HALL

A total of six parts: Vols I and II complete in leather bindings; the rest (vol. III, pts I & II, and vol. IV, pt II, only) in original grey wraps with white paper printed labels. From the collection of the Rev. Joseph S. Cook, and with his bookplate by Bewick's studio (featuring his coat of arms, an illustration of Newton Hall, and a facsimile of his signature) in the first two volumes, and his ownership inscription to the two parts of vol. III. (Cook contributes a paper to the first volume.) Internally all parts are sound and tight, on lightly-aged paper.

Studio portrait photograph on postcard, captioned 'RENA HALL | MUSICAL SPECIALITIES'. Fair, on lightly-aged paper. Depicts Hall in highland costume with bagpipe under her arm and an accordion on a plinth. Inscribed 'To dear Rubye | In memory of Happy days | Love, Rena | 1937'. 'Laddie Cliff and Rena Hall' performed in front of George V and Queen Mary at the Royal Variety Performance, Coliseum Theatre, London, 1923. From the Colleano Family archives.

Both items good, on lightly aged and creased paper, with both texts clear and complete. The Minstrels' Gallery referred to in the letter was held in the vicinity of Hamilton's estate Sandon Hall, Staffordshire. Written a few months before Hamilton's death in the celebrated duel with Lord Mohun. Bromley to Hamilton: Autograph Letter Signed, 8vo, 1 p. 23 lines of text. Bifolium, addressed on reverse of second leaf 'To his Grace Duke Hamilton in St. James's Square | London.', and docketed 'Mr: Bromley 7:th June 1712 about the Minstrill court & that Holden the Attorney had with drawen'.

12mo, 1 p. Aged, grubby and creased, with slight loss to bottom left-hand corner, and closed tear to one margin. Requesting 'one or two choicest leather trout-fly books with plenty of pages, but not those with printed descriptions of flies'.

For more information relating to this influential series of concerts, see 'Pursuit: The Uncensored Memoirs of John Calder' (2001). Seven items, including two duplicates. Text of all items clear and complete. In fair condition, but with one side of a duplicate advertisement heavily sunned (see below). ONE: Typed Letter Signed ('Ian Hamilton') from Hamilton to Conn (husband of the poet Jeanne Conn), 12 February 1960. 4to, 1 p. Eighteen lines. Responding to Conn's criticisms, explaining reasons for cutting short discussion and cancelling part of the programme, and giving future plans.

8vo, 1 p. Text clear and complete. On creased and lightly-aged paper. He is glad that Sir Thomas appreciates 'the seriousness of our position', and the reasons for asking Hatchards 'to release Mr. Edgeley to us for approximately six months in order to enable him to concentrate mainly upon the rehabilitation of this business'. Not a minor matter; according to one source the firm had '2,217 branches and 1.3 million books in circulation by 1934'.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

8vo, 24 pp. In original grey printed card wraps. Disbound. Text clear and complete on aged paper. Wraps with some damage at spine caused by disbinding. Compliments slip loosely inserted, bearing a simple pencil sketch of a face in profile. A few light pencil annotations.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

Scottish soldier and diplomat (1755-1843). Four pages, octavo. Good, though grubby on discoloured paper, and a little frayed about the edges. Concerns 'the Subject of Issues which are made by the Barrack Department in North Britain to the Forces stationed in this Part of the United Kingdom, but which are not sanctioned by The King's Warrant'. '[...] | I conceive the Establishment of Regimental Schools to be highly conducive to the good of His Majesty's Service, and peculiarly so in the case of 2d.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

The cover is printed on one side of a piece of shiny art paper, roughly 20.5 x 13 cm. Photograph of Kubelik and his violin roughly 10.5 x 8 cm. Paper lightly creased and with slight wear along vertical fold across middle of photograph. Good firm signature.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On one side of a piece of wove paper roughly 220 x 280 mm. Good, on lightly aged and creased paper, with a few short closed tears to extremities. Cheaply but effectively printed in a variety of point sizes. Reads '£1 REWARD | LOST, on Monday Evening, December 16, either on the Motor-bus between Oxford and Witney, or in Witney, A Lady's Gold Wrist-Watch & Bracelet | Engraved on the back, P.E.B., Dec. 28, 1921. | A Reward of £1 will be paid to anyone bringing the same to the Police Station at Witney, or to the County Police Station, New Road, Oxford.'

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

8vo: 16 pp. Unbound and stitched. On brittle, discoloured paper chipping at extremities and with the first and last leaves detached from one another. All but the first four pages consisting of a 'list of Original Papers, published by resident members of the University during the years 1886 and 1887', compiled to indicate the 'extent to which the country is indebted to the endowments of the University'. Including works by J.J. Thomson, Francis Darwin, George Darwin. Scarce: no copy in the British Library and the only copy on COPAC at Cambridge University Library.

Letter: 12mo, 4 pp. Bifolium. Text clear and entire, but with the outer pages grubby. He has 'no wish to annoy other members of the Court family', so it will 'go no further'. 'It is cool of Miss Court to talk thhe confidence of her own home, when she made the statement to Mrs Bulkeley in her own drawing-room.' Suggests that Draper send 'the Postmistress' a 'reminder'. 'She is so accustomed to threatening letters from her creditors' lawyers that she possibly may disregard this.' Asks him to 'make her understand that withholding an apology may have sharp consequences'.

12mo, 3 pp. Very good on lightly aged paper. Asking whether Gladstone would consent to the placing of his name on the list of the Institute's Council, 'to fill one of the vacancies'. 'You would be of great service to us in so doing - and the calls on your time would not be numerous - about a dozen times a year'. Six lines in shorthand (by Gladstone?) on the reverse of the second leaf of the bifolium.

12mo, 4 pp, 40 lines. On slightly grubby and creased paper, with a couple of tiny closed tears. Paulet writes that he has been 'saying much in [Smith's] favor' to 'Sir W. Gage' [Admiral Sir William Hall Gage (1777-1864), a member of the Board of Admiralty]. Gage considers the certificate Paulet has given Smith 'of no use to you without your received from the Adm[ira]l. the appointment of Gunnery Officer and that you had better lose no time in applying to me for a certificate for the time that you were actually doing the duty of gunnery officer'. Paulet reckons this 'from the time of Mr.

One page, 12mo. Good, with blank second leaf of bifolium mounted on larger piece of card, which is docketed with biographical information. Right-hand side of leaf very slightly cropped, resulting in loss of last digit of year. Bold, clear signature. Reads 'Madam. | According to your request I beg to sign myself | Your obedt Servt | F. Cavendish'.

4to, 1 p. Good, though lightly aged and creased. He apologises for the liberty he takes in addressing Espinasse 'as one of the Benchers of Grays Inn', and hopes it is not 'wholly improper' for him 'to say a word in favor of Mr Nares, and [sic] old fellow Colegian [sic] of mine [Lockhart was educated at University College, Oxford], who is a candidate for the Chaplaincy of your Society'. Describes Nares as 'an honorable & learned man, a good divine, exceedingly well connected'. Considers that he 'will prove [...] an acquisition to the Society'.

12mo, 2 pp. Very good. Attractive letterhead with engraved illustration of 'Renishaw Hall | Derbyshire' (last word crossed out by Sitwell). Written in purple ink. Asks if there is 'anything to be made of a curtain-raiser, or short film, which wd. show Napoleon catching the cold, which lost him the Battle of Waterloo? . . It is an amusing idea.' He considers that it is 'sure to have been some very silly person who sneezed at him . . . Or is the idea nonsense!'

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.