MANUSCRIPT

1p, foolscap 8vo. On an aged and worn piece of watermarked laid paper with some closed tears. Folded twice. Reads: ‘These are to Certify the Right Honble. the Lords Commissioners of the Admiralty. or whom else it may Concern that Mr. George Ross serv’d as Midshipman on Board His Majesty’s Ship Princess Amelia under my Command from the Twenty Seventh day of May 1778 to the Day of the Date hereof - During which Time he behaved with Diligence & Soberiety [sic] and always obedient to Command.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage and with an unobtrusive crease to one corner (not near signature). Reads: ‘Sir / A meeting of the Standard Commission will be held at Sir John Lubbock’s Bank, St. Mildred’s Court, Mansion house Street, on Thursday Feb 11, at 11 o’clock in the forenoon, when your attendance is particularly requested. / I am, Sir, / Your obedient servant / G B Airy’.

Sir Charles Adam was great-grandson of the architect William Adam, and his father (also William Adam) was a friend of Sir Walter Scott. See the entries for Charles Adam and his father in the Oxford DNB. William Adam had a son - Charles’s brother - named William George Adam (1781-1839), but the reference to ‘Wm. Adam Esqr. Senior and Junior’ appears to suggest the father. Each of the two items is 1p, 4to. They are on different paper stock. Both in good condition, lightly aged. Both endorsed with modern note in pencil: ‘enclosed in Spottiswoode to W. A. - 23 July 08’. ONE: ‘Captn. Chas.

See her entry in the Oxford DNB. The recipient of the letter that this envelope contained was born Jane Omond (1839-1932). She was the wife of the architect John James Stevenson (1831-1908), whose first wife was Elisa Anderson, the cousin of Skelton Anderson, husband of Elizabeth Garrett Anderson. A 13.5 x 7.5 cm envelope, with the flap torn open at the back. Otherwise in fair condition, lightly aged and worn. Addressed by Anderson to ‘Mrs. J. J. Stevenson / The Red House / 3 Bayswater Hill / W’, and with her initials ‘E. G. A.’ at bottom right.Mrs. Garret [sic] Anderson’.

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

Wyndham’s entry in the Oxford DNB states that the family estate was ‘some 4000 acres in Wiltshire’. Milford (1829-1913) was his rector at East Knoyle, and the letters inform him about arrangements for the funeral of Wyndham’s father Percy Scawen Wyndham (1835-1911). Both items in good condition, lightly aged, and folded for postage. Each addressed to ‘My dear Canon Milford’ and signed ‘George Wyndham.’ ONE: 14 March 1911. 3pp, 12mo. Bifolium. Begins: ‘I have found a written permission from my Father to have the Funeral - committal to the erth - where I think best.

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

The Conquest of Cayenne - part of Britain’s strategy of using its naval power to attack French colonial interests in the Napoleonic Wars - is described in the fifth volume of William James’s ‘Naval History of Great Britain’ (1827). Britain was only able to contribute HMS Confiance, but its captain James Lucas Yeo was put in charge of the whole expedition, and he and his crew performed with distinction (see Yeo’s entry in the Oxford DNB).

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Outer sides somewhat grubby, otherwise in good condition, lightly aged. Folded once for postage. Addressed ‘Dear Sir’ and signed ‘Devonshire’.

An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

See his entry in the Oxford DNB. 1p, 16mo. In fair condition, lightly aged and worn, and folded twice for postage. Firmly written in a somewhat florid hand. Reads: ‘Dear Sir / Accept my Grateful thanks for your Kind Gift of £1 to the Original Ragged School & believe me with much respect yours truly / Thomas Guthrie’.

See his entry, and that of his brother, in the Oxford DNB. 11 x 6 cm rectangle of paper, cut from the end of a letter, laid down on 13.5 x 7 cm piece of thicker paper. Reads: ‘[...] will see to them for you. / Kind regards to all / Thine / W. Brodie’.

1p, small 4to. In fair condition, lightly aged and worn. Folded twice for postage. Written in a close hand, with a larger and more forceful signature, with long underlining: ‘John Gielgud.’ Reads: ‘Dear Mrs. Bannerman. / All my best thanks for the lovely lilies, which arrived fresh and safely. They are quite enchanting - and cost a small fortune if one buys them in a florists.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In good condition, lightly aged and worn. Folded once for postage. The year is given in pencil, and a note in the same hand identifies the recipient as ‘Mrs Florence Doubleday (wife of publisher) in Oyster Bay’. Ten lines of text, in a close hand, with larger, firm signature ‘John Gielgud.’ A somewhat pompous missive. He thanks her for giving him ‘so delightful an opportunity of meeting you, and to ask me to stay in your charming house and meet your friends, who were all so nice to me’.

See his entry in the Oxford DNB. The postcard, which is blank on the reverse, has been cut down into an irregular shape, roughly rectangular and approximately 11 x 7.5 cm. At the head is the printed Blackpool FC letterhead (‘All communications to BLOOMFIELD ROAD GROUND, BLACKPOOL). Two strips of glue from tape flank the firm signature ‘Stanley Matthews’, which rises slightly and is underlined. Otherwise in good condition, lightly aged.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased. Folded twice for postage. The letter reads (with autograph parts in square brackets): ‘[Dear Mr. Hedley,’] / Thank you. / Mary and I are of course thrilled - first and foremost for Glyndebourne’s sake. / [It was charming of you to write. / Yours sincerely, / George Christie / P.S. I’m afraid I dont ever send autographed photographs. Sorry to disappoint you.] / [P]PS Please forgive typescript.’

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium on grey paper, with mourning border. In good condition, lightly aged and worn, folded for postage. With good large firm signature. The main body of the letter reads: ‘Dear Mrs Dickens / I shall be very glad to sing one number, my “Young Dietrich” at your Hospital Matinée on June 14th. With love from house to house / Sincerely / Yours / Geo. Henschel’.

See his entry in the Oxford DNB. The items are unrelated. Both are in good condition, lightly aged, and each folded once for postage. LETTER: 2pp, 12mo. On grey paper. Addressed to ‘The London Correspondent of the Birmingham Daily Post’ and signed ‘George Henschel’.

See Michael Kennedy's assessment of Boult, in his entry in the Oxford DNB: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' On card with stamp, crest and ‘POST CARD’ printed in red. In fair condition, lighly worn. Addressed to ‘Miss Minshull / 1 Claverley Grove / Finchley N.3.’ Reads on the other, crosswise: ‘Please excuse a hasty scrawl: can you come to Lincoln’s Inn at 5 on Wed? Dont answer if all right. / I am so glad you’re able to do it: it will be fine I think. / Adrian C. Boult / 11 Chelsea Embankment / S.W.3.’

See Michael Kennedy's assessment of Boult, in his entry in the Oxford DNB: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' The two items are unrelated. LETTER: 1p, 4to. In good condition, lightly creased. Folded twice for postage. Addressed to ‘C. Holme-Barnett, Esq., / 54 Anchorage Road, / Sutton Coldfield, / Warwickshire.’ The salutation and valediction are in Boult’s autograph: ‘Dear Mr Holme-Barnett’ and ‘Yours sincerely / Adrian C. Boult.’ The letter concerns two Birmingham conductors.

Ayres is the subject of a monograph by Domenico Mariani. He studied at Ratcliffe College, Charnwood, Leicestershire, where he was ordained. 2pp, 12mo. Twenty-eight lines of text. In fair condition, on thin, aged and worn paper. Addressed to ‘Revd. H. W. Lewthwaite / London’ and signed ‘Yours in Xt. / very affect.ly / + Francis Cardozo Ayres / Bishop of Pernambuco’. Begins: ‘Very Dear Fr.

See Smith’s entry in the Oxford DNB, and Michael Kennedy's assessment of Boult, in his entry in the same work: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' The two items are unrelated. LETTER: 1p, 12mo. In fair condition, lightly aged and worn. Folded once for postage and with corners snipped diagonally to make an octagonal shape. Salutation and valediction are in Boult’s autograph: ‘Dear Mrs Brown’ and ‘Yours very sincerely / Adrian C. Boult’. PROGRAMME: 12pp, 8vo. Stapled.

See his entry and hers in the Oxford DNB. The two items are in good condition, lightly aged, and each folded once for postage. Neatly and firmly written. Both addressed to ‘Dear Miss Scott’ and signed ‘Keith Falkner’. ONE: 2pp, 12mo. Eleven lines. He will be ‘pleased to sing in the “Peasant Cantata” at the Union “At Home” on June 28th’ and asks to know ‘which version you will be doing as soon as you decide?’ He ends with thanks for her ‘kind sympathy - I do appreciate it very much’. TWO: 2pp, 8vo. Twenty-three lines of text.

See his entry and hers in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed ‘Lionel Tetris.’ Begins ‘Dear Miss Scott / It was so kind of you to give us such a nice tea-party yesterday[.] We thoroughly enjoyed it and thank you very much indeed. / We hope you will come & see us soon[.] Won’t you come to Lunch one day?’

See his long and sympathetic entry by David Gilmour in the Oxford Dictionary of National Biography. Curzon acquired the Priory at Reigate after his marriage in 1895, and the letter probably dates from around March to July 1922, when, according to the Oxford DNB, ‘he was laid low by a combination of phlebitis, thrombosis, and lymphangitis which kept him out of action for five months’. 4pp, 12mo. On bifolium. Written in pencil. In fair condition, lightly aged and worn, with slight spotting at foot of first page. One central fold for postage.

See his entry in the Oxford DNB. In good condition, lightly aged and folded once for postage. 1p, 12mo. Reads: ‘Dear Sir / I was not aware that the one sub[scriptio]n. had been p[ai]d. & not the other. By all means keep my paym[en]t. in discharge of my sub[script]n. for 1887 / Yrs Ty / Herschell’.