MOVIES

1p., 4to. On aged and worn paper. In response to Duncan's advertisement in 'The Stage', he asks whether he would be 'interested in the famous cartoons, in colour, which, with the signature of "Spy," used to appear in "Vanity Fair."? I have about seventy in good condition, all published between 1860 and 1885'. He also offers 'several volumes of old plays - some of them over 140 years old, and asks whether Duncan 'might care to drop in and have a look at these "treasures. | But, give me a tinkle on the 'phone first as I am rather a busy Man.'

On 5 x 12.5 cm slip of good-quality laid paper. In good condition, lightly aged. In blue ink, and simply consisting of the christian name above the underlined surname: 'Maurice Chevalier'.

Both items in fair condition, on lightly-aged and creased paper., the typed letter having a few autograph notes by Craig at end. ONE: ALS. 4pp., 8vo. He begins by telling Craig that he has been worrying about 'how to get your dope for you'. He is going to get in touch with 'Say & Drier', but does not know how the latter will react, 'being pro German you know - in the Guard Cuirasiers of the Prussian Guard in the last war'.

ONE: Christmas card. 12mo bifolium, with coloured illustration of Christmas candle on cover. Pearson writes: 'FOR [corrected from 'from'] | Edward. A. Carrick | from his old inspirer | George Pearson | 1970'. The association between the two men was warm.

7 + [1]pp., 8vo. Stapled. In good condition, with lightly-rusted staples. Delivered on 1 December 1947. Introduction reads: 'The Governors of the British Film Institute feel that the contents of the following lecture of sufficient interest to justify their presentation to a wider audience. It should be noted, however, that the opinions expressed by Mr. Farley are not necessarily in agreement with the policy of the Bristol Film Institute.' Only three copies on COPAC and now scarce.

2pp., 12mo. On tinted paper. In fair condition, lightly aged and worn. The letter begins: 'Dear Gen. Townshend | Won't you come with me to the Famous Players Ball on Wed. eve? | I am going to ask Miss Balfour. We can all dine here at my office at 7 on that eve - & have time to see later a litttle entertainment prior to the dancing.' He offers to present him to 'some of our leading lights in the picture world especially Elsie Ferguson who is now playng in Arnold Bennetts "Sacred & Profane Love' (which appeared in 1921).

Both items in good condition, lightly-aged. ONE: 2pp., 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' [ the Society of British Film Art Directors and Designers, of which Craig was a leading light], and in the light of these circumstances Irving feels compelled to resign. 'It is [...] unlikely that I shall design any more films.

In a 28 x 22 cm album, with 'PREMIER PRESS SERVICE' label on cover, also carrying 'PERCY NASH, Esq' in manuscript. Cuttings and album in fair condition, lightly aged and worn. Of the 55 cuttings, 28 are laid down in the album, with the other 27 loosely inserted, some of the latter backed with card, and others with labels of Durrant's and other cuttings agencies. Publications include: Star; South Wales Echo; Era; Stage; Glasgow Citizen; Nottinghamshire Guardian; Yarmouth Independent; Bioscope; Evening News; Sunday Express; Aberdeen Evening Gazette; Daily Telegraph; Kinematograph Weekly.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

1p., 8vo. In fair condition, on aged and worn paper. He thanks him for thinking of his birthday, and taking the trouble 'to bring me that sherry'. He has not yet sampled it, as 'it's a bit too hot for anything but water, just at present'. He will telephone him, as he doesn't 'feel cocksure' about his address. He ends with regards to 'Mrs George'. In pencil in another hand at head: 'Here it is, George | C.A.S.'

2pp., 4to. In good condition, on lightly-aged paper, with slight wear at head of second leaf. She begins: 'I always love to receive a letter from England, especially at this time of year when I become especially homesick, thinking of April at home with the bluebells and the primroses out! Your description of the forget-me-nots, tulips, fruit-blossm etc . . .

1p., 8vo. In good condition, on lightly-aged paper. He has 'not played cricket for twenty years, so you had better not count on me!' He will 'try to turn up as a spectator', and if Cathrey will send him a card, he will make 'a special effort to do so at Mesa, whichh I have visited several times'.

In blue ink on one side of a 10 x 16 cm piece of white card with Forbes's name printed at the head. In very good condition. He thanks him for the 'kind and interesting letter': 'I particularly liked your nostalgic reference to snak where I had many a meal "on the slate"!'

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

Good firm inscription on 19.5 x 16 cm letterhead. In good condition, lightly aged and creased, with slight rust staining to top left-hand corner from paperclip. Inscription reads: 'Sincere best wishes | Don Ameche'.

Good firm inscription on 18 x 16 cm leaf of blue paper removed from album. Reads: 'To Ann | with very Best wishes | from | Sabu | THE THIEF OF | BAGHDAD | 1939'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

Thre leaves, last leaf blan, folion, fold marks, small closed tear on middle fold, mainly good condition. The agreement covers "Improvements in and relating to Colour Photography and Colour Cinematography" a Patent Application #5271/28 20th Febryaury 1928. Signed C.A. Bolton and Anthony Bernardi, with the Company Common Seal of Raycol, witnessed by two directors and a secretary.

1p., 4to. On aged paper. Printed in block capitals at head of letter: 'Experienced actor-dramatist and film adapter. Author of plays and films produced in England and America. Expert in "Dramatic Construction" gained in years of practical experience on the stage, and in films. Adapts stories to the talking films, the bigger the story with opportunities of being developed on a large scale, the better.' Addressed to 'Commander L. A. da Costa Ricci | Naval & Military Club, | 94 Piccadilly | W'.

Advance Prospectus, four pages, 4to, bifolium, fold marks, small closed tears along folds, sunned, minor staining, good condition. A detailed view of the state and potential of the Motiuon Picyure Industry is give (commercial, entertaining, educational, growth, attraction of stage stars, etc.) but apparently the invention of a fraudster.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

Black and white studio photograph, postcard format (14 x 9 cm). Laid down on leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12.5 x 8 cm, captioned at foot 'JOHN STUART' and, in smaller type, 'PHOTO BY | L. PROTHEROE'. Stuart's inscription, in bottom right-hand corner, reads 'Best wishes | Sincerely yours | John Stuart'. Stuart's two Hitchcock films were the director's debut 'The Pleasure Gardens' (1925), and 'Number Seventeen' (1932).

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.

Both items on 'Bebe' letterheads, and both with signature 'Bebe' incorporating a drawing of a stick figure with hat. Letter One: 12mo, 1 p. Twelve lines. Good, on lightly-aged paper. With addressed envelope. She is sorry they missed one another 'at the station, especially after all the trouble you went through to get there'. Gives news of show: 'Boy, it will be good to get back to town again. | I have enjoyed the tour but as you know travelling nowadays isn't what it used to be, by a long shot.' Letter Two: 8vo, 1 p. 21 lines.

12mo, 2 pp. 19 lines of text. Clear and complete. Fair, on lightly-aged paper. Begins 'Just a line to tell you we miss you like mad & hope you are well & happy. Praises a 'dinner at Mary's'. They hope to call on Colleano when passing through London on 'Sunday Nite'. Ends 'Well honey, keep us in mind & we will see you soon - Our very best to Bonar Jr. [Colleano's son the film actor Bonar Colleano]' Postscript 'Billy sends his best'. Coogan was married to Ann McCormack, his third wife, from 1946 to 1951. From the Colleano Family archive.

Letter: 4to, 1 p. Twenty-six lines. Text clear and complete. On aged and worn paper, with a couple of holes, light staining and indentations. Addressed to 'Jon', whose book, with a 'chapter pertaining to the Taylor case' Long 'would like very much to see'. Long encloses the copy of 'Taylorology', of which he writes, 'Despite my intentions, there was only one issue due to very poor response -- only a dozen subscribers.' He boasts that his 'collected material on this case', 'primarily newspaper clippings', 'weighs over 30 lbs., with more information coming in every week'.