Literature

1p., 12mo. On aged and creased paper, with short vertical closed tear at head (not affecting text). The letter reads: 'Dear Sir | By a sad mistake the Copies of my Letter to the Students were not sent off on Saturday | But 250 have been struck off which will sufficiently answer for the present demand - | Yours in haste | [signed] T. Campbell

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

3pp., 4to. Bifolium. Good, on lightly-aged paper, with minor traces of previous mounting on reverse of second leaf. She writes 'as a stranger' to the recipient: 'the person who now addresses you is a Daughter of the late Revd. Richd. Cecil, whose works you are probably well acquainted with'. She is about to publish a book which she is 'induced to think would have a very good sale in America' and has been recommended to apply to the recipient 'as a Person likely to be willing to enter into negociation with me on the subject'.

Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

1 p, folio. On grey paper. Fair, on aged paper, with slight spotting and chipping to extremities affecting a few words of text. A whole page of the manuscript, numbered '9' and written entirely in Reid's hand, with a few minor emendations by him, from Chapter XXVI, 'Treed by an Alligator'. Begins with the reported speech: '"That would be anything but pleasant - perhaps more so [last word emended from 'unpleasant'] to those who are waiting for us, than to ourselves.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

'This Bibliographical Catalogue, compiled by Cecil Woolf and Alan Anderson, is limited to two hundred copies.' 8vo, 9 pp. In original green printed wraps. Good, on lightly-aged paper, with single manuscript correction in green ink. Full-page introduction on Douglas by Moray McLaren. Scarce: the only copies on COPAC at Oxford, the British Library, and the National Library of Scotland.

3 pp, 12mo. Bifolium. 21 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I shall really be very sorry, and I know that I speak for my chief, if you will not allow your paper to be published.' He considers it 'by far the most interesting and exhaustive of those that we have received, and its non-appearance some days ago is due to a hittch which occurred at the last moment.' He was 'so reluctant' that it should be lost, that he disregarded the 'excision that you made at my request'.

Forster's main objection is that the National Service questionnaire, sent out by the Society of Authors 'at the suggestion of the Ministry of Labour', asks members to 'give general particulars of their political opinions' (see Hansard, 25 May 1939). Four items. ONE. Priestley's letter, addressed to 'My dear Forster' by 'J. B. Priestley'. 1 p, 4to. Twenty lines. Fair, on aged paper.

12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'

Both items in good condition on aged paper. A dramatic, almost novelistic correspondence, regarding 'the Signora' (named in the second letter as 'Mme Sineo', who is staying at her house in Torquay and is apparently too frail to return to her London house. Letter One: Docketed 'No 1'. 12mo, 4 pp. Peard states that she has not 'written of late about the Signora. She has got fairly well again, but she does not seem to us fit to return to London, & I hear that her doctor does not think she ever will be fit.

8vo, 1 p. Good, on lightly-aged paper. A covering letter for 'the supplementary article on Buffalo' (in the 'Encyclopaedia Americana' supplements to 'Encyclopaedia Britannica', 1883-1885, the first two volumes of which Thompson was editor).

13 x 7.5 card. Fair, on aged paper, with minor creasing to one corner. Stamped and addressed on one side to 'Mr. J. Charles Davis | Proctor's Theatre | New York'. The unsigned card (with the words 'and United States' deleted from the heading) has partly printed text. Mather completes it in pencil, acknowledging the 'inquiry about Frank Forester' and stating that 'as a boy I knew him and shot with him but my recollections would be of no value'. He ends by saying that he will 'try to brush them up' on his 'return from the west'.

12mo, 1 p. Fair, on lightly-aged paper. He is 'unable to make an offer for the back Vols of The Athenaeum - our stock in house being sufficient to meet demands'.

12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Her 'constant practice' has always been to return her thanks for the gift of a poetry volume 'before I could possibly have had time to read it', but in this case 'this caution was impossible for I received your little Vol: in all the hurry of leaving town, & I may say England, for I shall not return to London before our departure'. She is glad she was not able to write before reading the poems 'with the attention they merit & with all the pleasure they have given me'.

4to, 2 pp. On bifolium. Good, on lightly-aged paper. Text clear and complete. The letter, of 39 lines, requests Herbert's opinion of 'the feasibility of a plan for the domestication of the Primated Grouse of the western prairies in this section of the country'. He writes because 'some few passages in your own writings have led me to know that one who has the heart of, and a desire to be a true sportsman, would not, if requesting a favor at your hand be overlooked'. Signed 'Titrao Cupido | Box 841 O.O. | Cleveland Ohio'. This has been lightly crossed-out in pencil, with the signature 'Jno.

16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

8vo, [ii] + 30 pp. All nine illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'Preparing for Publication, | JACK AND THE BEAN-STALK. | EDITED | AND | ILLUSTRATED | BY | GEORGE CRUIKSHANK.' Internally good, on aged paper (the last print particularly foxed), in fair binding with light wear and slight staining.

8vo, 32 pp. All eight illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'ALREADY PUBLISHED, | HOP O'MY THUMB AND THE SEVEN LEAGUE BOOTS, | ILLUSTRATED WITH SIX PLATES, CONTAINING NINE SUBJECTS, | BEING | No. 1 OF GEORGE CRUIKSHANK'S FAIRY LIBRARY. | Preparing for Publication, | No. III. | CINDERELLA AND THE GLASS SLIPPER.

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

Both 12mo, 2 pp. On bifoliums, the first with mourning border. Both texts clear and complete. Aged and lightly creased, with the first item bearing traces of being mounted in an album. Letter One: He hopes to be 'present at the next Sessions', and will be 'quite prepared after the County business is over, to attend the Committee of Subscribers to Sir William Heathcotes Portrait'.

xvi.208pp., 16mo, one foxed plate, very attractive red leather, gilt decorated binding, corners bumped, 2 or 3 small spot, aeg. Conclusion of Preface, "The Editor would take this opportunity of acknowledging the kindness of those of his poet-friends who have furnished him with pieces hitherto unpublished; and forming not the least attractive feature of the present selection. | Bedford | Feb.19th, 1842". Poets include Wordsworth, LEL, Felicia Hemans, etc, etc.ViaLibri site ascribes the one copy (but published by T.

xxxviii.80pp., 8vo, printed red cloth, slight hinge strain, endpapers discoloured, cover has minor defects, but is attractive. A drama. Scarce: COPAC lists only the BL copy but WorldCat lists five other British repositories.

138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.