STREET

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.

See his entry in the Oxford DNB, together with those of his uncles and other members of the newspaper dynasty of which he was a member. The recipient Philip Dosse was the proprietor of the London publishers Hansom Books. Beginning in 1950 with ‘Dance and Dancers’, Dosse built up a stable of seven monthly arts magazines, produced from offices in Artillery Mansions, London, the most influential of which were ‘Books and Bookmen’, ‘Plays and Players’ and ‘Films and Filming’. An elusive figure, Dosse certainly merits a full-length study.

1p, 12mo. In good condition, lightly aged and worn. Folded for postage. Reads: ‘Dear Mr Keary, / Enclosed is for 1000th Number of Pearson’s Weekly. It is not what I wanted to do for you, but illness and other interruptions have spoiled my work for the last two months. So please reject if necessary. / Faithfully yours / J. J. Bell’.

See his entry in the Oxford DNB. In good condition, lightly aged and folded for postage. Addressed to ‘Dear Burdett’ and signed ‘J Bone’. He will let him know if he hears of anything with regard to Burdett’s ‘young friend’, ‘but one hears so rarely now of newspaper openings, as everyone is holding on tight, and there are so many experienced men on the street’. He is sending Burdett’s note ‘on to Manchester in case there should ever be an opportunity there’.

An interesting document on the South African situation at the beginning of the 1970s, written in support of apartheid by a leading British journalist. See Coote’s entry in the Oxford DNB. From the papers of Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. There is no indication where, if anywhere, the present item was published.

See his entry in the Oxford DNB. From the papers of Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Rees-Mogg’s book was published in 1974, and the present item appeared in ‘Books and Bookmen’ in the same year. A late draft, neatly written out on 5pp, small 4to, with each page on separate leaf. Signed at end ‘Colin R. Coote’.

An elusive figure, Dosse is certainly a candidate for a full-length study. The novelist Sally Emerson gives an excellent account of her time as editor of ‘Books and Bookmen’ in its last days in an article titled ‘Death of a Bookman’ (Standpoint magazine, October 2018). These six items are in good condition, lightly aged and worn. ONE: 2pp, foolscap 8vo, second page numbered. Complete rough draft of typed letter, with manuscript corrections, endorsing ‘Books and Bookmen’.

An interesting correspondence, with one editor showing his experience in discussing the reviews he is writing for another. See Cockburn's entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are ruckled and stained from water damage, with smudging of the signature (?Claud Cockburn?

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are in good condition, lightly aged and worn, and folded for postage. All three signed loosely ?Bernard Levin?. ONE: TLS, 6 February 1974. 1p, foolscap 8vo.

Fortnightly publication, founded after the closure of Punch by Sir John Sorrell and the Punch cartoon editor Steve Way. It only lasted for eight months, and this and the second number are said to be scarce. (The only copies listed on JISC are at the deposit libraries.) A 28-page broadsheet. Folded twice. In good condition, on lightly-discoloured and worn paper. Whole of the front page taken up with striking image by Chris Riddle of Boris Yeltsin holding up a piece of paper on which he orders democracy, while dwarfed by a menacing Soviet bear.

See the two men's entries in the Oxford DNB. Russell's papers are in the Harry Ransom Center at Texas. 1p, 4to. Aged and worn, with creasing and closed tear along left edge. Folded one. Carrying a neat and controlled signature, ‘Leonard Russell.’ He has ‘just come across’ the books Wilson lent him, ‘buried under a mass of books and papers’, and apologises. He ends by asking how Wilson’s ‘Notes from a Bookshop’ are going. ‘Copy as soon as you like.’ Wilson has ticked across the two paragraphs to signify action taken.

See his entry in the Oxford DNB. The postcards are bromide prints, and 9 x 14 cm. The two identical images of Scott, dressed for the theatre, with curled moustache and flower in his buttonhole, are both inscribed. In the bottom margin of one he has written ‘late of the D. T.’; in the same position on the other, and rather poignantly considering his later history, ‘Remember me / Clement Scott / 1902’. The former card is addressed by Scott on the reverse, with Ingatestone postmark dated 27 February 1904, to ‘Mr S. Le Sage / Maisonette / Ingatestone / Essex’.

According to the Victoria County History, Jean Nicholas Voyaux de Franous (1760-1840), a Frenchman, is ‘traditionally seen as the father of Roman Catholicism in Chelsea’. 1p, 12mo. In good condition, lightly aged. Signed ‘Abbé Voyaux de Franous’ and addressed to 'Dear Madam'. Indisposition is the cause of his delayed response. He was without ‘the least idea that Miss Harvey was without a place in the Chapel and gave immediate orders to have her accommodated with one.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

From the Macqueen-Pope papers. See MP’s entry and those of various members of the Harmsworth family in the Oxford DNB. The three items are in good condition, lightly aged, with the first with rust staining from paperclip, and all three folded twice. Each signed ‘Geoffrey Harmsworth’. ONE: 9 August 1951. 1p, 8v. He doubts whether MP will remember their previous meeting. He is ‘engaged on a full-length Life of Northcliffe’ (written with Reginald Pound, and appearing in 1959), and is having to do ‘much digging to find out information about the early days’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Poke’s two letters are in good condition, lightly aged, the second with slight rust spotting from paperclip; the carbons of MP’s letters to Poke on aged, worn and discoloured cartridge paper. ONE: Poke to MP, 12 March 1951. 3pp, small 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) For several decades Humphrey Joel was a leading British commercial photographer, providing the London magazines with scenic and architectural views. In 1914 he was described as the ‘Special Photographer to Fry's Magazine’. 2pp, 12mo. In fair condition, lightly aged and creased. The letterhead incorporates a reproduction of a drawing of Dryden Cottage. Signed ‘Humphrey Joel’.

From the papers of W. J. Macqueen-Pope (see his entry in the Oxford DNB). Addressed in autograph to MP care of the BBC, and then forwarded to his office, 359 Strand. Pencil annotation by MP. On one side of an unillustrated postmarked printed British ‘Indian Postage’ air mail card with Indian postage stamp. In good condition, aged and lightly-worn. Also in Singh’s autograph is the salutation to ‘Dear Pope’ and the valediction ‘Your sincere / St Nihal Singh ST NIHAL SINGH’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. In good condition, lightly aged. 1p, 12mo. Signed (as Managing Editor of the Sunday Express) ‘Hugh’ and addressed to ‘Dear Popie’. The article will start, as he explained on the telephone, ‘with the death scene. / Here is the galley proof - uncorrected, so do not worry about literals. / We may also have to reduce the length a little, but it will be done with the usual skill of the Sunday Express’.

See her entry in the Oxford DNB, which carries a quotation pointing out her ‘unerring sense of admiration for herself’. What the present collection of well over a thousand cuttings assembled by her from newspapers and magazines appears to indicate is that the admiration was to a certain extent also felt by the general public; and taken as a whole the collection serves as a memorial to a once-celebrated English public figure, a woman making her mark on society in the age of suffrage. The first volume (1887-1899) is 117pp, folio: firm and tight in brown leather half binding.

See her entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. On bifolium with her current address in autograph on the reverse of the second leaf, which has slight traces of paper from a previous mount at its head. The recipient is not named. Reads: ‘Dear Sir / Will you give me some idea of the subscriptions made by the Committee, so that I may be [?] the amount to send, as I do not ish to send a cheque equal with the highest or below the lowest. / Faithfully yrs. / E. Lynn Linton’.

See the two men’s entries in the Oxford DNB. Empty 12 x 9.5 cm envelope. In fair condition, lightly aged and a little grubby, with ink from postmark on the reverse. Reads: ‘Private / The Right Honble / W. E. Gladstone / M P. / &c &c &c / Downing Street / S. W’. Two postmarks, one (‘W / 26’) over the envelope’s self-printed pink stamp. In a Victorian hand, at bottom left: ‘(Abp Manning)’.

According to Russell’s entry in the Oxford DNB, while reporting on the Civil War, he was described by one American newspaper as ‘the most famous newspaper correspondent the world has ever seen'. The inscription on his memorial in St Paul’s Cathedral calls him ‘'the first and greatest of War Correspondents'. He coined the phrase ‘thin red line’, was instrumental in the sending of Florence Nightingale to the Crimea, and is said to have written the report that inspired Tennyson to write ‘The Charge of the Light Brigade’.

On 11.5 x 7.5 cm calling card. In good condition, lightly aged. The calling card is printed in copperplate font, with the name ‘Mrs. Neville Chamberlain.’ centred, and the address ‘10, Downing Street, / S.W.1.’ at bottom left. Two lines of the inscription are written above the name and the rest beneath. Reads: ‘Thank you so [sic] & Major Cripps so much for those more lovely carnations which I appreciated so much. / Anne Chamberlain’. See image.

See her entry in the Oxford DNB. 1p, 4to. In fair condition, on lightly-browned paper. Folded four times. The recipient is not identified. Signed ‘Henrietta E. V. Stannard’ and addressed to ‘Dear Lady’. She thanks her for ‘the kind help you have provided for my old lady’. The ‘very generouos responses’ she has met with have exceeded her expectations, and she hopes that her ‘dear old friend’s future comfort and independence are now assured, for the rest of her life’.

According to her entry in the Oxford DNB, Eliza Lynn Linton moved to Malvern in 1895. (See also Temple’s Oxford DNB entry.) 4pp, 16mo. Bifolium. Sixty-six lines of closely-written text. The two leaves of the bifolium have been separated, and re-attached with archival tape; resulting in slight loss to some text on the third page, otherwise in fair condition, lightly aged. Folded once. Signed ‘(Mrs.) E. Lynn Linton’. While he may not recall that she had the honour of being introduced to him by ‘Mr.

See his entry in the Oxford DNB. 1p, 4to. On aged and worn paper; folded four times. Signed ‘Clement Shorter’. The letter is headed with Sayers’ Totnes address. He begins by explaining that the Sphere’s ‘Children’s Supplement’ has been abandoned due to ‘the high cost of paper’. Turning to Sayers’ other letter, he thanks him for offering to lend him a copy of Baring Gould’s ‘Strange Survivals’, but that he will obtain his own copy. He ends by thanking him for ‘the various information’.

See his entry in the Oxford DNB. 2pp, 12mo. On brittle, discoloured paper, cropped at foot. Signed (‘J. Oxenford’). The recipient is not named, but is clearly the editor of the Athenaeum. Reads: ‘Sir/- / In the name of Mr. C. A. Feiling and myself, I beg leave to thank you for the very handsome and prominent notice of our “German Tales” which appeared in the Athenaeum of the 30th. ult. - You will confer a further obligation by letting the gentleman who wrote the article [know] how much we feel indebted to his kindness.’

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.