CHARLES

A bibliographical landmark: the first issue of the first volume in Pickering's series of 'Diamond Classics' 32mo: [ii] + 185 + [i] + [i]. Engraved frontispiece portrait of 'Horace' by R. Grave, facing engraved titlepage, which precedes the letterpress titlepage. On the reverse of the leaf with p.185 on its recto is a portrait of Sir Francis Bacon, captioned 'Advancement of Learning.' On the page facing this are the 'Corrigenda.' Tight copy, on aged paper, with a few dogeared pages, in contemporary black russia binding with boards and spine ornamented in gilt and title 'HORATIUS'.

12mo, 3 pp. Bifolium with mourning border. Good: lightly aged and with a slight bloom at the foot. Text clear and complete. Written to a business partner, and providing an insight into the everyday workings of the Edwardian book trade. The beginning of the letter appears to be a response to suggestions by Service of authors to write a book on Holland. Begins 'Dear Mr. Service, | We cannot employ Clive Holland again until he has at least put his "Egypt" into a shape in which we can venture to reprint it.

12mo, 2 pp. Bifolium with address on second leaf. Twenty-five lines. Text clear and complete. On aged, spotted and repaired paper. A significant letter, confirming Bowles's hitherto-tentative authorship of the 'Letters of the Ghost of Alfred', which was printed by Wright in 1798. Bowles informs Wright that he will 'receive some Copies of ye. Ghost of Alfred' the following morning. 'The price [I conceive] should be only 2/6 in boards there being but about 130 pages including thhe advertisements'.

12mo, 1 p. Twelve lines of text. Clear and complete. On aged and grubby paper. A formal letter in the third person. He has 'received with surprise the enclosed invoice. [not present] He has given no orders for any copies of the work & must therefore decline to accept the parcel, should it have been sent out to him in Australia.' If it is 'lying at his London house' he will forward it to the firm 'on his return home'.

Plain card, roughly 8.5 x 11 cm. Five lines of text. A little grubby, but good. Asking for his manuscript, so that he can 'correct the proof of the Introduction to Crashaw. It was written so many years ago that I can't always recall what I wrote'.

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

8vo: 11 pp. One diagram. Text clear and complete. In original printed wraps. Aged and in grubby white wraps with printed details of the paper. Two punch holes in inner margin. With ownership inscription by Ellis's father Abraham Charles Ellis: 'A. C. Ellis, 40 Belsize Park Gardens, NW3'. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R.

8vo: 8 pp. With tables. In original green printed wraps. Lightly aged, but good, with two punch holes in inner margin. 'With the author's compliments' by Ellis on front wrap. Brief calculations in pencil at foot of last page. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R.

8vo: 28 pp. Four figures and two tables. Lightly aged, but good. In original green printed wraps. Two punch holes in inner margin. 'With the compliments of the authors' by Aston on front wrap. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R. Mackintosh ('The Third Man: Charles Drummond Ellis, 1895-1980', Notes and Records of the Royal Society of London, July, 1995) to have been 'often referred to as the "Bible" of nuclear physics', with Ellis's contribution to the work placing him 'third among equals'.

8vo: 6 pp. In green printed wraps. Lightly aged, but good. Two punch holes in inner margin. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R. Mackintosh ('The Third Man: Charles Drummond Ellis, 1895-1980', Notes and Records of the Royal Society of London, July, 1995) to have been 'often referred to as the "Bible" of nuclear physics', with Ellis's contribution to the work placing him 'third among equals'.

8vo: 10 pp. Three figures. Lightly aged, but good. In original green printed wraps. Two punch holes to inner margin. 'With the compliments of the authors' by Ellis on front wrap. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R. Mackintosh ('The Third Man: Charles Drummond Ellis, 1895-1980', Notes and Records of the Royal Society of London, July, 1995) to have been 'often referred to as the "Bible" of nuclear physics', with Ellis's contribution to the work placing him 'third among equals'.

8vo: 11 pp. Five figures. Good, on aged paper. In original green printed wraps. Two punch holes in inner margin. 'With the authors' compliments' by Wooster on front wrap. Ellis was co-author, with Rutherford and Chadwick, of 'Radiations from Radioactive Substances' (CUP, 1930), a work said by A. R. Mackintosh ('The Third Man: Charles Drummond Ellis, 1895-1980', Notes and Records of the Royal Society of London, July, 1995) to have been 'often referred to as the "Bible" of nuclear physics', with Ellis's contribution to the work placing him 'third among equals'.

12mo: 8 pp. Dimensions of leaf roughly 13.5 x 11 cm. Lightly-spotted and creased, in creased and worn original purple wraps with title printed on front, and stitched with matching purple thread. An uncommon piece of Lucas and book trade ephemera, nicely printed. Beneath the title: 'President. W. J. Crawley. Principal Guests of the Evening. Sir Godfrey Collins, M.P. Edgar Wallace. E. V. Lucas. H. E.

8vo, 8pp. Unbound. Stitched as issued. Text complete and clear. Good: lightly-aged and creased. The order is on pp.1-3. Followed by (over five pages): 'SCHEDULE', consisting of 'Circuits of the Judges. Civil and Criminal.', 'Autumn Circuit. Criminal Business Only, except where otherwise stated.' and 'Easter Circuit.'

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

BM 13489. Landscape. On a piece of wove paper, roughly 215 x 305 mm. Good, on heavily-aged paper and with strip of blue paper mount adhering to the blank reverse. The title 'BERNADOTTE' is at the head, and the publication details and caption at the foot. Shows Bernadotte in martial pose and uniform, riding his white horse over a fearsome serpent. He wears a sash on which are written the words 'Leipsic' and 'Victory'.

4to: 1 p. Good, on lightly aged and spotted paper. Regarding 'certain verses concerning this street', Walpole will 'find an explanation of the whole circumstance in this week's Notes & Queries'.

12mo: 16 pp. Unbound. Stitched as issued. Aged and a little dogeared. From the Skey family archives, and inscribed by the author at the head of the title 'For my dear Mother.' A prose allegory, in small print, beginning, 'I thought there was an island whose rough craggy sides were lashed by the unwearying ocean.' Excessively scarce: no copy on COPAC or WorldCat. Skey was vicar of Weare for forty-five years, until his death at the age of 83.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.

On one side of a piece of wove paper roughly 275 x 230 mm. Printed and manuscript text clear and entirely legible on worn, creased and grubby paper with one small strip of paper repairing reverse. Crest of City of London at head. Two sets of four columns, side by side. The four columns are: 'Ships at Market', 'QUALITY', 'Ships sold' and 'PRICE'. The whole of the 'QUALITY' column in the first set is headed 'NEWCASTLE', containing 45 entries from 'Adair's' to 'Walls End Walker'.

Title continues: '[...] Aldermen, and Common Councell of the City of London.' 4to: 8 pp, paginated [ii] + 6. Trimmed (leaf dimensions roughly 165 x 135 mm) causing loss of the last line of text (the publication details beneath the word 'LONDON') on the title. Stitched as issued. Unbound. In poor condition, on aged, spotted and creased paper, with chipping to extremities and with the lower part of the last leaf torn away causing loss of around a dozen lines of text. A few lines in a contemporary hand on the first couple of leaves.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

On a piece of paper roughly 4 x 7 cm. Very good, on slightly discoloured paper. Reads '<...> 34 years of His Maies <...> | [signed] Arlington'. The second of the two versions of Arlington's signature reproduced by Rawlins ('Five Hundred Years of British Autographs', p.63, no.8). Arlington was the first 'A' in the CABAL ministry, the name made up of the initials of the five privy councillors who conducted Charles II's government after the fall of Clarendon in 1667: Clifford, Arlington, Buckingham, Ashley and Lauderdale.

12mo: 2 pp. Very good on lightly aged paper. Asks if it might be possible, as previously, to forward a packet to 'Mr. d'Abbadie': 'depuis deux ans je suis sans nouvelles de lui'. It is six months since he had the honour of forwarding a similar packet via the French legation at Lisbon. Good firm signature, but with the words '(Le comte de Montalembert)' in another hand beneath it, and interfering with the flourish (paraph).

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

All three letters 12mo. The letter to Jalabert (with a mourning border) is 2 pp, the others 1 p each. All three in good condition. The Jalabert letter (18 lines) mentions his wife and 'M. Goupil'. The Duvivier letter (6 lines) is a letter of introduction to a 'Monsieur Pietsch, artiste distingue de Berlin'. Asks him to give the artist 'toutes les facilités pour visiter l'Hémicycle de Delaroche et la galérie des Plâtres'. The letter to the woman (11 lines). His return has been delayed by the death of the King of Portugal.

12mo, 2 pp. 12 lines of text. Creased and ruckled, with a little smudging. Difficult hand. Asking the recipient 'd'aller passer une soirée avec nous'. Laid down on a piece of paper which is attached to the blank reverse of the second leaf of the bifolium is a slip of paper (roughly 2 x 9 cm) carrying Eastlake's signature ('always truly yours | [signed] C. L. Eastlake').

12mo, 1 p. Five lines of text. Very good on lightly aged paper. Good firm signature. He is sending the first issue of the 'Revue Synthétique' and proposes an exchange of that magazine for the one that the recipient edits.