THEATRICAL

1p., 12mo. In fair condition, with light signs of age. Addressed to 'My dear Percy' and headed 'Love's Strategy'. Regarding the play (which was based on Goldsmith's 'She Stoops to Conquer') Littler writes: 'I don't think the idea appeals to me very much, and I am not going to do any more productions in the West End until after Christmas.' He gives his phone number, writing that he would 'be very pleased to see you or have a word with you'. In the carbon of Nash's letter (dated 27 May 1948) he writes that he has 'not messed about with the Author.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

The four items in fair condition, on lightly aged paper. Typed on rectos only, and with all three attached with brass studs. From the Percy Nash papers. ONE: 'Cinders | A Tabloid Version of a Famous Story' [ retitled in manuscript from 'Cinderella | A Fantasy in Two Parts'. 16pp., 4to. Characters include 'The Baron Orpington . . . A Henpecked Old Bird' and 'Prince Ministroni . . . The Broth of a Boy'. With a few minor manuscript changes. Referred to as 'our Pantomime' in the finale. TWO: 'Sweet Cinderella| The Flower of the Family | Potted by | Percy Nash'. 9pp., 8vo.

The material, from the Percy Nash papers, is in fair condition, with light signs of age and wear. It is arranged in the following description in ten sections. ONE: Two drafts of an autobiographical account by Nash, ending in 1933. Both 2pp., 4to. The first is headed 'Percy Nash' and the second 'PERCY NASH. born December 5th 1868'. Of interest are the following statements: 'Owing to indisposition of Harry Loveday, was engaged by Sir Henry Irving to Stage Manage (associated with Laurence) the production of "Robespierre" at the Lyceum Theatre, and remain with him for several years.

PLAY: 108pp., 4to. On rectos only. Attached with green ribbon in card folder. Information about characters given in manuscript. In fair condition, on aged paper, in aged and worn folder. LETTER: 2pp., 12mo. Signed 'Arthur Morris'. On aged and creased paper. Presumably referring to his collaborator, he begins the letter: 'Fred writes to say that you have a friend, who might be interested in our Play. It is kind of you to bother. I still believe in the poor old play, but we had a nasty shock when Edward abdicated!

1p., 16mo. Eleven lines of text. On aged and worn paper, with central closed tears unobtrusively repaired with archival tape. A warm letter of thanks, with valediction 'Mille choses affectueuses à tous les vôtres'.

Both items in good condition, on lightly-aged paper. ONE: Typed playscript. 85pp., 4to. Typed in black and red on rectos only. Typed by May Hemery of London. Bound into black card covers, with label on front. TWO: Typed Note Signed to theatre historian W. J. Macqueen-Pope from 'Evelyn Dagnall', i.e. the dramatic critic Mrs T. C. Dagnall.

1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'

Both in good condition, on aged paper. ONE: 2pp., 4to. He reminds Macqueen-Pope that two years previously he was 'kind enough to receive me at your Office and, after a long and most interesting chat on things theatrical (over an hour, as I recall!) you wrote into my copies of your "Drury Lane" and "Carriages at Eleven" two very greatly appreciated inscriptions, by way of friendship'. He now has his 'delightful "Gaiety" and splendid 'Haymarket", and asks for 'another pow-wow' at 359 Strand.

[2] + 29pp., 4to. On rectos only. Heavily-aged and worn, with some damp staining, stapled, with remains of grey front cover and last leaf loose. With numerous emendations to almost every page. Ends abruptly on p.29. A fast-paced comedy, with a seance connecting past and present. Two exchanges: 'Bobbie. I suppose you're going to wear tights again? | Maud. Well, I've a ripping good reason for doing so - two, in fact.' and (during the seance): 'Nerea. Dance for me, I pray you, Oh embodiment of lissom grace. | Bobbie.

1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.

108pp., 4to. On rectos only. In brown card covers. In fair condition, lightly aged, with bottom of front cover (probably pr`eviously carrying agent's details) cut away. 'RELUCTANT HEROES' is typed onto the cover, with 'by | Colin Morris' added in manuscript (probably by Morris himself). The play, Morris's most famous farce, was acted in London in 1950 (published version by the English Theatre Guild in the following year), and turned into a film, with a script by the playwright in 1951.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

ONE: Typed playscript. 64pp., 8vo. Typed in purple ink, on rectos only. In pink card 'Ludgate File', with white typed label on front cover: 'THE FAIRYLAND EXPRESS'. In fair condition, aged and worn, with the leaves bound in with a rusted metal bar. Initial blank leaf with ownership inscription: 'Jack Denton | 12 Montague Road | Richmond | Surrey', as well as 'Mr Percy Nash | see phone'. The first page gives Denton's typed address as '25 Monmouth Road | Watford', and lists the cast, headed by 'Prudence . . . a little girl from Kensington', and 'Eric' and 'Marjorie', who are 'Her cousins . .

1p., 8vo. In fair condition, on aged and worn paper. He thanks him for thinking of his birthday, and taking the trouble 'to bring me that sherry'. He has not yet sampled it, as 'it's a bit too hot for anything but water, just at present'. He will telephone him, as he doesn't 'feel cocksure' about his address. He ends with regards to 'Mrs George'. In pencil in another hand at head: 'Here it is, George | C.A.S.'

1p., 12mo. In fair condition, on aged paper. He hopes he is not 'premature' in asking for 'a box for Richard 2d for tomorrow - Tuesday - night!' If he is not he will be 'thankful'; if he is he will 'wait patiently for a future occasion'. Kean's Richard II opened at the Princess's Theatre on 14 March 1857 and ran for 112 nights.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

116pp., 4to. (Paginated to 117, without a p.95, but with no text lacking.) No prelims. Each page typed on a separate leaf, and the whole bound together by string through punch holes. Text complete. Dog-eard and worn, with the first two leaves separated from the rest. No record discovered of author or title. The play is set during the Second World War, and begins: 'Afternoon fourclock ... Late spring ... side of road, North Cork district six miles from town of Kilneesh, Irishman trying to fix a tire ... car protruding from wings showing a flat.

94pp., 4to. Bound through punch-holes into green card 'Ludgate File'. Text on rectos only. Several addresses given for Burton in manuscript on cover of folder, and another at foot of first page. In good condition, on lightly-aged paper, in aged and worn file. Next to the phrase 'Adapted from the French' Burton has added in autograph 'Very roughly', with 'Note: - Costume or ordinary modern dress' at foot of first page. A few minor autograph emendations to the text.

ONE: Typescript of '"Small Hotel" | A Comedy in Three Acts |by | James Gardiner'. 144pp., 4to. Bound with ribbon in blue card wraps with typed label. Text on rectos only. In pencil on title-page: '56 Welbeck Street'. In fair condition, on aged paper, in heavily worn wraps. 'The action takes place in the Lounge of the Bay View Hotel, near Dormouth, a South Coast Naval port.' No record of the play has been found, either on OCLC WorldCat or on COPAC, or on the ITDb. TWO: Typed Letter Signed to Commander Vivian Ellis from Olive Harding of Myron Selznick (London) Ltd.

1p., 12mo. In fair condition, aged and worn, with staining from glue used in previous mounting. He apologises for not being able to 'do what you asked', as he 'did not go to the Garrick until to day when I found your letter with others waiting me'.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

On aged and worn paper, with some staining at head. A somewhat grand memorial of English censorship. The license is printed in engraved copperplate beneath the royal crest on a 31.5 x 21 cm piece of watermarked laid paper.

[1] + 28pp., 4to. In good condition, on aged paper, bound with studs in worn light-blue paper wraps. In manuscript at foot of title-page: '2nd carbon'. The following is typed beneath the title, and has been deleted in pencil: 'Written in 1900 and Dedicated to Baroness de Grandcourt, to whom he is indebted for the idea'. With a few manuscript emendations. This piece was published in Boston in 1916.