CENTURY

See her entry in the Oxford DNB. On two 11 x 9 cm cards, plain but for the letterhead. Both in good condition, lightly aged. The recipient is not named. The card is signed 'E. T:' and is written in her forceful hand. Begins: 'I have no time - nor words - to tell you what I think - The boys health indeed! - if there's any use in talking, if signing petitions will do any good one would talk & sign all day! but in spite' - here the reverse of the first card begins, and the side is entirely deleted, except for the last line'.

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

The present image is not in the National Portrait Gallery, but the licencing rights are held by Getty Images, by whom it is dated to 1 May 1928. 24 x 18.5 cm bromide print, on 25 x 18.5 cm matt.In fair condition, discoloured and with light creasing at extremities. Chaplin's genuine signature is at bottom right: 'Yours Truly / Charlie Chaplin'. Wittzel's monogram (featuring 'WITZEL' and 'L A') is printed at bottom left. An excellent and unusual artistic image of a figure of world renown.

See his entry in the Oxford DNB. On the front cover of a 12 x 7 cm envelope, from which the seal has been torn away on the reverse. Otherwise in very good condition. A pleasing piece of calligraphy, with the word ‘Private’ centred and underlined at the head, and the address to ‘The Honble. Spencer Ponsonby. / Foreign Office’ across the central band, with the signature at bottom left: ‘Alaric Watts.’ See Image.

See his entry in the Oxford DNB. 2pp, 16mo. Addressed to ‘Carissimo Amico’ and signed ‘Alberto Randegger’.With fourteen lines of text, all in Italian. In fair condition, lightly aged and discoloured paper. Folded for postage.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

An excellent document, providing an invaluable view of the practicalities of commissioning and executing public monuments in the Georgian period. See Chantrey's entry in the Oxford DNB, and Cunningham's, which states: 'In 1814 he was engaged by Chantrey as superintendent of his establishment, and gave up writing for newspapers. He lived afterwards at 27 Lower Belgrave Place, Pimlico. He acted as Chantrey's secretary, conducted his correspondence, represented him during his absence, and occasionally offered artistic assistance. He became a favourite of Chantrey's sitters and visitors.

A nice item relating to a famously secretive and influential society. See Taylor’s entry in the Oxford DNB (Ferrar is not to be confused with the Dean of Canterbury Frederic Farrar, who was an Apostle). 2pp, 12mo. On bifolium. Sixteen lines, very neatly written. On aged and creased paper, with part of the leaf torn away at top left (not affecting text). Folded for postage. Addressed to ‘Tom Taylor Esqre. / 8 Richmond Terrace / Whitehall / S.W.’ and signed ‘Fredc: Ferrar. / Genl.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

See his entry, and that of Lady Ilbert’s husband, in the Oxford DNB. The three items in good condition, lightly aged, and folded for postage. ALS ONE (19 December 1910): 1p, 12mo. ‘I am sorry you have had domestic anxieties. They are the most poignant.’ He continues: ‘It would delight me to have a peaceful hour with you and Ilbert, without prejudice to Fisher and his wife.’ Signed ‘M.’ ALS TWO (2 July 1911): 2pp, 12mo.

See his entry in the Oxford DNB. 3pp, 12mo. Forty-nine lines. Bifolium. On aged and worn paper, with the reverse of the second leaf laid down on cut-down remains of leaf of autograph album, with a number of autographs on slips laid down on the reverse, including that of Charles Hallé, cut from a letter. Prout’s letter is signed ‘Ebenezer Prout’, but the recipient is not named.

See Pusey's entry in the Oxford DNB, along with those of the Coleridge brothers and (perhaps tangentially) Robin Schofield, ‘Sara Coleridge and the Oxford Movement’ (2020). 2pp, 12mo. Twenty-seven lines, in a close hand, rather difficult to decipher. In good condition, lightly aged. Folded twice for postage. Addressed to ‘My dear Coleridge’ and signed ‘E B Pusey’. What follows is a tentative transcription. ‘On hearing from your brother of the condition of dearest J. Rd & Mrs. Ks.

1p, 4to. In good condition, lightly aged. Folded for postage. Addressed to ‘Mr. J. G. Gillman / 50 High Street / Chislehurst, Kent / England’. Good firm signature, ‘W R Anderson’, with ‘Commander, U.S. Navy / Written following the Nautilus’s arctic transit, 3 August 1958: ‘Thank you for your letter and kind appreciation. The people of England have given us a truly wonderful welcome and we are all deeply appreciative.’ He asks him to accept the signature that he is attaching, for his autograph collection. See Image.

See her entry in the Oxford DNB. 2pp, 12mo. On grey paper. In fair condition, with blocks of discoloration. Addressed to 'Dear Madam' and signed ' M Yonge'. She cannot tell her 'how late the final proof must be, as it depends on the printers, and the Christmas week so disturbs arrangements that they generally wish to have all finished earlier than usual'. She suggests sending he a card 'when the proofs come in to me', as there will be a few days to spare, 'while the other ladies are correcting them'.

See her entry in the Oxford DNB, and Elaine Lomax’s 2016 book, ‘The Writings of Hesba Stretton: Reclaiming the Outcast’. 1p, 16mo. Cut down to 11.5 x 12 cm. In good condition, lightly aged and worn. Folded once for postage. The recipient is not named, but is clearly the secretary of the Religious Truth Society (who appear to have published the MS referred to in the letter as ‘The Sweet Story of Old’ (see Lomax). Signed ‘Hesba Stretton’. ‘Dear Sir, / I forward by this post my promised M.

1p, 12mo. In fair condition, on lightly-aged and worn paper. Folded once for postage. Addressed to ‘Mr. Cummings’ and with large bold signature ‘Algernon Ashton.’ He writes: ‘I venture to express a hope that whenever there should be a vacancy for a Pianoforte Professorship at the Guildhall School of Music, of which you are now the honoured Principal, that you may kindly think of me.’

3pp, 12mo. On bifolium. In fair condition, lightly aged. Folded once for postage. Forty-eight lines of text. Addressed to 'Miss Burgess[,] Norwich' and with smudged signature 'Michael McCartan'.

Lord Longueville's once-celebrated judgement was that 'of all bad men he is the worst'. See his entry in the Oxford DNB. From the collection of Irish nationalist autographs of Miss Burgess of Norwich. On a neat piece of cream paper, 7 x 3 cm. In good condition, lightly aged. Nothing on the reverse. Reads: ?Faithfully yours / Arthur O?Connor.?