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For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. At the time of writing Carlile was in prison for refusal to pay the church rates. The proofs Carlile asks to be allowed to receive in the first letter are presumably those of his journal 'The Gauntlet'. The phrenologist 'Mr. Hohn' referred to in the second of the letters - the 'Mr. Holme' of the accompanying slip - is the German-born physician and phrenologist John Diederick Holm (d.1856).

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

[8]pp, 12mo, paginated 45-52. Unbound, on two loose bifoliums, one inserted inside the other. Drophead title.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

Three items, including two substantial albums containing in excess of 500 newspaper cuttings. The first album was commenced in 1906 by Pepys scholar Walter Henry Whitear, and completed by Chappell after Whitear's death in 1932, the last cuttings in it dating from the following year.

The full title reads: 'Can Hiraethlon | David Davies (Dai'r Cantwr,) | Pan yn Garcharor yng Nghaerfyrddin, am y Terfysg yn amser Becca. | Cenir ar y dôn “Roslin Castle.'” The title may be translated as 'A nostalgic song, written when a prisoner in Carmarthen, for the riot in Becca's time. | Sung to the tune of 'Roslin Castle'. 4pp, 12mo (15.5 x 9 cm). Paginated [1]-4. Disbound. A frail survival: aged and worn, with damp-stain along one edge. Beneath the title is a small vignette of a sailing ship, and at the end of the final page is another of a crown. Poem in four sixteen-line stanzas.

4pp, 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Disbound. A frail survival, aged and worn. The first leaf (pp.1-2) carries the poem 'Cerdd y Tobacco' ('The Tobacco Poem'), in five eight-line stanzas, with the title followed by a half-page stock woodcut (evidently from a tobacconist's advertisement) of an oriental figure seated on crates on the dockside, with sailing ship in the background. At the foot is engraved: 'FINE TEAS AND TOBACCO'. The second leaf (pp.3-4) carries the poem 'Can y Bachgen Main' ('Song of the Slender Boy'), in six eight-line stanzas.

The title is 'Hanes alarus am 26 o golliers a gollasant eu bywydau yn pwll glo Bedwellty, gerllaw Tredegar, Dydd Gwener, Mehefin 16, 1865.' This may be translated as 'The woeful tale of 26 colliers who lost their lives in the Bedwellty coal mine, near Tredegar, Friday, 16 June 1865. 4pp 16mo (15.5 x 9 cm). Paginated [1]-4. Bifolium. Printer's slug at foot of last page. Disbound. A frail survival: aged and worn.

Two Welsh street ballads, indicative of the desire for emigration during a period of hardship. Both 4pp, 16mo (15 x 9 cm). Both bifoliums, and both paginated [1]-4. Frail survivals, heavily aged and worn. ONE: 'Morgan Bach a'i fam yn ymddiddan ynghylch myned i Australia'. Vignette of a sailing ship beneath the title, which translates as 'Young Morgan and his mother talking about going to Australia'. Poem of eleven eight-line stanzas, in the form of a dialogue between the 'Y FAM' and 'MORGAN'. Signed in type at end: 'ISAAC THOMAS.

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. For information regarding this renowned firm of silversmiths, which possessed the royal warrant and mounted a sumptuous display at the Great Exhibition, see Norman Mosley Penzer, 'Paul Storr, 1771-1844, Silversmith and Goldsmith' (1954), and John Culme, 'Directory of Gold and Silversmiths' (2000). The nature of the '”Australian” implement' which is the subject of the letter is unclear, but information on Hunt's partner's connection with Australia is to be found in L. W.

4pp, 12mo. On four loose leaves. In fair condition, lightly aged and worn, with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors | (after the dinner to J. N. Dunn. April 23rd. 1897)'. (At the time of the dinner the Scottish journalist James Nicol Dunn (1856-1919) was on the verge of being appointed editor of the Morning Post, a position he would hold from May 1897 to January 1905.) There is no record of the poem having been published, and it is likely to have been written for after-dinner recitation only.

For information regarding the conspiracy to murder Lord Liverpool and his entire cabinet, see Thistlewood's entry in the Oxford DNB. A rare item, with no other copy found either on OCLC WorldCat or on COPAC, and intended for distribution in the streets of the North-East of England as the sensational news of the Conspiracy broke. In small print apart from the heading (which is in the usual mixture for the period of typefaces and point sizes, with fancy rules), on one side of a 42 x 13 cm strip of laid paper.

Hardy is immortalised in Nelson's dying request 'Kiss me, Hardy.' Lady Hardy was the daughter of Admiral Sir George Cranfield Berkeley (1753-1818). 3pp, 12mo. Bifolium. In good condition, lightly aged, with parts of red wax seal and traces of glue from mount on reverse of second leaf, which is addressed 'To | Mr Lahee | 65. New Bond Street'. Folded once.

According to his entry in the Oxford DNB, Arbuthnot 'served as private secretary successively to seven patronage secretaries; to the permanent head of the department, Sir Charles Spearman, and his successor, Sir Charles Trevelyan; to the prime minister, Sir Robert Peel; and to Sir Charles Wood, chancellor of the exchequer in Russell's administration'. The present item was written by Arbuthnot while holding the last position. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from an album.

An interesting document relative to London social history, and a nice piece of Dickensiana. George Johnson is said to have established his celebrated restaurant Johnson's Alamode Beef House at 21 Clare Court, Drury Lane, in the 1780s, although the present letter states that it was licensed around 1805 . In 1824 a twelve-year-old Charles Dickens – employed in a nearby blacking warehouse as a result of his father's imprisionment for debt – himself experienced an incident which he later made use of in 'David Copperfield'.

4pp, 4to. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed by Wadd, with his seal in red wax (the breaking of which has caused slight loss to a couple of words), to 'Henry Dewey Esqr | Surgeon | King Street | Yarmouth | Norfolk'. The recipient is in fact the surgeon Henry William Robert Davey (1798-1870) of Yarmouth, son of surgeon Henry Sallows Davey (1781-1855) of Beccles. An interesting letter, casting light on print and autograph collecting in Georgian London.

4pp, 4to. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to one edge. Seventy-four lines of closely and neatly written text. Although the date is somewhat early, the recipient may be Lovell Reeve, editor until 1865 of 'Portraits of Men of Eminence in Literature, Science, and Art, with Biographical Memoirs' (1863-1867). Having received the recipient's letter on his 'return from abroad', Holland states his 'general objection to the biography of living men'.

1p, 12mo. Aged and worn. Reads: 'I should very much like to use your article, but we are so crowded with matter that I am afraid there is little chance of finding space for a considerable time and I therefore return the MS with much regret.'

On 10 x 6 cm slip of laid paper cut from an album, with partial ruled border in pink and blue. In good condition, lightly aged. A good firm signature, reading 'Randolph S. Churchill.' No other writing on the same side; with signature of 'Geoffrey H. Crump' on the reverse.

2pp, 12mo. In fair condition, on aged paper with central spike hole. Folded twice. Begins: 'My dear Mr. Tinsley, | I see that you are not going to use my article “We Women,” & I want it so much, to form the basis of a set of articles! - & I have no copy.' She notes that it is 'generally the case with regular workers, that the Editors return the rejected MS' and explains that she has 'destroyed the first rough draft', exclaiming: 'I do hope it is not lost!' She asks him to either tell her if it is lost, so that she may 'know the worst', or if it is not lost, '& is not to be used'.

Secret duplicated Home Office document, no other copy of which has been discovered (none on OCLC WorldCat, for example) and no reference to the meeting found.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

See Knox's obituary, Times, 4 May 1977 (which refers to 'some passages at arms' he had at the BBC with Sir John Reith). 3pp., 4to. In good condition, lightly aged, with minor staining from paperclip. An interesting glimpse into the world of Fleet Street 'big salaries' during the war period. He begins: 'My dear Collin Brooks, | A letter such as yours, from a man such as yourself for whom I have so strong a personal, and professional, regard comes as a gleam of blue in a darkish sky.' He proceeds to bemoan his sacking by the Daily Mail: 'Yes, it is a bad business.

The Sunday Times, 20 March 2002, carries an article by Ann Treneman, 'The real face of Rubinstein', discussing the discovery among Hollay's papers of her correspondence with Helena Rubinstein. The correspondence was made use of by Lindy Woodhead in her 2017 book 'War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives, their Times, Their Rivalry'. Hollay was Rubinstein's London manager from 1914.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.

2pp., 12mo. In good condition, lightly aged. Brooks may make whatever use he wishes of Templewood's speech. He agrees generally with 'Selby as to F[oreign]. O[ffice]. reorganisation', but is at present 'conentrating my attention to the points I raised in my speech. Whether we like it or not, we must now assume that public opinion will control our foreign policy. This being so, public opinion must be better instructed than it is at present.'

1p., 4to. In good condition, lightly aged, with punch holes at margin. MacEntee begins his letter to Hickey: 'In the tribute which “The Statist” pays to the late Hilaire Belloc a reference is made to his essay on usury. I read this some time ago but cannot recall the title of the volume in which it appeared. I should be grateful, indeed, if you would be kind enough to make good the lacuna by supplying the missing title.' He congratulates Hickey 'on the article itself'.