MANUSCRIPT

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, 4to. Signed ‘Michel Kovatchévitch’. On aged and worn paper. Folded twice for postage, with closed tears at edges of vertical fold, and nicks and creasing along one edge. He is working on a biography of Frederick Aldridge, ‘tragédien noir de langue anglaise (1807-1867)’, and asks for help in establishing the date of his debut, ‘dans le rôle d’Othello, au Royalty Theatre’.

In 1809, at the Battle of Aspern, the author of this work, the Archduke Charles, became the first man to defeat Napoleon Bonaparte. In 1814 his ‘Grundsätze der Strategie, erläutert durch die Darstellung des Feldzuges von 1796 in Deutschland’ was published in three volumes in Vienna. A French translation appeared in 1841, but there is no record of an English one (although JISC does throw up a work with a similar title published by ‘A Kearsey’ in 1928, the only copy it lists being in the National Army Museum).

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 12mo. Signed ‘Leslie C Staples’. In fair condition, lightly aged, with some creasing to corners. Folded twice for postage. Presumably written following a meeting of the Fellowship at Drury Lane, where MP was press officer. ‘My dear Popie / I cannot say how grateful we all are for the truly wonderful afternoon you gave us yesterday. A million thanks’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author, but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published, but it was probably the London magazine ‘Everybody’s’, for which MP contributed a weekly column. ONE: 4pp, 4to, double-spaced, on four leaves.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and folded for postage. Addressed to ‘My dear Popie’ and signed ‘Yours / Clarke’ [sic]. In the previous year CR had published his autobiography ‘With a Twinkle in my Eye’, and he is now looking for an ‘opinion’ from MP that he can use for publicity purposes.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Three items: a page with a quotation from Dickens, and list of characters in MP’s autograph; and two copies of the speech. Text entirely legible throughout, but on worn and creased paper MP is not named as the author, but the item is undoubtedly his work: one of the two copies has autograph emendations in pencil. ONE: Typed Notes for ‘Dickens Fellowship Speech’. 2pp, 4to. Begins: ‘Comment on previous speaker’s points. / Dickens the great Englishman - more than that the great man of the Middle Classes.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) A nice piece of theatre and photographic ephemera. Vickers has five items in the National Portrait Gallery, which provides the following information: ‘John Vickers began his career by working as assistant to photographer Angus McBean in the 1930s. From 1939 until the time of his death, he ran his own studio. After the war he became well known as a theatre photographer working for theatres including the Old Vic.

See the two men’s obituaries in The Times. 1p, 12mo. With thin mourning border. On aged and creased paper, with nicks and closed tears to edges, and slight loss at one corner. Folded twice. He is enclosing a programme for ‘Foundations of Music / Tuesday, March 26th’, ‘in which you are taking part’. He gives the time for ‘The rehearsal and balance test’. ‘Both transmission and rehearsal at Broadcasting House.’

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The Clan Chattan Association is a confederation of highland clans. 2pp, 4to. In fair condition, lightly aged, with slight creasing to one corner, and rust staining from paperclip. Folded twice for postage. Addressed to MP’s London address in Coventry Street. ‘I’ve heard about your James MacQueen. His name appears in quite a few locally published papers &c. on Culloden. His new teeth are quite famous up here.’ He accepts the proposal for an article: ‘if you could go to 900-1000 words I’d be happy’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Both items in fair condition, lightly aged and creased. Pinned together. ONE: DM to MP. Signed ‘Mollie and Donovan Maule. / (Mollie Shiells)’, but the husband is clearly the author. 1p, 4to. Folded twice for postage. He thanks him for his ‘inspiring book’ on the Haymarket Theatre. ‘My wife and I (both ex-Haymarket artists) feel inseminated ith fresh optimism and jope while battling with the municipal authorities and Kenya Government to establish the first professional theatre ever known here.

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Letter: 1p, 4to. On cream paper. In good condition, lightly aged and creased. Folded twice for postage. The letterhead, headed ‘”The Meaning of Versatility” / Fred Lewis / Creating a good impression.’, has an illustration of a series of footprints up the left margin, some with faces in them, and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The subject of MP’s article is the press agent and publicist Guido Orlando who came to the United States from Italy with his family in 1917. (MP may have come into contact with Orlando in his own position as press agent for Drury Lane and other theatres.) He was most active in Hollywood from the 1930s to 1960s. His papers are in the Academy of Motion Picture Arts and Sciences Margaret Herrick Library.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. On light-blue paper, with letterhead in dark-blue and red. Signed ‘Ralom’, with ‘RALOM & ROSA’ typed beneath. In good condition, lightly aged. Writing to MP at the Evening News, London. ‘There has [sic] been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession.

A unique and irreplaceable item in the field of women?s education: the earliest archives of the first institution in the world to award academic qualifications to women (or, as Mrs Alec Tweedie put it in 1898, ?The first College open to Women?), founded in 1848 by theologian and social reformer Frederick Denison Maurice. Consisting of around 340 different pieces of printed ephemera, dating from between 1853 and 1912. Laid down in a nineteenth-century album, with cloth spine and marbled boards, of 102pp, folio. Openings numbered 1-52, with leaf 43/44 lacking.

From the papers of the evident recipient, theatre historian Walter James Macqueen-Pope. See his entry, and hers and her husband’s, in the Oxford DNB. 2pp, 12mo. Large bold signature ‘Sybil’. In fair condition, lightly aged and worn. Folded once for postage. The letter almost certainly relates to the unveiling ceremony of the Ivor Novello Memorial at the Theatre Royal, Drury Lane on 2 May 1952. The bust, by Clemence Dane, was unveiled by Thorndike with the reading of a poem by Mary Ellis. The preent item reads: ‘My dear. Of course I[’]ll do anything you want me to do for our beloved Ivor.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Interesting London ephemera: the plans for the Refectory Club were clearly ambitious, but there is little to be gleaned about it, and it is unclear whether it even opened. Zinkeisen and her sister Dora are the subject of a 2022 monograph by Philip Kelleway, Emma Roodhouse and Nicola Evans. The four items in good condition, lightly aged, but with rust staining from a paperclip. Folded for postage. ONE: Typed Letter to MP, signed ‘D Mallett’ (but with ‘For Secretary’ typed beneath this). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, foolscap 8vo. In fair condition, lightly aged and creased. Begins: ‘Dear Mac, Im going great and I dont use THE MIKE. I enclose Bill of Last Week / I first Worked 60 Years ago. Mac I want to get. to Broadcast. THIS. IS. Your. LIFE / I Started when I was 9 Year Old. Im now 82. Can anyone beat my Record.’ He gives details of booking at the ‘Metropoliton [sic] Music Hall Edgware Rd. I was first there. 1901. NOVEMBER 4 Weeks / Of cours [sic] I was There many Times. Mac you ought to try and get me on Television. or. Radio.

From the Macqueen-Pope papers. See MP’s entry and those of various members of the Harmsworth family in the Oxford DNB. The three items are in good condition, lightly aged, with the first with rust staining from paperclip, and all three folded twice. Each signed ‘Geoffrey Harmsworth’. ONE: 9 August 1951. 1p, 8v. He doubts whether MP will remember their previous meeting. He is ‘engaged on a full-length Life of Northcliffe’ (written with Reginald Pound, and appearing in 1959), and is having to do ‘much digging to find out information about the early days’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) For several decades Humphrey Joel was a leading British commercial photographer, providing the London magazines with scenic and architectural views. In 1914 he was described as the ‘Special Photographer to Fry's Magazine’. 2pp, 12mo. In fair condition, lightly aged and creased. The letterhead incorporates a reproduction of a drawing of Dryden Cottage. Signed ‘Humphrey Joel’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. Aged and creased, on discoloured high-acidity paper. Folded twice for postage, and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri, with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / (The Singing Anzac) / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named, but is presumably the recipient.

From the Macqueen-Pope papers, and evidently received by him. (See his entry in the Oxford DNB.) Of Dunn an online source states: ‘On the 10th of November 1917, the Stage Gossip feature in the Yorkshire Evening Post recounted the career of Finlay Dunn, a stage actor. According to the report, Dunn performed as what he refers to as a stand-up comedian.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Poke’s two letters are in good condition, lightly aged, the second with slight rust spotting from paperclip; the carbons of MP’s letters to Poke on aged, worn and discoloured cartridge paper. ONE: Poke to MP, 12 March 1951. 3pp, small 4to.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 2pp, 4to. Sixty lines of text. Aged and worn, but entirely legible. Signed ‘H. F. Maltby’ and addressed to ‘My dear Pope’. Most of the letter concerns the tomb of ‘Maggoty’ Johnson: ‘I first met that interesting old gentleman over forty years ago, when I was playing at the Theatre Royal Macclesfield with the late Mrs Bandman-Palmer. It was my landlady who advised me to visit the tomb as one of the objects of interest in the place.