Literature

12mo, 1 p. 15 lines. Text clear and complete. Fair, on aged paper. He requests 'the favour of a copy of Dr 's work "The Hoe & the Canoe," for review'. He claims to be 'a friend of Lord Elgin the Governor', and to have been 'a long resident in the Canadas' in his 'official capacity', ending: 'it will afford me the utmost pleasure to say all I can in behalf in [sic] the reviewing publication with which I have the honour of being connected, of Dr 's work'. The truth about 'J. B.

31pp., 12mo, illustrated blue wraps (a warrior), contents crudely joined to wraps with sellotape, wraps sl. chipped and worn, contents mainly good. No copy listed on COPAC; four copies listed on WorldCat (3 in South Africa, and Texas).

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

Typescript of 'The Balloon': landscape 8vo, 24 pp. Text clear and complete. On aged paper. With pencil emendations (including the deletion of a number of passages) on practically every page. Described by Cross as a 'radio composition' and a 'fantasy for broadcasting', 'The Balloon' presents an absurd take on T. S. Eliot's verse plays. It was transmitted on the Scottish Home Service of the BBC in 1946, with music by Cedric Thorpe Davie (1913-1983). There is no record of it having been published. The five typed letters total seven 4to pages. The autograph letter is landscape 12mo, 1 p.

Reproduction of black and white drawing in Blake's inimitable style. 4to (34 x 29.5 cm). Good, with a little light creasing. Reproduction of black and white drawing in Blake's inimitable style. Depicts anthropomorphic bear, pig, chicken, squirrel and hedgehog in a line from largest to smallest, all with party hats, smiles on their faces and forepaws and other front limbs aloft. Blake's address, as part of printed piece, written upwards along left-hand margin.

One page, 12mo, bifolium, fold marks, good condition. Tamarton [sic for Tamerton] Church Tower & other Poems are now included in a volume called 'Amelia and other Poems.' It is published by Geo. Bell & Co. York Stret, Covent Garden. I do not know Mr Palgarve's address, but a letter to Macmillan & Co, his publisher would reach him.

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

12mo, 1 p. Text clear and complete. Fair, on aged paper. Docketed by Blanchard in top left-hand corner: 'Sent to Sat.

12mo, 1 p. Mourning border. Twelve lines. Text clear and complete. Fair, on aged paper, with small scrap torn away from top right-hand corner. By that evening's post, they have received 'the sad intelligence that my sister in law, Lady Camilla Sinclair has died at Thurso Castle'. Her brother Sir George Sinclair and his family 'are in great grief', and she is 'under the melancholy necessity of sending an apology' for cancelling 'our engagement to you which we had anticipated with so much pleasure'.

12mo, 2 pp. Eighteen lines. Text clear and complete. Good, on lightly-aged paper. Addressed to 'My dear Reed'. He thanks him for his note and is glad he likes the cartoon on 'the Educational Model'. He had 'been hoping the Tories would tread on the Nonconformists' toes to shut them up and now they have done it.' He doubts whether his agent has sold the original drawing, and is writing to him 'to let you have an offer if possible'.

All items clear and complete, on aged paper. Letters totaling: 4to, 1 p; landscape 8vo, 5 pp. The two cards carry long messages, written in red ink in Grubb's close, neat hand; one is standard size, the other 27 x 13.5 cm. Five envelopes are stapled to their letters. Grubb ('one of the last survivors of the famous 1960s Hampstead coterie of writers, actors and critics') writes entertainingly in an emphatic, energetic manner marvellously evocative of the 1970s London literary scene.

12mo, 2 pp. Ten lines. Text clear and complete. Good, on lightly-aged paper. Jones's letter has been forwarded to him, but he cannot give him 'the information you are seeking', so he has sent to letter on to 'Mr. of the British Museum, asking him to reply to it'.

4to, 2 pp. Sixteen lines. Text clear and complete. Good, on lightly-aged paper. He congratulates her on her 'success in the Saturday Westminster Essay Competition'. He is grateful to her for 'guessing that I should be interested in this work of yours after having plied my scalpel upon your novel "The Sword of Love".' He regrets that 'for many a long year' he has 'done no general reviewing outside the publisher's office. There the flood of MSS. that poured in furnished effectual occupation.

One page, 12mo, good condition. Thanks you very much for writing to me about my boo. It is always nice to hear from oone's readers and I am delighted to learn that both you and your husband found an hour's excitement in this otherwise rather dreary world. | Your good wishes are appreciated. Norte: Apparently Raymond/Chase/Grant only published More Deadly than the Male under the pseudonym Ambrose Grant so letters signed so may well be scarce.

One page, obl.12mo, fold marks, mainly good. ... It was king of you to write, and Iappreciate it. In candour, I ought to say that [William] Morris was a revelation to me also when I came to read him for the purposes of your brother's book [The Great Victorians pubd 1932, ed. Massingham and his brother]. He was one of the people I had taken as read. I was fairly overwhelmed by the profound insight of his later writings. | I agree with you about Chesterton's 'Chaucer'. I liked it very much indeed.

Total 19pp., 16mo-8vo, fold marks, slightly crupled but text clear and complete. (5 March 1967) he suggests a poignant and dramatic article on the abdication of the last Tsar, or an eye-witness account of the Russian Revolution (50th Anniversary), saying that he was in the British Emabassy at Petrograd - which he should have gathered from his novel Futility, adding there can't be many eye-witnesses of both [underlined] Revolutions aive today. He expalins in a postscript his reversion to an earlier ancestral spelling of his name, with 'e' added as in Shakespeare, Dante, etc.

One page, fold marks, good condition. Please let me know when [underlined] you want copy for your paper. I will give you something but would like to have as much time as possible. I could send something now but might be able to send something better later on. I hope your special number will be successful.

All texts clear and complete. Autograph item with some creasing, otherwise in good condition on lightly-aged paper. Ten items signed 'Compton Mackenzie', and two ''. Eight of the items each one page of landscape 8vo; one 8vo, 1 p; another 12mo, 1 p; the autograph note 4to, 1 p; and the card 16mo, 1 p. The first item (4to, 1 p, in autograph) is dated 22 September 1948. Having met Brett-James he thanks him for sending the proofs of his war memoir 'Report My Signals' (London: Hennel Locke Ltd, 1948): 'I was much impressed by it, and supported it strongly for a Book Society Recommendation.

Typescript (folio, 2 pp), with a couple of manuscript corrections. Fair, on aged paper, with light marks from a paperclip at head. Thirty-six line poem, in heroic couplets, with 'W E G. Christmas 1869' at end, beginning 'Happy the gamester, on whose earliest throw, | Grim Fortune frowns, and cuts his treasure low; | But hapless he, whom luck shall onward lure, | She only means to make his ruin sure.' Made for Sir Robert Joseph Phillimore, of the Courant, Henley on Thames, judge, Liberal MP and lifelong friend of Gladstone's.

Phillimore's transcript: 12mo, 3 pp. On bifolium. Text clear and complete. Fair, on lightly-aged paper, with mark from rusted paperclip at head. Thirty-six line poem, in heroic couplets, with 'W E G. Christmas 1869' at end. Typescript (folio, 2 pp), with a couple of manuscript corrections. Fair, on aged paper.

Black and white matt bromide print photograph in card frame with covering flap. Dimensions of photograph 20 x 25 cm. Dimensions of frame 25.5 x 32 cm. A head and shoulders shot of Balcon, staring across the photograph from the right, left hand at right shoulder, with the bust of Day-Lewis facing her from the left. Inscription in pencil on frame beneath photograph: 'London. Mark Gerson. AIBP/ARPS'. Photograph and inscription in excellent condition; frame aged and worn.

Image roughly 7 x 9.5 cm, on piece of paper 8 x 10.5 cm, mounted on recto of second leaf of a cream card bifolium, with a window frame through first leaf. Printed label on reverse of second leaf reads: 'This photograph is copyright and mahy not be copied or reproduced in any way whatsoever. Legal proceedings may be taken against any infringement. | YVONNE GREGORY.' In very good condition, on lightly-aged paper. Head and shoulders three-quarters profile, from Gibbons' right, showing the novelist in a tailored jacket with padded shoulders.

Two pages, 12mo, remnants of album page to which attached formerly, good condition. I will write to you definitely about teh serial early next week. Do you think you could either get me a cheque for 'A Maker of Fortunes' [not traced], or get Mr Colles [literary agent] to discount the sale to me on the usual terms? I should be much obliged if you could, for I have to find a good deal of money on Saturday & this would help. ...

Final 4 lines of a letter signed by Dreiser, on paper cut from original, 15 x 9cm, good condition: [proofs?]. And I shall be only too glad to acknowledge in one of the [first?] copies your courtesies.

Cardc.10 x 14cm, prob. whiet or cream originally but discoloured now, printed text clear and complte, on the recto a list of members from 1803 Sir James Hall to [1827] William Murray, giving as shown the year of admission (mainly 1803). On the verso, the dates for the Friday Club dinners Jan.1828 to Jan.1829 are given. The List of Mmebers is annotated in pencil, adding titles, occasionally professions (Adm., WS, Poet). At the top of the recto, A Copy of this Appears in Lockhart's Life of Sir Walter Scott.

4to, 134 pp. In original loose grey wraps, with 'Moral Tales | Vol III' in manuscript on front. Texts clear and complete, with numerous manuscript emendations. Fair, on aged paper, with slight creasing to corners of a few leaves. Wraps worn. Comprising 34 bifoliums (watermarked 'RW | KENT'), with a single leaf (watermarked 'TW | 1804') carrying the title 'Moral Tales. | from | the Original German of Augustus Lafontaine | translated | by | J Powell | Vol III | Contents of Vol III | The noblest Man. | The Intrigue | The Power of Conscience'.

4to, 1 p. 18 lines of text. Clear and complete. Fair, on aged and lightly-stained paper. Neatly laid down on a leaf removed from an album. Lightly marked-up in red pencil by the recipient. After professing respect for Nichols's 'literary character' and his 'valuable miscellany', Glasse offers his services 'as corrector of your press for any quantity of Greek you may incidentally have occasion to publish'.

Parts I & II (of 12 = Series 1), pp.40[6 advts]; 76[6 advts], original blue wraps, frayed and spotted, one wrap dulled, one corner of pages turned, pencil annotation on front covers (inc. library no.), library stamps (withdrawn from Newcastle University Library),

12mo, 96 pp, followed by four-page SPCK catalogue (with first page listing works by the Rev. F. Bourdillon). Text clear and complete. In original olive cloth binding, gilt, stained with damp. Damp damage at rear leaving light staining to corners of last few leaves and catalogue, together with heavier damage to rear endpapers. Traces of Library label on front pastedown. Cloth faded, worn and stained. Bell explains in her preface that 'The poor are excellently well provided with all sorts of books of counsel and help.

pp.1-10 text, 15 detached plates with tissue-guards (as called for), text (concluding mid-sentence, bound in to grey-blue printed wraps, reinforced spine, 2 closed tear, chipped and sunned. Full quotation of title om front wrap: Specimen copy for the Plates only | The Marchioness of Brinvilliers | By | Albert Smith | Illustrated by John Leech | [Bentley insignia] | With fifteen spirited full-page Etchings on Steel, only once before printed from,* onthe first publication of the story, in its serial | form, about 1842. | *Besides twenty-seven impressions for the Leech Catalogue.