EIRE

See the entry on her second husband George Wyndham in the Oxford DNB. Wyndham had been appointed Chief Secretary for Ireland a few months previously (October 1900). His plans were ambitious, but after some success they would flounder, leading to a nervous breakdown: within four years of the present letter the Prime Minister Arthur Balfour would write to Lady Wyndham that was ‘utterly ruined’ and ‘really hardly sane’. See also the ODNB entry on the recipient. 4pp, 12mo, with text concluding crossways at top of first three pages. Bifolium with mourning border. In fair condition, lightly aged.

An interesting correspondence, with one editor showing his experience in discussing the reviews he is writing for another. See Cockburn's entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are ruckled and stained from water damage, with smudging of the signature (?Claud Cockburn?

Within a couple of years of his death Norbury’s nickname was given as ‘the hanging judge’ (see ‘The Georgian Era’, vol.2, 1833), and yet no mention is made of the fact in his entry in the Oxford DNB. The present document is 1p, 4to. On the recto of the first leaf of a bifolium. In fair condition, lightly aged.

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded. Drophead title: ‘No. 8 (New Series) August 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded, with small closed tear at head of first leaf. Drophead title: ‘No. 7 (New Series) July 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

A scarce item: the only copy on COPAC at Trinity College Dublin. (WorldCat records a German library holding). See the entry on the Society’s founder, Rev. Alexander Dallas, in the Oxford DNB. The organisation, which still operates, is a controversial one. It was founded to convert Irish Roman Catholics to Protestantism, and the attitude of those involved can be gauged by the fact that its members considered the Potato Famine a judgement on the Catholics and made relief conditional on conversion, and that the Bishop of Tuam evicted tenants for not sending their children to Protestant schools.

See his entry in the Oxford DNB. 2pp, 12mo. The letter was torn in two vertically, and has been taped back together, with the tape going over the downstroke of the ‘y’ in Bryce’s signature. It also has a spike hole. Otherwise in fair condition. Addressed to ‘Dear Mr. Marshall’ and signed ‘Bryce’. Marshall’s telegram has followed him into the country, ‘& it is now too late to express the opinion you ask for’, although that would in any case ‘be really superflous because I said upon Tuesday the 14th. Novr.

From the Macqueen-Pope papers. See his entry, and that of Power, in the Oxford DNB. The seven items are in good condition, lightly aged and worn. ONE: Typed article titled ‘The Other Tyrone Power / by / W. Macqueen-Pope.’ Undated. 11pp, 4to, paginated 1-9, with two-page ‘Inset’. With a few minor autograph emendations. Begins: ‘At the present moment, Mr Tyrone Power, “in person”, is appearing at the London Coliseum in a play called “Mr Roberts”.

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, on lightly discoloured paper, with thin neat strip from windowpane mount adhering to edges. Sixteen lines in a neat and stylish hand. Signed ‘T. Crofton Croker’. The recipient is not named, but is clearly John Bowyer Nichols, editor of the Gentleman’s Magazine, in whose number for April 1839 appeared an article, with engraving, by ‘E. I. C.’, on ‘Winchester House, Broad-street, London.’ Croker begins his letter: ‘My dear Sir, / I return E. I. C’s account of Winchester House.

According to Russell’s entry in the Oxford DNB, while reporting on the Civil War, he was described by one American newspaper as ‘the most famous newspaper correspondent the world has ever seen'. The inscription on his memorial in St Paul’s Cathedral calls him ‘'the first and greatest of War Correspondents'. He coined the phrase ‘thin red line’, was instrumental in the sending of Florence Nightingale to the Crimea, and is said to have written the report that inspired Tennyson to write ‘The Charge of the Light Brigade’.

The present item gives the text of the poem described by Byron as 'the most perfect ode in the English language' before its first publication in the Newry Telegraph in April 1817. See Wolfe’s entry in the Oxford DNB. The source of the present item is unclear. It is a photographic facsimile, many decades old, on both sides of a 4to leaf. In fair condition, slightly creased on browned paper, with negligible loss to margin at head. With five creases from folding. Addressed to ‘John Taylor Esqe / at the Revd Mr. Armstrong’s / Clonoully / Cashel’.

See his entry in the Oxford DNB. ‘Rambles in Ireland’ was published in 1912, with illustrations by Jack B. Yeats. On one side each of four 4to leaves of aged and worn paper. The first leaf carries a covering page on which is the typed word ‘KINSALE’; above this Lynd has written in pencil: ‘26 / Rambles in Ireland / (By Robert Lynd) / Chapter VII’. The three pages which follow carry the text: title and 21 lines on the first, and twenty-five lines apiece on the second and third.

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

See Tyndall’s entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Written in purple ink with bold flowing signature. Addressed to ‘John Symonds Esq’ (in the 1870s Symonds was Chairman of the Library Committee of the Corporation of London). Reads: ‘My dear Sir / Most willingly would I permit your friendly letter to draw me towards you to day. But I am bound with a chain. / I was glad to learn that Lady Morrison was your niece. She is obviously drawing out the inherent tenderness of a nature whose intellectual side has won general renown.

See his entry in the Oxford DNB. On strip of paper, roughly 10 x 3.5 cm, cut into an irregular rectangular shape. On one side is the valediction: ‘Yours very sincerely / Harry Plunket Greene’. On the other a fragment of three lines of the letter: ‘[...] I hope no [...] / started that things [...] / go on well. I am part[...]’. See image.

See his entry in the Oxford DNB. On 11 x 5.5 cm rectangle cut from the foot of a letter. In fair condition, aged and lightly creased, with traces of glue from mount adhering to the blank reverse. Folded once. Reads: ‘Yours in great haste, / most cordially / Thomas Moore’. See image.

2pp., 12mo. On leaf with mourning border. In good condition, lightly-aged, with neat repair to a short closed tear. He is returning a memorandum, 'which is quite correct & may be acted on', and has made a payment of £380 to his account with Drummonds Bank.

Lithograph. Landscape, 51 x 76 cm. In fair though fragile condition and worthy of framing, although aged and with a few small holes repaired. Weakened folds mainly repaired on reverse.. A determined Redmond marches to the right of the picture, large green flag of 'IRISH INDEPENDENCE' over his right shoulder, in his left hand three chains, linked to the noses of Asquith (with 'HOME RULE' paper under his arm), Lloyd George (holding a 'BUDGET BILL') and Winston Churchill (carrying a 'HOME DEPARTMENT' paper), who follow submissively.

8pp., folio. Unopened. On aged high-acidity paper, with wear along central vertical fold, and chipping to extremities. The article is unsigned, and covers the whole of the front page and p.5 (which is headed 'Ireland won't be fooled again.') and ends on p.6. An inflammatory piece of writing, as the following paragraph indicates: 'Good-bye, Tommy! | Firstly, the army of occupation has been taken from Ireland. Dozens of ships were steaming in and out of Dublin Bay for a week, taking away the men who held this country for England before Mr. Redmond offered Mr.

Both the letter and the accompanying document are in fair condition, on aged and worn paper. Both items signed 'Dion: Lardner'. ONE: Letter to Dickinson & Co. 1p, 12mo. He wishes to add 'these few lines' to 'the enclosed business letter' (not present), 'to aprise you that from the private knowledge I have of the parties interested in the business that I am of opinion that they are entitled to serious attention.

A multi-talented figure, Denis Johnston was a protégé of W. B. Yeats and Bernard Shaw, and had a stormy friendship with Seán O'Casey. Jonathan Swift was a preoccupation of Johnston's (see his 1959 book 'In Search of Swift'), and his play about him, 'The Dreaming Dust', was first produced at the Gaiety Theatre, Dublin, in 1940. It was published in collections of Johnston's plays in 1954, 1960, 1977 and 1983. This 1988 version remains unpublished. Both typescript and letter in fair condition, lightly aged.

Rectangle of paper, cut down from a larger page, with corners trimmed at the diagonal. In fair condition, lightly aged. Laid down on a piece of card. Reads: 'It is good not to eat Flesh, or Drink Wine, or do anything whereby a Brother may be caused to stumble or be made weak. Romans C. 14. V. 21. | Theobald Mathew | September 12 1843'.

3pp, 12mo. Bifolium. In fair condition, on aged paper with traces of glue from mount on reverse of second leaf. The letter begins: 'Dear Miss Cole - | It is kind of you to invite Mr Raj - I have forwarded yr message to him, & told him to answer it himself. He is a very good young man studying just now for his degree in London University - a friend of [Kesemb Amrinder Senj?] & a member of the [Brahur Somcij?] (Church of the One God - of India)'. She knows nothing else about him, but 'the [Brahures?] all come to him by right'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

Rectangle of paper, cut down from a larger page, with corners trimmed at the diagonal. In fair condition, lightly aged. Laid down on a piece of card. Reads: 'It is good not to eat Flesh, or Drink Wine, or do anything whereby a Brother may be caused to stumble or be made weak. Romans C. 14. V. 21. | Theobald Mathew | September 12 1843'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

Written at a crucial time in the run-up to the foundation of the Abbey Theatre. As Horniman's entry in the Oxford DNB states: 'In 1903 Yeats lured Annie to Dublin where he hoped her backing for productions by the Irish Literary Theatre would bring more of his poetic dramas to the stage. To her delight Yeats invited her to design his play The King's Threshold. Annie soon realized she was administrator rather than artist, and the atmosphere of an amateur company directed by three playwrights—Yeats, Lady Gregory, and J. M. Synge—was never congenial.