MANUSCRIPT

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Extra-illustrated and with Autograph Letters by Edwards and others tipped in. Blue cloth gt, 274pp., 4to, colour plates etc, damage to spine (partly detached), some damp stains on covers, hinge strains. INSCRIBED by Lionel Edwrds fr. ep To Brig.Gen. Cowie | With the | author's | Compliments and thanks | 1927, perhaps the Brigadier-General A.H. Cowi R.E. recorded as acting as Master of the Aldershot Command Foot Beagles, who certainly extra-illustrated this volume.

Peisse had already published his translation of ‘Fragments de Philosophie de M. William Hamilton’ (Paris, 1840), and had followed this with one from Dugald Stewart (1842-5). 2pp, 12mo. Forty-one lines of closely-written text. In fair condition, lightly aged and worn, with chipping and closed tears to edges. Folded once. Signed ‘L. Peisse / Louis Peisse, conservateur de l’ecole impériale des Beaux-arts. 2. Rue Boursault.’ The British recipient (one of Hamilton’s executors?) is not named (in a postscript Peisse apologises for being unable to decipher his details, or those of his co-editors).

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

Conyers is curiously absent from the Oxford DNB. The present item is a frail survival. It is the customary form, printed under the heading ‘Annuities, 3700 l. per Week.’ Completed in manuscript with date, amount and record of payment to ‘Sr Gerard Conyers - Asignee of ye Execr. of S. [Leshieuller? Lechienller?] & Attorney to Jno. Burkin, Esqr Assignee of ye same’. Signed at bottom right ‘Gerard Conyer[s]’ and with the signature of ‘Witness E Clarke’ at bottom left. On aged, creased and worn paper, with one hole from wear, and the last letter of Conyer’s surname worn away. See Image.

Sir Iain Moncreiffe of that Ilk was a true Scottish eccentric. The Oxford DNB refers to his reputation as ‘as an (eminently quotable) super-snob’, a characterization which is strongly supported by this energetic, entertaining and playful correspondence, which, as the extracts quoted below show, covers a great deal more than the practicalities of his review work. (See the ODNB’s evaluation of his intellectual merits: ‘In conversation, as well as in his published work, he relied on a marvellously retentive memory that was unimpaired even by a considerable intake of alcohol.

See Bloomfield’s entry, and that of Norton, in the Oxford DNB. The fragment of the letter bearing his signature is 5 cm x 4.5 cm. It is dated at one corner ‘1845’, and reads ‘R. Bgham / Bloomfield’. It is laid down on one side of a 4to leaf extracted from an album and paginated 58.

See his entry in the Oxford DNB. On piece of 8.5 x 4.5 cm laid paper cut. In fair condition, on aged paper with reverse bearing traces of glue from mount. Reads: ‘M. Power / M Genl. Comm[andin]g’. Endorsed on reverse: ‘M General / Sir Manley Power / K.C.B’. See Image.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

The writer is presumably a member of the prominent aristocratic family, but none of the parties has been positively identified. 1p, landscape 12mo. On laid paper. Letter signed ‘T Cecil’ and receipt signed ‘T. Cecil’. The The document reads: ‘Sr / I have just receivd yours, but sd. be obligd to you, if you cd not Send me forty Pounds, you wd. Twenty: as I am to go out of Town to morrow & have not money to Carry me, I have wrote a Receipt, & hope as it so [sic] pressing a thing, you’ll Comply, which will very much obilge Yrs. T Cecil / London April 7th: 1745 / Receivd Of Willm Adair Esqr.

An excellent letter, exhibiting precisely the sort of indignation one would wish for from such a renowned satirist. As a result of the furore caused by the publication in 1762 of his best-known work, ‘Le Colporteur’, Chevrier fled to Holland. The French government attempted to have him extradited, and his death that same year was rumoured to have been caused by poisoning. 3pp, 4to. On bifolium. Thirty-nine lines of text. In good condtion, lightly aged. The item has been expertly mounted, and the thin white-paper mount still adheres to reverse of the final leaf.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

51pp, 4to, of autograph material, including 33pp with inscriptions directly on the page, and 28 items (almost all with signed inscriptions) laid down, the latter consisting of publicity photographs, parts of programmes, an Autograph Card Signed and an original drawing. In a superior 4to album of 116pp, on 58 leaves of good watermarked laid paper. The final 32pp are blank. Twelve pages carry empty corner mounts, and there are also signs of leaves torn out and other evidence of removal of material. With stationer’s ticket of ‘JOSEF HODEK / UMELECKÉ KNIHARSTVÍ / JAROMER’.

An interesting agglomeration of ephemera London cinematic information. The author is working-class or lower-middle-class. Two sturdy ruled small 4to exercise books, with black covers of ribbed watered cloth and spine of red cloth. In fair condition, lightly aged and worn. ONE: 150pp. Ownership inscription on inside of front cover: ‘Miss Renee Fish, / 112, Allerford Road / Catford, / S.E.6.’ The first page is headed: ‘31. 12. 29. Films I have seen during 1930.’ Each of the volume’ The entries are numbered from 1 to 272, with an additional numeration for each year from the second year onwards.

An interesting piece of Exeter ephemera. See ‘Besley’s Exeter Directory for 1835’: ‘LUNATIC ASYLUM, St. Thomas. Founded in 1795. The expenses are defrayed by the board of patients whose friends can afford to pay for their maintenance, and by benefactions, legacies, &c.’ (In the entry ‘John Mackintosh’ is still listed as treasurer.) 1p, landscape 12mo. Addressed by Mackintosh on reverse to ‘Mr. James Penny / Bookseller / Fore St. / Exeter’. In fair condition, on aged and lightly-creased paper, with slight staining and damage from breaking open wafer.

On 11 x 6 cm piece of aged paper, with patches of discoloration and traces of mount on reverse. Good clear firm and undamaged signature on front: ‘[...] I am Sir / Yr Obt. Sert. / Sydney’. The reverse reads: ‘[...] ristricted from killing rabbits on the land lately taken on lease from me and also from ploughing up any part of it but I hereby give you leave to kill rabbits or any [...]’. See Image.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, and folded once for postage. With the item’s worn envelope, with ‘British Embassy, / Berlin.’ printed on the damaged flap, addressed by Malet to ‘Sir Robert Head Bt. / 97 Zimmer Strasse’, and initialed by him at bottom-left, ‘R B Malet’. The letter, which is signed ‘Edward B Malet’, begins: ‘Dear Sir Robert Head, / My wife will be very happy to take you and Lady Head to Countess Brockdorff’s on Monday at 3 1/2.

See the entries for Barrow and Seymour in the Oxford DNB. On laid Whatman paper dated 1833. Having served for four years as Commissioner at Portsmouth, Seymour had sailed out to South America in 1833 as commander-in-chief, dying of ‘low fever’ at Rio de Janeiro two months before the writing of the present letter. 1p, foolscap 8vo. In good condition, folded twice. At top left: ‘Duplicate, / No 50.’ Initialed at bottom left: ‘J. P.’ Good firm and attractive signature ‘John Barrow’. Writing with regard to ‘the late Rear Admiral Sir Michael Seymour’s letter of the 16th.

According to A. J. P. Taylor, Chamberlain was ‘the greatest force in British politics between the decline of Gladstone and the rise of Lloyd George. See his lengthy entry, and that of Maxse, in the Oxford DNB’. 1p, 16mo. In good condition, lightly aged. With one central vertical fold from postage. Reads: ‘My dear Maxse / I have been away but will try & get a seat for Thursday & write to you again / Yours sincerely / J. Chamberlain’. Postscript at head of page: ‘Can you dine with me here on Friday at 8 p.m?’

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

See his entry in Who Was Who. The thirteen items in good condition, lightly aged, most with RSA date stamp and annotations. A total of 12pp, 8vo, in autograph; and 5pp, 4to, typed. The first ten signed ‘D T Chadwick’ and the last three ‘David Chadwick’. The earliest letter, to RSA Secretary Sir Henry Trueman Wood on 22 December 1916, deals with the publication of Chadwick’s remarks ‘at the discussion on Prof. Todds paper before the Indian Section of the Society of Arts’.

See Currie’s entry in the Oxford DNB. Both he and the recipient Hutton had South African interests. Both items in fair condition, lightly aged and worn, and each with pinholes at head from being attached, and folded for postage. Each is signed ‘Donald Currie’. ONE: 17 March 1879. 1p, 12mo. Addressed to ‘James E [sic] Hutton Esqr.’ He received Hutton’s ‘kind message’ and ‘called on the King. To-day I met the Duke of Sutherland.’ He will write to him again ‘in a day or two’. ‘Are you to be in town soon?’ TWO: 29 March 1879. 2pp, 12mo. Headed ‘Private’, and addressed to ‘J. F. Hutton Esqre.

1p, 12mo. On grey paper. In fair condition, lightly aged and with slight creasing. Large firm signature. Presumably responding to a request for an autograph. Reads: ‘With my most abject apologies - but I have been away for three months / Robert Morley. See Image.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. The letterhead is somewhat striking, with a band of green printed along the top, and the charity’s logo featuring prominently. The names of many officers and committe members are printed down the left-hand margin, headed by President Noel Coward, and including ‘Miss Gladys Cooper’, ‘Dame Edith Evans’, ‘Lady Du Maurier’, ‘Sir Laurence Olivier’, ‘Mr. Michael Redgrave’, ‘Mr. Jack Hawkins’ and ‘Mr. Kenneth More’. Attenborough features both as Hon.

See her entry in the Oxford DNB. 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Addressed to ‘Dear Miss Scott’ and with good clear signature ‘Myra Hess’. She regrets that it will not be possible for her to join Miss Scott for dinner. ‘I shall probably have to work, rehearse all day on Tuesday [corrected by Hess to ‘Wednesday!’] - so shall have to try & get a rest before 8.30 - (& probably have a scrambled egg at the last minute!!’ She ends ‘Forgive this in haste / Again thanking you’.

See her entry in the Oxford DNB. The three TLsS (Items One to Three), each signed ‘Lilian Baylis’, are all 1p, 4to. They are in fair condition, creased and lightly aged, with Item Three having two punch holes for a binder. The portrait postcard is in good condition, lightly aged. ONE: TLS, 15 November 1921. Addressed to ‘Miss Ingham’. ‘I do hope you will have a big success with the enclosed card.

See his entry in the Oxford DNB. 2pp, foolscap 8vo. In fair condition, on aged paper with nicks and small closed tears to extremities. Addressed to ‘Thos. M. Wilson Esqre / the Captain 59 foot’, and signed ‘Fitzroy Somerset’. The document is in a secretarial hand, only the signature being in Somerset’s autograph.

See his obituary in The Times, 16 June 1987. 1p, 4to. On aged and lightly creased and worn paper. Folded twice, with short closed tears to edges of central horizontal crease. Addressed to ‘Dear Hide’ and ‘Lieutenant G. Hide, R.N.V.R. / 700 Squadron / TWATT.’ Signed ‘Robert Neville’. He feels ‘very guilty’ that he did not write to thank Hide ‘for the Walrus, which was, of course, an absolute Godsend to me. Sargent could not have been a more delightful or obliging pilot.

See his entry in the Oxford DNB. Simply Grote's stylish Autograph Signature, 'G. Grote', on a 6 x 3 cm piece of light-grey paper. In good condition, lightly aged. See Image.