Literature

1p., 8vo. On yellow paper. On lightly-aged paper, with slight wear and creasing along one edge, and thin stub from previous mounting adhering to the reverse. The poem is twenty lines long, arranged in five stanzas, and signed at the foot 'George Steele Seymour'. Beneath this, in Seymour's hand: 'Special greetings to Mrs.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

3pp., 4to. On bifolium. Very good, on lightly-aged paper, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed, with half of a black wax seal, 'For | Mrs. Richards | Bampton.' This copy was made within a month of the composition of the poem, for the wife of a fellow Fellow of Oriel College, Oxford. The recto of the second leaf carries the following note by Mant: 'with Mr. Mant's best compliments to Mrs. Richards. | Oriel Coll. June 15th.

3pp., 4to. Bifolium. On wove paper watermarked 'R TASSELL | 1831'. 56 lines, arranged in seven eight-line stanzas. Presentable, despite wear and age, closed tears along crease lines, and traces of yellow-paper mount on blank reverse of second leaf. There is no sign that this item was ever published, which is surprising, as it is a superior effort, written with some conviction, the subject being one on which Hollings was regarded as an authority.

3pp., 12mo. Bifolium. Good, on lightly-aged paper. Dunlop begins by informing Hodge that his cousin William Hamilton Dunlop of Downside, Ayrshire, 'has purchased as one of the Burns Monument Trustees the "Veitch" of Paisley copy of the Kilmarnock Burns for £1000'. He describes the book as 'the most perfect copy known uncut & with both blue paper covers much better than the Lamb copy.' Dunlop is 'glad it has been secured for the Burns Cottage Museum at Alloway & is not going across the fish pond [i.e.

Nicely printed on laid paper, on sheet folded to make a bifolium, with the facsimile of the letter on the reverse of the first leaf, and the photograph of Bridges facing it on the recto of the second. As he is unable 'to write personal thanks to each of the many friends who contributed to honour my 80th birthday by their lovely gift', he asks them to accept the photograph 'as a memento'. 'Apart fr.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

16pp., 16mo. Unbound and stitched. On worn and aged paper, with loss to bottom outside corner of title leaf; spine strengthened with contemporary gummed paper. On reverse of title is a page of advertisements for 'Household Tracts for the People'.

Full article published in Edinburgh Review, vol.21, pp.378-424. Manuscript, two pages, 4to, trimmed at bottom with loss of text, with light corrections and additions, giving the text for pp.407-8, excluding two lengthy quotations from the book to which Brougham gives the reference only. The trimming had led to the loss of the passage from "In the Conservatorii or charity schools [...] He gives as an instance one Conservatorio where four hundred ... where four hundred...",apart from a few words (subject of pasage partly "repentant women" and vice in Naples).

Two pages, 12mo, remnants from being tipped on to album page, , staining, text clear and complete. "I feel myself compelled, circumstanced as I ma - to decline all invitation. Were it otherwise I should with great pleasure avail myself of yours - | My friends are answering for themselves - & I am very sorry it will be in the negative - but as they have declined similar invitations from the persons who have paid them the same kind attention, they cannot with propriety make exceptions..."

Two pages, sm. folio, fair condition, giving details of an advance and the holding of the copyright of "The Sylvesters" if they should decide not to go ahead and want their money back. Minor change apparently initialled "HSK" [= King].

Sent by Niven to his literary agent J. B. Pinker, whose date stamp is on the first of Secker's letters. All four items in fair condition, on aged and lightly-creased paper. Secker's first letter: 1p., 4to. He begins by praising 'Denny's display' [a window display of Niven's work in Denny's bookshop in the Strand]: 'I am wondering whether you managed to get the photograph into any of the papers. Shall I send it to the Bookman?' He continues: 'The sales [of Niven's novel The Porcelain Lady] up to date amount to 434 in England.

1p., 4to. A fair copy, on a piece of aged high-acidity paper, with chipping and loss to edges (not affecting text). Signed at foot. The poem begins: 'Heart of a hero in a poet's frame, / Soul of a soldier in a body frail, - / Thine was the courage clear that did not quail / Before the giant champions of shame'. Gilder is praised as a 'poet, patriot, friend', the poem concluding: 'Thou leavest two great gifts that will not die, - / Amid the city's noise, thy lyric cry!

Two pages, c.17 x 14cm, paper trimmed with loss of text, staining making it difficult ro read some of text, text in another hand unless Scott's legal hand differed from his novelist's (see image on my website). Text of recto: "appears to be justly due at the date of the sequestration with all the expenses thereon And I the said George Brown Bind and Oblige myself and my foresaid to free and relieve the said James Orr and his foresaid of the cautionary Obligation above written and of all loss damages and expenses which he may incur or sustain in consequence thereof.

One page, 12mo,green paper, bifiolium (rest blank), 3 verses, 14 lines each (total 42 lines), preceded by the statement "Written for the Charity Bazaar") and 6 line quotation from Cowper ("Here stay thy foot; - how copious and how clear ... from an Eternal source"). Verses start "Welcome to Ikley! Lady fair ... That God hath bless'd the spring!". No other copy traced (none on COPAC etc). See scan on website inventory.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

2pp., 12mo. Fair, on aged paper. In pencil at head: 'Autograph of the Rev W. B. O. Peabody'. In ink in a contemporary hand, between the title and body of text: 'Autograph of Mr Peabody '. Twenty-four lines, arranged in three eight-line stanzas. The text presented here differs in certain respects from that printed in A. P. Putnam's 'Singers and Songs of the Liberal Faith' (1875). In the present version the first stanza reads: 'Black the heaven is overcast! | Breathless is the sultry blast.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

1p., 4to. Good, on lightly-aged paper. Addressed on reverse, which carries traces of the wafer, to 'Colonel Bagot | Davies Street | Berkley [sic] Square | 34'. A short letter with a good, emphatic signature: 'My dear Sr. | I am very sorry you have so good a plea for absence - only remember on some future occasion that I shall not ask your Company as a favor but insist upon it as a right | ever yours | [signed] Sydney Smith | May. 12. 1842'. Perhaps concerning the same breakfast on 14 May 1842 to which Smith invited Georgiana Harcourt on 10 May 1842 (Letters, ed. N. C.

1p., 12mo. Fair, on aged paper, wtih two small unobtrusive closed holes to the paper. Placed in narrow paper windowpane border. The letter reads 'My dear Cunningham | This will be delivered to you by my Cousin & friend Mr Gray of Glasgow - He is ambitious of paying his respects to you - I need say no more - I am sure that you will soon be good acquaintances - With the greatest regard | Believe me | Yours truly | [signed] T. Campbell'.

1p., 12mo. On aged and creased paper, with short vertical closed tear at head (not affecting text). The letter reads: 'Dear Sir | By a sad mistake the Copies of my Letter to the Students were not sent off on Saturday | But 250 have been struck off which will sufficiently answer for the present demand - | Yours in haste | [signed] T. Campbell

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

3pp., 4to. Bifolium. Good, on lightly-aged paper, with minor traces of previous mounting on reverse of second leaf. She writes 'as a stranger' to the recipient: 'the person who now addresses you is a Daughter of the late Revd. Richd. Cecil, whose works you are probably well acquainted with'. She is about to publish a book which she is 'induced to think would have a very good sale in America' and has been recommended to apply to the recipient 'as a Person likely to be willing to enter into negociation with me on the subject'.

Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

1 p, folio. On grey paper. Fair, on aged paper, with slight spotting and chipping to extremities affecting a few words of text. A whole page of the manuscript, numbered '9' and written entirely in Reid's hand, with a few minor emendations by him, from Chapter XXVI, 'Treed by an Alligator'. Begins with the reported speech: '"That would be anything but pleasant - perhaps more so [last word emended from 'unpleasant'] to those who are waiting for us, than to ourselves.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

'This Bibliographical Catalogue, compiled by Cecil Woolf and Alan Anderson, is limited to two hundred copies.' 8vo, 9 pp. In original green printed wraps. Good, on lightly-aged paper, with single manuscript correction in green ink. Full-page introduction on Douglas by Moray McLaren. Scarce: the only copies on COPAC at Oxford, the British Library, and the National Library of Scotland.