Literature

pp.1-10 text, 15 detached plates with tissue-guards (as called for), text (concluding mid-sentence, bound in to grey-blue printed wraps, reinforced spine, 2 closed tear, chipped and sunned. Full quotation of title om front wrap: Specimen copy for the Plates only | The Marchioness of Brinvilliers | By | Albert Smith | Illustrated by John Leech | [Bentley insignia] | With fifteen spirited full-page Etchings on Steel, only once before printed from,* onthe first publication of the story, in its serial | form, about 1842. | *Besides twenty-seven impressions for the Leech Catalogue.

4; [iv],112pp., 8vo, plain brown wraps (original?), worn and nearly detached, contents good. Inscribed on half-title: Presented to the Rt Honble the Lord Brougham & Vaux by his obedt Servt Wm. Tooke | Russell Square 6 Augt 1839. Tooke was the major promoter of the Biographia Britannica Literaria.

12mo, 4 pp. Bifolium. Stabbed as issued. On good wove paper. The 'New English Drama' is stated to be 'intended to comprise the most popular Theatrical Pieces of every description, in Monthly Parts of superior accuracy and unrivalled embellishment'. The first play, 'embellished with an elegantly engraved portrait of Mr. Kean', is Massinger's 'New Way to pay Old Debts'. The second leaf of the bifolium carries details of a further four works.

On paper roughly 33 x 25.5 cm. The illustration itself is clear and complete on lightly-aged paper. Creasing around extremities and to left of caption. Tenniel's monogram, with number 61, in bottom left-hand corner. Britannia grips King Mob by the throat, while a paper crown (with 'MOB LAW' written on it) falls from his head.

On paper 52 x 33 cm. Tenniel's monogram, with number 58, in bottom left-hand corner. An giant female figure, with black mask, blazing torch and sash on which is written 'MURDER', directs an assemblage of Fenians and Sheffield trade unionists. The caption reads 'Fenian conspiracies and outrages in Ireland and Manchester - co-incident with the revelations of murderous Trade-unionism at Sheffield and elsewhere - agitated the public mind, and seemed like an evocation of the Spirit of Slaughter to trample on the Law.

8vo, 16 pp. Unbound. Evidence of previous stitching, but with no remains of thread,. Aged, worn, and with outer leaves somewhat dusty. Preface, dated 'London, June 1864', by 'THE MANUFACTURERS OF THOMSON'S CRINOLINES', states that the judges of the best of 'the immense number of manuscripts received' were 'B. Webster, Esq., J. Sterling Coyne, Esq., Andrew Halliday, Esq., George Rose, Esq., and Thos.

8vo, 1 p. Text clear and complete. Fair, on thin aged paper, laid down on a sheet of backing. In small type, with the 'old version' of the nursery rhyme, in the left hand column, transformed into a 'new version' of 78 lines of prose in the right-hand column. The first line - 'This is the house that Jack built' - is changed into 'This is the domiciliary edifice erected by John.' The 'priest all shaven and shorn' becomes 'the ecclesiastical gentleman, the summit of whose pericranium was denuded of its natural covering'. Scarce: no copy in the British Library or on COPAC.

On one side of a piece of paper 27.5 x 11.5 cm. Text, in small type, clear and complete. Fair, on aged and lightly-creased paper.

12mo, 3 pp. 28 lines. Text clear and complete. Good, on aged paper. He does not understand how they can have 'a record of a second edition [of Burns's poems] dated 1786, for the book was not published until April 1787'. He describes the two issues of the second edition ('a stinking or a skinking issue') and concludes that he will be glad to hear from them, should they 'meet with a 1786 second edition, or with a copy having the addenda incorporated in the list of subscribers, or one having Roxburgh spelled correctly'.

The letter is of 23 lines, written on the front and back of an opened envelope with the cancelled address of 'John Wickham Flower Esq, Park Hill, Croydon'. In good condition, on aged paper. The rear of the envelope carries a good impression of a red wax seal, and the letter begins: 'My dear Sir, I had written this letter having obtained my object through my friend the York Herald and I still send it on account of the Seal which was the counter seal of Richd Neville Earl of Warwick killed at the battle of Barnet'.

Folio, 4 pp. Both on the same bifolium. All texts clear. On aged and worn paper, with chipping and fraying to extremities. Presumably part of a series of ongoing receipts, as the the first begins in the middle of the preamble '<...> commandement de Monsieur le Marquis de Roye Lieutenant general, | De la somme de deux cent cinquante neuf livres onze sols huit deniers [...]'. The receipts are neatly written out, with two long authorisations in the margins, each bearing the same illegible signature.

12mo, 1 p. Nine lines. Text clear and complete. Good, on lightly-aged paper. Docketed in pencil on reverse 'R. A. Bennett re T. P. O'Connor'. He is enclosing 'the promised note to "T. P". I see that he is ailing and going to the Riviera at an early date, so you had better try and catch him at once.' Bennett had to get the recipient's address from his publishers, as O'Connor left without passing it on.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

The story on nine numbered 4to pages, with a covering page carrying the title: 'THE BATTLE OF THE WAVES FOR FREEDOM. | By Maxim Gorki.' On the rectos of ten 4to leaves, attached by a brass pin. Text clear and complete at 26 lines to the page. On worn, discoloured paper (watermarked 'CONQUEROR | LONDON'), with loss to extremities. Mrs Gill's purple oblong stamp in bottom left-hand corner of reverse of last leaf: 'Mrs.

[ii].87pp., printed paper wraps, light brown paper letters in red, No. 78 of 250 copies, on last page date in pencil 12/7/3, sl. chipping and fraying at edges which are sl. sunned

24pp., 12mo, original red paper wraps, sl. chipping and staining, mainly good. From the personal library of Richard Bentley, sometime publisher, for whose House Billing did work. One copy listed on WorldCat, at the BL.

12mo, 14pp, disbound, first leaf detached, good condition. Text clear and complete. In which the publishers outline their (historical) policy and ambitions for the various aspects of the periodical, and provide an Index by volume and subject. Sir Walter Scott took an almost proprietorial interest in this periodical. Scarce: COPAC lists NLS copy only (16pp).

12mo, 4 pp. Bifolium. 32 lines. Text clear and complete. Fair, on aged paper. In answer to a request for autographs, she has 'some duplicates somewhere, but tonight I send you only three cards', as she has 'no letters of Miss Yonge that I should like to part with'. She names the authors of the 'three signed postcards' (not present) as: James Payne ('Editor of Cornhill, author of many novels'), Charlotte Yonge and Richard Monckton Milnes, Lord Houghton.

8vo, 17 pp. Stitched. In original grey wraps, printed in black red and dark and light green. Good, on lightly aged paper. A children's book, with attractive illustrations of children playing, either in red or green. Colophon reads: 'Compositors: D. Beech and J. Baker | Pressmen: G. V. Jones and G. Knott | The Illustrations are printed from the original lino-cuts.' Scarce: the only copy on COPAC at Cambridge.

4to, 1 p. Twenty-lines. Text clear and complete. He has found 'il Barone' and is going to see 'Der Freishutz'. Monico is 'una gran bella citta', where he has seen 'molte belle cose'. He finds the Madonna of Rafael 'Divina'. A postscript concerns the print-seller Ackermann, as well as the art dealer Woodburn, and 'Cockerill'. The reverse carries a closely-written 30-line manuscript, in another hand, apparently in German, and followed by an indecipherable signature. It contains at least two references to 'Campball' [sic].

Broadside, trimmed to just outside decorative border for poem, with radiant crown at top, tipped on to detached album leaf, faint marking and creasing, mainly good condition, commencing, Who, that has lived beneath the Brunswick sway .... No copy listed on COPAC which lists a work by Somerton on the Bristol Riots and a work printed by him (as presumably was this broadside).

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

One Hundred Copies only. [16]pp., cr.8vo, sewn as issued, unopened, tastefully printed in brown with decoration on hand-made paper, good condition. Sadleir, in XIX Century Fiction, describes this as A Prospectus of the Standard and Favourite Novels issued in January 1882. Given it's date, I would suggest it's a Commemorative Catalogue of a series which has great significance in publishing history. It gives the information present in Sadleir (II.100-4), but it calls the phantom Second Series (Sadleir) Bentley's Standard Novels. The Re-Issue. 1854-1859?.

Separately published from four volume edition (1862-4), pp.308-347, 8vo, printed paper wraps, darkened, wear at spine and corners, minor foxing, mainly good. Bentley (Turner) Index 1110, ascribed to J. Munnings. A bookseller on viaLibri reveals that an index is anticipated in the fourth volume of the Life and Letters published by Bentley, 1862-4. No mention is made of this Index in either COPAC or WorldCat's listings of copies of the Life and Letters. Very scarce.

12mo, 10 pp. Stitched. In original red wraps, with title and illustrations printed on the front in red. Good, on lightly-aged paper. An attractive pamphlet, with the illustrations accompanying sections entitled Summer and Winter. At end: 'The text was set in 12 pt. Bodoni by A. File and A. Morris and the machine work is by D. Jackson and B. Dove'. Scarce: no copy on COPAC.

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

12mo, 1 p. Text clear and complete. Fair, on lightly-aged paper. Lucas's handwriting is not straightforward, and the recipient's name is unclear. His 'Shakespeare drawings' are 'first rate'. Lucas retires 'into private life again' on the Monday, when 'O. S.' returns.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

64pp., c.8.5 x 12.5cm, fair condition, covers faded to beige rather than blue. Inscribed (slightly faded) on front cover Gertrude M. Powys | Easter 1945 | from Alyse. Alyse Gregory, American suffragist and writer, wife of Llewellyn Powys. Gertrude Powys, artist sister of the Powys brothers. The title-page has been inscribed by the husband of a member of the Powys Society who was giving the booklet to Margaret Eaton, bookseller (Peter Eaton), also a member of the Powys Society. Enclosed: Photograph, 15 x 8cm, probably of aged Llewellyn Powys reading a book