition, lighly worn. Addressed to ‘Miss Minshull / 1 Claverley Grove / Finchley N.3.’ Reads on the other, crosswise: ‘Please excuse a hasty scrawl: can you come to Lincoln’s Inn at 5 on Wed? Dont answer if all right. / I am so glad you’re able to do it: it will be fine I think. / Adrian C. Boult / 11 Chelsea Embankment / S.W.3.’

See Michael Kennedy's assessment of Boult, in his entry in the Oxford DNB: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' The two items are unrelated. LETTER: 1p, 4to. In good condition, lightly creased. Folded twice for postage. Addressed to ‘C. Holme-Barnett, Esq., / 54 Anchorage Road, / Sutton Coldfield, / Warwickshire.’ The salutation and valediction are in Boult’s autograph: ‘Dear Mr Holme-Barnett’ and ‘Yours sincerely / Adrian C. Boult.’ The letter concerns two Birmingham conductors.

Ayres is the subject of a monograph by Domenico Mariani. He studied at Ratcliffe College, Charnwood, Leicestershire, where he was ordained. 2pp, 12mo. Twenty-eight lines of text. In fair condition, on thin, aged and worn paper. Addressed to ‘Revd. H. W. Lewthwaite / London’ and signed ‘Yours in Xt. / very affect.ly / + Francis Cardozo Ayres / Bishop of Pernambuco’. Begins: ‘Very Dear Fr.

See Smith’s entry in the Oxford DNB, and Michael Kennedy's assessment of Boult, in his entry in the same work: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' The two items are unrelated. LETTER: 1p, 12mo. In fair condition, lightly aged and worn. Folded once for postage and with corners snipped diagonally to make an octagonal shape. Salutation and valediction are in Boult’s autograph: ‘Dear Mrs Brown’ and ‘Yours very sincerely / Adrian C. Boult’. PROGRAMME: 12pp, 8vo. Stapled.

See his entry and hers in the Oxford DNB. The two items are in good condition, lightly aged, and each folded once for postage. Neatly and firmly written. Both addressed to ‘Dear Miss Scott’ and signed ‘Keith Falkner’. ONE: 2pp, 12mo. Eleven lines. He will be ‘pleased to sing in the “Peasant Cantata” at the Union “At Home” on June 28th’ and asks to know ‘which version you will be doing as soon as you decide?’ He ends with thanks for her ‘kind sympathy - I do appreciate it very much’. TWO: 2pp, 8vo. Twenty-three lines of text.

See his entry and hers in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed ‘Lionel Tetris.’ Begins ‘Dear Miss Scott / It was so kind of you to give us such a nice tea-party yesterday[.] We thoroughly enjoyed it and thank you very much indeed. / We hope you will come & see us soon[.] Won’t you come to Lunch one day?’

See his long and sympathetic entry by David Gilmour in the Oxford Dictionary of National Biography. Curzon acquired the Priory at Reigate after his marriage in 1895, and the letter probably dates from around March to July 1922, when, according to the Oxford DNB, ‘he was laid low by a combination of phlebitis, thrombosis, and lymphangitis which kept him out of action for five months’. 4pp, 12mo. On bifolium. Written in pencil. In fair condition, lightly aged and worn, with slight spotting at foot of first page. One central fold for postage.

See his entry in the Oxford DNB. In good condition, lightly aged and folded once for postage. 1p, 12mo. Reads: ‘Dear Sir / I was not aware that the one sub[scriptio]n. had been p[ai]d. & not the other. By all means keep my paym[en]t. in discharge of my sub[script]n. for 1887 / Yrs Ty / Herschell’.

See her entry and the recipient's in the Oxford DNB. The two items are in fair condition, lightly aged and worn. The letter is lightly creased and the card has a central vertical fold. ONE: ALS. 1p, 12mp. Signed ‘Marjory Kennedy-Fraser’. Once the recipient has ‘got what you want out of the Vol III herewith’, she asks her to ‘kindly return it to Mrs. Matthay at 96, Wimpole St’. TWO: ACS.

See his entry in the Oxford DNB. On one side of 12 x 8 cm card. In good condition, lightly aged and worn. Evidently removed from album, part of one of whose leaves is laid down on the reverse. Reads: ‘University of Edinh. / Mathematicks / by / John Playfair / Class 1. Novr. 1803 / For Mr William Fraser’.

Venn features in the Oxford DNB article on his father Henry Venn (1725-1797). In fair condition, on lightly-aged paper. Two rectangles cut from a letter, laid down on one side of a 14 x 5.5 cm piece of thicker paper. The first rectangle, 12.5 x 2.5 cm, carries the conclusion of the letter: ‘[...]ain are truly I am my dear / your ever faithful & affect Friend / J Venn’. At the foot of the slip, in pencil in a Victorian hand: ‘X (Son of “Complete duty of Man”). Beneath this slip is the second one, 9 x 1.5 cm, which gives the date: ‘Clapham 10 Sepr. 1810’.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.

The history of the business is convoluted. See the entries in the Oxford DNB of the founder of the firm John Newbery (c.1713-1767) of St Paul’s Churchyard, his son Francis Newbery (1743-1818), and Elizabeth Newbery, née Bryant (c.1746-1821, widow of Francis Newbery (c.1740-1780), cousin of the aforementioned Francis, who, according to Oxford DNB, ‘had studied chemistry and medicine but on the death of his father in 1767 he was urged by Samuel Johnson and Robert James to continue the business of publishing and selling patent medicines which he had inherited as the only surviving son. ...

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

See his entry in the Oxford DNB. 1p, foolscap 8vo. In fair condition, lightly aged and creased. Folded twice for postage. The address is printed on a small golden label affixed at the top left corner. Addressed to ‘Dear Mr. Catry’ and signed ‘With all best wishes - and thank you for writing! / Sincerely, / Eric Crozier.’ He asks him to forgive a typed letter, as he is ‘convalescing from a heart-attack, and still not very good at hand-writing.

See her entry in Encyclopedia Britannica. 1p, 8vo. In fair condition, lightly aged, with some grubbiness around the top-left corner. The text of the letter and the stylish and assured signature are unaffected. Reads: ‘Dear Neil Hurst, / Thank you very much for your letter. I’m delighted to know that you have enjoyed my work, and it was kind of you to write. / I have pleasure in sending you a signed photograph, with my best wishes. / Yours sincerely, / Judi Dench’. Dench terminates the signature with a diagonal dash through a widely-spaced colon.

Grafe’s putative intelligence work during the war is referenced in Helen Fry’s ‘The Walls Have Ears | The Greatest Intelligence Operation of World War II’ (2019). He worked as translator and editor from as early as 1950 (for Phaidon) and 1986 (for Thames and Hudson). Nigel Spivey, in his ‘Phaidon 1923-98’ (1999), describes how, during the ‘Harvey Miller period’ at the firm, ‘Steady editorial continuity within the workforce at Cromwell Place was provided by an ex-Viennese scholar called Innocenz Grafe (who for a perhaps obvious reason preferred to be known as simply ‘Dr G.’ ’.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.