Literature

One page, 4to, tipped onto larger card, good condition. Forty-five lines excluding signature at base ("Walter Savage Landor"), text, worked over by Landor, as follows: The Public is informed that our gracious queen [sic], among her many acts of judicious beneficence, has granted a pension of 100£ a year to the lineal descendents, in the fourth degree, of Daniel De Foe. These are two aged women reduced to poverty and decrepitude.

Two pages, 8vo, good condition. A bookseller called Glaishier at Greenwich sent me a small Trollope letter to see to other day. It was in bad condition, but I think the signature was undamaged and if your friend only collects signatures it might be worth his asking to se this. | If, however, he wants a complete letter (as probably he does for an important collection) I think he might get one from Bernard Halliday [underlined], 1King Richards Road, Leicester or from Maggs Brothers [underlined with address]. Both these will be expensive.

Total 4pp., 8vo, text readable but sometimes faint,good condition. (Nov. 1947) He's been too ill to write but has marked the books he wants. Any sort of copy not even firsts[.] They are only for work. [This from the most fastidious of collectors (Muir, Minding My Own Business, p.101)]. He'll go through the list again just in case. Those Press cuttings & photos were most useful. (Dec. 1947) He thanks him for another Hobbes, revealing his greatest want, The Vineyard. Fletcher is to stop looking for the life of 1911 since Jennings' publishers have sent a copy.

One page, 8vo, fold marks, good condition. No doubt our London House has told you that they are ordering a copy of SHAKESPEARE AND THE ACTORS for you.~35~SHAKESPEARE OUP OXFORD UNIVERSITY PRESS THEATRE AUTOGRAPH~ ~0~BT MSS 1~ ~ ~ ~ ~ 9764~16/09/2010~False~John Sparrow, Warden of All Souls, Bookman~Autograph Postcard SignedJ. to John Carter, c/o Sotheby's, Bookman.~Venezia, 24 Oct. 1971.~Good condition.

One page, 8vo, good condition. Somewhat mysterious but concerning a book or books by Herman Melville. Pardon me for not answering your kind note before. Although I cannot agree that you have received anything approaching an equivalent for your copy of Omoo, I am naturally very gratified that you are good enough to think differently . . .

9 x 14 cm. Backed on piece of card, and hence with the details of the addressees obscured. Fair, on aged paper with central vertical crease. Sending 'Compliments au père et à la mère. Bon veux pour le nouveau né!' Written while waiting for trial, following Déroulède's re-arrest for treason. He was found guilty and banished for ten years. His funeral procession in Paris attracted a larger crowd than any since Victor Hugo.

12mo, 15 pp. In modern brown paper wraps (easily removed). Clear and complete. In fair condition, on aged paper. Wraps stamped 'J467'. This item has a complicated publishing history (not made easier by the large number of microfilm reproductions listed on COPAC). This copy has 'Price Two Pence.' at the foot of the title, which - with a triangular geometric vignette made up of ten flowers - is enclosed in a frame. The reverse of the last leaf is blank and there is no cancel.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

One page, 12mo (ish), poor condition, some reinforcement of edges, text by an eccentric typewriter faint but readable, minor corrections by Mannin's pen. I didn't know VENETIAN BLINDS was out of print. I will ask Jarrolds about this. Most of my books were blitzed in 1940 and the typed [Typescripts?] competely destrpoyed. I am getting them reprinted gradually, but had evidently overlooked V.B. | I too think RED ROSE is a good picture of poor old Emma - in fact I know[underlined] it is. But in my own view my last novel THE DARK FOREST is my best book, and I don't think I shall do better.

8vo, iv + 26 pp. In modern grey boards. Text clear and complete. On aged paper, with small holes to first two leaves (not affecting text). The imprint is fictitious. A sequel to 'A Fragment' (London, 1750), a satire on the election of the Duke of Newcastle to the Chancellorship of the University of Cambridge in July 1749. Described in the 'Editor's Preface' as a 'learned, elaborate, curious and antient Fragment, [...] communicated to me by a celebrated Gomerian, Professor of the University of Combrigue'. Attributed to the elder Stebbing by Halkett and Laing, and to the younger in ESTC.

In good condition, on lightly-aged paper. Dimensions are approximate. The three illustrations (1815-6), each 8.5 x 4 cm, form three panels on a 10 x 13.5 cm piece of paper.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

4to, 1 p. On bifolium of wove paper, watermarked 'J LARKING | 1804'. Nicely printed. Good, on lightly-aged paper. The poem is thirty-four lines long, beginning 'Hold, hold! What's this? No prologue to our play? | Down with the curtain - let it down, I say; | Let me go forth - I must, I will have way!' It is preceded by title and 'Noise and disputing behind the Sccenes. - The Curtain begins to rise.

On piece of laid paper, 5.5 x 8 cm. Clear signature on lightly-aged and spotted paper. From the collection of James C. Webster, Secretary, Athenaeum Club, London, who has written, above the signature, 'Royal Society of L<...>', and beneath it, 'Sir Philip Francis | author of "Junius"'.

12mo, 3 pp. Bifolium. 28 lines. Text clear and complete. Good, on lightly-aged paper, with a trace of the mount adhering to the reverse of the second leaf, which is docketed by the recipient. The letter concerns her 'favourite old Clock', about which she expresses anxiety: 'the Man you now send to wind up the Clock is, I dare say, very clever in his Business, but as he almost constantly leaves it with somethig not right in Motion, striking &c I must therefore think that he is not accustomed to direct all the movements of such a Clock'.

12mo, 2 pp, the autograph being on one side and Rickman's on the other. Fair, on aged paper, with traces of previous mounting on one side. Large bold signature 'J: Wolcot' with biographical note on one side, and the note, signed 'Clio Rickman', on the other: Written by the celebrated Peter Pindar, when entirely blind, on my calling on him the 3d of July 1809 my boy with me'.

4to, 1 p. 14 lines. Text clear, apart from damage to two words caused by the breaking open of the wafer. Fair, on lightly-aged paper, with traces of previous mount adhering to the reverse. Her recipient has corrected 'a personal defect' in one of Trimmer's books, calling for a 'trifling' alteration. She will make the alteration when a new edition is called for. 'I am happy to find any of my Books are now in the excellent institution in which you perform so important an office'.

4to, 1 p. 19 lines. Text clear and complete. On aged and lightly creased paper, with strip of sunning to left-hand margin. Neat signature: 'Nicolas Bentley'. The film and television rights to the book were all 'bought some years ago by Herbert Wilcox, who, as I understand it, still owns them'. Bentley has reports the opinion of 'Messrs A. P. Watt, my late father's agent', on the question of the radio rights. 'I control the stage rights', Bentley states, giving the conditions on which he would agree to a stage adaptation.

A nice collection of Victorian Shakespeare ephemera. All four items with text clear and complete, on lightly-aged and worn paper. The 'Description' is printed in red, on both sides of a piece of paper 13.5 x 18 cm, with both vertical edges perforated. 'This may be retained as a Souvenir' along one edge. Dated at end 'RICHARD SAVAGE, Secretary and Librarian to the Trustees. | 1896-6.' Along head of first page: 'The Committee request that no Gratuities be offered to the Attendants.' Numbered 22989 in black.

Each drawing 22 x 16 cm, and each neatly mounted on card 31.5 x 22 cm. In good condition, in slightly discoloured mounts and folder. The mounts numbered in pencil in top left-hand corner. In cream folder, with blue cloth spine. Title in blue pencil on front of folder, together with image of hand holding glasses. Illustration of hand painting with brush, surrounded by ink pots, on back of folder. First illustration signed 'GZ | 5.3.66' and last 'GZ 7.4.66' Folder dated 'GZ. | 20.7.66'. Pleasant compositions, with something of an Edward Ardizzone feel about them.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

Both items in good condition on lightly-aged paper. Both 1 p, on 12mo landscape slips. John Catnach's bill and receipt: 'The Honb. Coast Comit. | April 12 1795. | To J. Catnach | Printing 200 Signal for the Coast 7s .. 0 | 5 qrs. Best Wove foolscap for Do. 1s..2d Per qr 5 .. 10 | £0 .. 12 .. 10 | Recd the above from Thos. Adams Esqr. | [signed] Jno. Catnach | June 29th. 1796.' Docketed on reverse with calculation. Mary Catnach's bill and receipt: 'The Honble Coast Committee | 1795 To J Catnach Dr. | March 10th. 3 Quarto Copy Books at 1/6 - 0 . 4 . 6 | Same time recd. Paymt of Jas.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

12mo, 220 pp. Engraved title and six other plates, each carrying an engraving from Westall. In green calf binding, gilt, with spine in compartments. Marbled edges and endpapers. Internally tight, on lightly-aged paper, with the plates a little foxed. Rebacked and in worn and lightly-stained binding. Tasteful small bookplate, with the single word 'Simpson' in copperplate, an initial 'M.' added in manuscript. Pink ticket on front pastedown: 'GEORGE DAVEY, | Bookseller, Binder, | & STATIONER, | NO. 1 BROAD STREET, | BRISTOL.' An uncommon Chiswick Press item.