LITERATURE

12pp., in original buff wraps, with 'EIGHT POEMS' in red on front cover. In good condition, on lightly-aged paper, with rusty staples. A nice production, With the name 'Robert Lynd' added in manuscript, probably by Bax himself, in a space provided on the title for such personalisation. Uncommon: the only copies on COPAC at the British Library, National Library of Scotland, Edinburgh and Cambridge.

Item One: From Havengrove. On reverse of printed 12mo prospectus for the first issue of 'Poetry Folios' magazine (which appeared in 1942), edited by Comfort and Peter Wells. 1p., 12mo. Fair, on aged and creased paper. He thanks him for his letter. 'It is appreciation of this kind that makes one want to go on writing. [...] I wish I could meet you.' Item Two: From Havengrove, on letterhead of 'Poetry Folios'. Undated. 2pp., 12mo. Fair, on lightly-creased and aged paper.

1p., 8vo. Good, on lightly-aged paper, with traces of previous mounting along two edges. Headed, in a contemporary hand: 'Given to Mrs. Richards by Miss Calhoun Fanshawe'. 22 lines of verse, in couplets. Signed in the bottom right-hand corner, apparently at a later date than the rest of the text: 'William Sothbey | Sepr 26 - 1804'. The extract - possibly written out by Sotheby for an acquaintance - begins: 'Sweet Isle!

Each of the thirty poems ends with the typed name 'Louis How'. The collection is in good condition, on lightly-aged paper, with each poem printed on one side of a 4to leaf. There is no record of any of the thirty being published. Six of the poems have minor manuscript emendations, and several include minor corrections in type. A prolific poet, in 1915 How was grouped with Amy Lowell and Ezra Pound in an article by Zoe Akins in Reedy's Mirror (published in his native St. Louis).

1p., 12mo. On thick deckled-edge paper. He apologises for the delay in sending a copy of his 'Iron Pirate', due to a delay in receiving it from the publishers.

The engraving, which is not in the collection of the National Portrait Gallery, is on a piece of 19 x 14 cm paper, with tissue guard. The image measures around 8 cm square, and shows Landor's head in profile, looking to the left, with 'A. D'Orsay' beneath to the left, and 'H. W. Smith' beneath to the right. In good condition, lightly-aged, with small stain to one edge of border. Attached to a piece of paper, along with the piece of Landor's autograph, which is on a 1 x 18.5 cm strip of grey paper cut from a letter, and is in fair condition, lightly-creased.

2pp., 4to. An excellent letter, stylish and charming, and a lucky survival. In poor condition, apparently as a result of fire damage: with wear and chipping repaired with archival tape.

ONE (memorandum): Headed: 'Memorandum of an Agreement between Messrs: Henry S. King & Co: of 65 Cornhill London of the one part and Mortimer Collins Esqre. of Knowl Hill, Twyford, Berks of the other part.' 19 March 1872. 1p., folio. In fair condition, on lightly-aged and worn paper. Pencil annotations. Five stamps at head (four embossed and one ink).

1p., 12mo. On aged and ruckled paper, with pinholes to one corner. He is 'in the thick of this "Week in the Country" business'. 'When I come to town I'll come & see you about your proposition of the series for the Grand Magazine, but I'm a rotten short story writer, you know.'

3 ALsS, on letterhead of The Athenaeum journal, 12 March 1919; 102 Edith Grove, Chelsea, 16 July [no year]; on letterhead of 5 Acacia Road, St John's Wood, 'Sunday' [no date], total 5pp., 8vo and 12mo.First, he begins: 'You know I've been put in charge of this. Probably you were responsible for the job being offered me - at least I don't know who was, if it wasn't you. | I hope you will be able to write for us.' Postscript reads: 'As for Bertrand Russell, I haven't read the book. But I warn you that it is difficult for me to be humourous at any time, and impossible in this case. B. R.

ALS, signed in her maiden name of Dorothy Brooke, on letterhead of 3 Arkwright Road, Hampstead; 8 April [1937], 2pp., 8vo. She expresses grief on the death of her first husband Sir John Reeve Brooke (1880-1937). '[...] of you in particular he often talked, when we had seen you, with admiration and joy - it was a particular pleasure to him when he had seen a person or heard them talk, to go over again what had been said, and your talk particularly charmed him. [...] | Don't forget me dear Robert, though I have no charming Reeve to bring you, love me a little for his sake'.

ALS, on letterhead of the City Art Gallery, Leeds; 10 March 1916. He offers to review 'Rebecca West's forthcoming little book on "Henry James"', being 'particularly interested in both author & subject'. Asks for contact details of a relative of Walter Riddall's: 'I lent him before his death one of my "To-Day" volumes which I can't replace & don't want to lose.'

344pp., 4to. 26 essays (one of them in two parts), comprising 332pp. in manuscript and 7pp. in typescript, with three full-page illustrations, and five printed pages at the start. In good condition, on lightly-aged paper, in worn and rebacked blue buckram binding, with an elaborate design in the style of Walter Crane in gilt on front board, depicting a Grecian maid plucking apples, incorporating the words 'The Portfolio Socy.', a Latin motto and the date 1894. This design is duplicated in print on the recto of the first leaf of the volume, with the date '189' completed with a '4' in pencil.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

Address panel, c. 13 x 8cm, edges sl. ragged, mainlky good condition.The reverse is blank apart from remnants of glue for prior laying down, and the identification of John A. Murray as "Lord Advocate | M.P. Leith". The Bannatyne Club, founded by Sir Walter Scott, in 1823, disbanded 1861. David Laing "had an antiquarian turn, and was the first Secretary of the Bannantyne Club on its foundation on 27 February 1823. In 1826 he was elected a Fellow of The Society of Antiquaries of Scotland. He became Librarian of the Signet Library in 1837, gave up the bookshop and sold the stock.

1p., 4to. Addressed on reverse, with red wax seal, to 'C. W. Dilke Esq:'. Hayward writes that he is enclosing a note (not present), which was sent to him 'in one to me received only today though apparently written on Wednesday last. A d - d foreigner kept it in his pocket in the interim.' Clearly referring to a fee for an article, he continues: 'The lady will be quite satisfied with what you name, but I suppose it may stand over till she does something else'.

The 'Ape' cartoon: 21.5 x 32.5 cm. In good condition, on aged paper, with a neat horizontal fold 4 cm up from the bottom. Hayward's autograph note: 1p., 32mo. In good condition, on aged paper. It reads: 'Mr Heywood presents his compliments to Viscountess Combermere and has much pleasure in accepting her invitation to luncheon on Wednesday 21 June. | 8 St. James St | June 9'.

Book: [xii] + 95 pp., 8vo. In fair condition, in original green cloth and worn yellow dustwrapper. Inscribed on front free endpaper: 'For Tom Driberg | With Good Wishes | Robin Skelton | May 1960'. With review slip, on the reverse of which Driberg has written: 'Blake | Graves | Frost | Plomer'. Skelton's Letter: 2pp., 12mo. 20 lines. Good, on lightly-aged paper. Regarding the book he writes that he has 'added a note to the preface to the 2 Ballads of the Muse', which he hopes 'doesn't too much spoil the layout'. He thanks Driberg for his interest in his work.

Three pages, 12mo, bifolium, sl. staining ( remnants of laying down process on album leaf), good condition. He has sent a copy of his latest book to Gurney ("A Salad of Stray Leaves" (pub. 1882), with illustrations by his friend Phiz, Hablot K. Browne, who died in the year of publication). It's "to be published on Monday. | I find so little todo with the chisel that I am fain to employ my pen." The family is holidaying in Margate, and the air is having a beneficial effect on his son's health.

3pp., 12mo. Bifolium. Good, on lightly-aged paper. In original envelope, with stamp, three postmarks and red wax seal, addressed by Southesk to 'John J. Baron Esq. | 48 Griffin Street | Wilton | Blackburn | England.' Unaware that Baron is a barefaced autograph hunter, he expresses regret that, having no copies of his own works to hand, he is 'unable to accede to the very gratifying request of the lady referred to by you, as desirous to have two verses of my poems, in my own handwriting'.

2pp., 4to. 53 lines. Fair, on lightly-aged paper, with minor traces of previous mounting at head, and a light and unobtrusive water stain. The letter is headed by Rose 'Y.M.C.A. B.A.P.O.2 B.E.F. France'. Regarding Sheppard's recently-published 'Quest of Ledgar Dunstan', Rose writes: 'You have a wonderfully keen mental eye which sees everything with extraordinary sharpness, & you have a literary hand which etches with just & delicate touch. The book is also one of singular intensity of feeling which carries the reader along fascinated & thrilled.

1p., 16mo. Fair, on aged paper, laid down on piece of card. '1349' in blue pencil at head of page. The letter reads: 'Thank you for the cheque. He ought to have paid for two, as both appeared in November. | - | Yes, I have another copy of . | - | [signed] M. Hewlett'.

1p., 12mo. Fair, on aged paper, with slight wear and loss at head. The leaf has been trimmed down to 21 x 16 cm., with rounded corners, around the poem's decorative border. The poem consists of 96 lines, in twelve eight-line stanzas; it is arranged in two columns beneath the title: 'ON THE WING. | BY JOHN LAWTON.' First stanza reads: 'I wor thinkin one neet wol sit i mi cheer, | Wot thowts enter sum people's pates; | Wot useful invenshuns they'n plan'd everywheer | To benefit people un states.

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

Handbill, one page, crudely coloured border with images of a black troubadour with banjo[?] , a native American, and a trapper [?], 26 x 17cm, three stanzas each eight lines plus chorus, edges chipped, laid down on a larger page. Commences, "Oh! listen a while., a story I will tell; | It will please you to death, I know berry well [...]" Decorative border signed "E A Sparks" ("Printed within colored pictorial border (De Marsan trapper border J, in Wolf, E. Amer. song sheets)." One copy of this imprint listed by WorldCat, two of another imprint (later).

2pp., 4to. 41 lines. In fair condition, on aged paper. He begins by stating that 'Yellow Sands' 'only touches social questions by the accident of the plot. Socialism is a word the definition of which no two people appear to agree about. Ask a dozen Socialists what they understand by their faith & they will each tell you something different.' The opinions depicted in the play are both 'clear' and 'foggy', 'but it is [in] no sense propagandist - I hate propaganda in art.' He goes on to discuss his own views: 'I am not a socialist.

1p., 12mo. 10 lines. On bifolium. Good, on lightly-aged paper. She explains that her only publications up to that point are 'Stormbeaten and Weary' and 'Spectre Stricken' ('a Christmas Story'). 'I wish to remain unknown until I can write a book I consider sufficiently good to have my own name - for this reason I have called myself "Evelyn Burne".'

Both essay and letter on aged and brittle paper, with some chipping to extremities (not affecting text). Both are written in a tight, close hand. The letter: 2pp., 12mo.

1p., 4to. He thanks Stanford for sending 'the carbon' of his 'warm review' of Litvinoff's novel ('A Death out of Season'). He missed the article and the note Stanford wrote 'about my autobiographical sequence' in the Scotsman, but is now iinterested to see from the review that Stanford is 'nursing the idea of a 'Forties memoir. Amazingly, few of us have written about the decade. I shall be getting around to it one day also, I hope.